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304 pages, paperback. Serpent's Tail Classics edition, with a foreword by Hanif Kureishi. Originally published in 2006. The sixties began in the summer of 1956, ended in October 1973, and peaked just before dawn on 1 July 1967, during a set by Tomorrow at the UFO Club in London. That is Joe Boyd's thesis, delivered in the opening pages with a precision that is obviously a joke and obviously not. He was in the room. He built the room.
This is the sixties memoir that survives re-reading, and the r…
234 pages, paperback, 14 x 17cm. Over 200 flyers, compiled by Masala Noir, Paris. Nobody was supposed to keep these. A flyer is made to be handed out on a Tuesday, read once, and dropped in the street on the way to the show. It has a job, the job lasts about four days, and then it is rubbish. That is the whole reason this book exists and the whole reason it is worth having: what you are looking at is the accidental survival of a form designed to be thrown away.
And what a form. No budget, no cli…
490 pages, hardback, with 60 black and white photographs. Foreword by Francis Ford Coppola. Published by Oxford University Press. Voltage control. Two words, and everything downstream of them: the oscillator that tracks a keyboard, the envelope that shapes a note's attack and decay, the ladder filter that gives a sawtooth its wet, vocal edge. These are the grammar of the instrument, and they are almost all his. Anyone who has turned a cutoff knob has touched Bob Moog's thinking. He died in 2005 …
292 pages, 244 x 170mm, with figures and music examples. Published by Cambridge University Press in the Music since 1900 series, paperback. Zagreb, June 1961. On the programme: Karlheinz Stockhausen, Pierre Schaeffer, Mauricio Kagel, Witold Lutosławski, the Darmstadt serialists, the tape pieces coming out of Paris, Milan and Cologne, and the experiments of John Cage. In a communist country that had spent the previous fifteen years under socialist realism, with closed borders and almost no contac…
312 pages, paperback, with 8-page photo insert. 150 x 215mm. The first extended biography of Albert Ayler ever published in English, and it took twenty years to build. Part life story, part case file, and long overdue. Richard Koloda is a musicologist and a practising lawyer, and both trades show on every page. He was a long-time friend of Donald Ayler, Albert's trumpet-playing younger brother; a consultant on Revenant Records' ten-CD retrospective Holy Ghost: Rare And Unissued Recordings (1962…
Within all things audible, sine waves are arguably the simplest, yet most fundamental elements. They are consists of a single frequency and cannot be stripped back any further. On the other hand, as stated in the Fourier theorem, virtually all complex sounds can be broken down into a series of simple sine waves. In 2020, I was invited by Nicolas Bernier to create a work centred on sine waves as part of his collaborative research-creation project at the University of Montreal. Thinking about such…
Edition of 30 (!) Eight pieces by the graduating artists of the Nordic Sound Art programme, issued in 2015 by the Royal Danish Academy of Fine Arts in an edition of 300, compiled by Jonas Olesen, who coordinated the programme throughout its life, and supported by the KUNO Publication Fund.
