The Poet's Poet (Tape)
** Limited edition of 60 * Excellent readings, live and in the studio by this grandmaster of American poetry. Stanley Jasspon Kunitz (July 29, 1905 – May 14, 2006) was an American poet. He was appointed Poet Laureate Consultant in Poetry to the Library of Congress twice, first in 1974 and then again in 2000.
In What's Missing, Is Where Love Has Gone
* 2022 Stock * This soundtrack was originally produced by Mordant Music as part of the exhibition with the same title by Chris Petit at Decad in Berlin, inspired by a freeze frame accidentally rendered from Petit’s late-night viewing of Nicolas Roeg’s The Man Who Fell To Earth.
"In a time of such free-floating anxiety and bad political hair, with everything running on empty, it’s hard to think of anything in terms of show or no show . . . I find myself thinking about an image of an entertainer, …
Rire / Laugh / Lachen
300 copies The record Rire, Ridere, Laugh, Lachen comes from the homonymous piece about laughing as laughing of the Berlin artist Antonia Baehr. In front of a score and with her hands on the turntable, Baehr explores this expression as a sovereign entity, in separation from causal baggage; jokes, tickles, narrative, humor, joy, looking at the thing itself: the sound and shape, the music, choreography and drama, the rhythm and the gesture of laughter. For the listener, contamination is an unavoi…
Sound Commitments (Book)
Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Writings on Music (Book)
In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind.W…
This Life of Sounds (Book)
This Life of Sounds portrays an important and previously unexplored corner of the history of new music in America: the Center of the Creative and Performing Arts int eh State University of New York at Buffalo. Composers Lukas Foss (the Center's founder), Lejaren Hiller, and Morton Feldman were the music directors over the life of "the Buffalo group," during the years 1964-1980. Based on Foss's plan, the Rockefeller Foundation provided annual fellowships for young composers and virtuoso instrumen…
Rethinking Reich (Book)
Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourte…
États-Unis Bundle III
Includes five albums: etat16 - Various - I.D. Art #2 (LP) etat17 - Le Forte Four / Doo-Dooettes - Live at the Brand (2xLP) etat18 - Various - Blorp Esette Volume One (LP) etat19 - Smegma - Glamour Girl 1941 (LP) etat20 - Various - Sound (LP)
Glamour Girl 1941
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Blorp Esette Volume One
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Live at the Brand
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
I.D. Art #2
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Labyrinthus: hic habitat Musica (Book)
The phenomenon of “graphic” scores has been a subject of fascination, controversy, and a flourishing of artistic talent since its inception in the aftermath of the Second World War. The scores of that age, despite their compelling visual presence, nevertheless remain elusive: the means of performance are obscure, and they resist conventional analysis. This study reconsiders graphic scores from the perspective of Information Theory, derived from studies of “ergodic” texts: the ergodic score requi…
Vogelsang / Vogelsong / Vogelsung / Vögelsäng
** 100 copies ** Alga Marghen proudly present the new 4CD edition of the complete cycle titled Vogelsang / Vogelsong / Vogelsung / Vögelsäng from 1977, available now with new artwork and issued in an edition limited to 100 numbered copies. If the idea of recording birds could have come from his friend Hans Krusi (this was a common practice for Art-Brut master Krusi who layered into primitive multi-track sonic sculptures the recordings of the many birds sharing his living space), Anton Bruhin is …
Synthesizer Evolution
Synthesizer Evolution: From Analogue to Digital (and Back) celebrates the impact of synths on music and culture by providing a comprehensive and meticulously researched directory of every major synthesizer, drum machine and sampler made between 1963 and 1995. Each featured instrument is illustrated by hand and shown alongside its vital statistics and some fascinatingly quirky facts.
666: The Hymn to Lucifer (Book)
** Limited edition of 30 * 27x20cm folder containing 12 prints. First published by The Diggers / Communication Company, San Francisco, 1968 "Frank Reynolds was secretary of the San Francisco chapter of the Hell’s Angels through most of the 1960s. Beat poet Michael McClure collaborated with Reynolds during poetry readings and published his interview of him as “Freewheelin Frank, Secretary of the Angels” in 1967. Reynolds’ LSD and amphetamine fuelled Hymn to Lucifer was published the following yea…
Gapassipi
Stunning 40-page hardback book & CD entitled Gapassipi, a 1995 sound installation by Magnús Pálsson (b. 1929) edition of 200, each signed and numbered by Pálsson himself Gapassipi. With an oeuvre constituted by book art, sculpture, sound poetry, and performance, Magnús Pálsson is considered one of the most influential proponents of interdisciplinary, Fluxus-adjacent practices in Iceland during the late 20th century. With connections to non-Icelandic artists such as Dieter Roth, Philip Corner, a…
Mahler (In/a) Cage - Casetta di Composizione - A Musical Physiognomy of the Soundscape
The Mahler (in/a) Cage field recording work involves the recording, in situ, from the Casetta di composizione (Composition house) in Dobbiaco/Toblach (Bozen), of the soundscape in which Gustav Mahler composed his last works from 1909 to 1911 and in particular The Song of the Earth (Das Lied von der Erde). The recording session took place over two summer days, from July to August 2020 from 5 am onwards, in the period of the year in which Mahler himself resided in Dobbiaco to compose at the beginn…
Offering
Tip! Offering is Mark Harwood’s second LP and is an album of songs about geography and placement and the way people choose to move across the surface of our planet. His simple tools of acoustic guitar, voice, tapes and bric-a-brac give Mark the freedom and clarity of vision to offer hope in song to those who choose to hear him. Offering is more than we deserve in these lousy times - it is calm and it is forgiving, but it is also sharp and can cut. It is wise and all-inclusive but Offering is nev…
Inside Computer Music (Book)
Inside Computer Music is an investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years. This book combines detailed research into the development of computer music techniques with nine case studies that analyze key works in the musical and technical development of computer music. The book's companion website offers demonstration videos of the techniques used and downloadable software. There, readers can view …