Nordic Sound Art ran from 2007 to 2015 as a joint study programme within the KUNO network, shared between the art academies of Copenhagen, Helsinki, Bergen, Tromsø and Umeå. Students spent a year moving betwee…
Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the point where literal sense gives way. Davachi turns that idea on the study of instruments and timbre, disciplines she sees as long governed by empirical, neuro-cognitive and modernist assumptions. Her objection is not that measurement is wrong but that it…
*70 copies limited edition* Paratexts, by definition, are everything that stands beside (‘para’ in Greek) the main content of a work, or the so-called “body text” of a book. The reading performance Sounding Out (Reading Paratexts) explores this “beside” as a site and sounds out paratexts as testimonies of the labour and collective efforts behind the making of a book. What kind of bodies emerge when we read dedications, acknowledgements, colophons or editorial notes? They can unsettle the notion …
Los Angeles, 1985. Every Sunday after midnight, on KTTV Channel 11, an independent commercial television station, something appeared that had no business being on commercial television: Alice Coltrane, appearing as Turiya, broadcasting devotional wisdom, meditation and music straight into the Californian night. The programme was called Eternity's Pillar. It ran until 1988, then vanished, thought lost for decades, until seventeen episodes surfaced from broadcast master tapes held by the Coltrane …
Eternal Rhythm: Conversations and Travelations with Don Cherry and Graeme Ewens is the book on Don Cherry we have been waiting for - not a biography written from the outside, but a portrait built from the inside, from hours of cassette-taped conversations recorded since 1979 by writer Graeme Ewens, a confidant, travel companion, and close friend of Cherry. Published by Ars Nova Workshop, this is an intimate, free-flowing document of one of the most unique and innovative voices to emerge from the…
*75 copies limited edition* Plumes emerges from a long-term sonic and ethnographic exploration of the Étang de Berre, a coastal lagoon near Marseille, France shaped by industrial pollution and ecological disruption. Recorded between 2021 and 2024, the album captures fragile entanglements between human activity and more-than-human life. Using hydrophones, ultrasonic detectors, and parabolic microphones, Bullock and Silva probe the lagoon's submerged acoustics, bat echolocations, and the overlappi…
*75 copies limited edition* Created from field recordings gathered during a 2023 residency in the Brazilian Amazon, Sonavira explores the intersection of ecology, culture, and sound. Captured in the rainforest, along the Amazon River, and near the Balbina Dam, these recordings reveal a dense sonic environment where wildlife, indigenous presence, and the sounds of modern infrastructure coexist in uneasy harmony. Its title combines Latin and Romance-language roots associated with sound, life, grow…
On Pillars, Francesca Flora & nobile build a haunted architecture out of nothing but voice and machinery. Flora’s sighs, screams and murmurs are dissected and reassembled into slow-motion laments and grotesque lullabies, as if Ballard’s singing statues had learned to confess, choke and glow from within.
Edition of 120 copies. The missing chapter, at last. Two of the most elusive records in the Alga Marghen catalog - one-sided LPs pressed in editions of 80 and 29 copies, available only inside long since vanished boxsets - are finally united on a single LP. Oeuvres sonores completes the series of records issued in relation to alga marghen's presentation of the work of Charlotte Moorman at the Centre Pompidou between 2008 and 2013, and appears in a final edition of 120 copies only. Moorman remains…
"In many senses, this is a music of distances. We’re listening to the 6000km that resides between the players’ respective locations in Ithaca, USA and Wiesbaden, Germany. We’re listening to field recordings of two separate walks – one in each of these locations, each walk precisely 3km in length – which adopts the role of a “score” within this collaboration. We’re listening to distinct slithers of time, as guitars and electronics are later overlain upon the field recordings, gracing these locati…
Doug Aitken in collaboration with Grant Gershon. Produced by Austin Meredith and Rodaidh McDonald. Performances by the Los Angeles Master Chorale and the Los Angeles Philharmonic. 180g blue vinyl in an embossed, gloss-UV outer sleeve
Two of experimental music's most uncompromising minds, together at last, and never once in direct contact. Kevin Drumm and Taku Unami made Zero Talk without ever speaking to each other. It started in late 2024, when producer Jon Abbey asked Unami to master Drumm's Sheer Hellish Miasma II. Unami was thrilled: Drumm is his favorite musician. Drumm loved the result. Even then, the two never really talked, Abbey spoke to each of them separately. In mid 2025 Abbey proposed a collaborative Erst. Both …
A Sudden Burst of Noise is a study in the equivalence between rotational frequency, material structure and sonic form. Following the core idea of the Brutalism project, architecture and infrastructure are treated not as backdrop but as structural agents. The radio telescope, its reinforced-concrete body, its rotating mechanics and its scientific function, serves as the compositional framework: rotational movement becomes rhythm, structural tension becomes texture, measured cosmic data becomes so…
Ben Edge’s paintings capture a unique vision of British calendar customs and folklore. Although we have seen a resurgence of interest in these matters of late, when he began painting folk traditions in the last decade, Ben was an anomaly by virtue of placing such subjects at the centre of his practice. Folklore Activist is a 40-page visual primer showcasing Ben’s artwork alongside an in-depth interview with Weird Walk, plus the print debut of his essential Folklore Activist Manifesto.