Sound Art / All styles

100 copies. Six volumes in a slipcase (I–VI) plus a multiple, signed & numbered. English/German. A singular act of archival reconstruction, mounted in faithful keeping with the wayward spirit of its subject. Edited by An Paenhuysen, Die Tödliche Doris - Dossier gathers six independently bound volumes inside a slipcase to assemble one of the most thoughtful and idiosyncratic portraits yet attempted of the legendary West Berlin group and conceptual constellation. Among the most enigmatic figures t…

Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for…

A bold analysis that exposes the racist policing of Black music. The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way. Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal …

Hardcover, 527 pages, 21×27 cm! In the mid-1990s, four thick, annual issues of Ongaku Otaku magazine were published. Operating from San Francisco, California, the goal was to spread the word about the compelling independent music being produced in Japan. With dozens of interviews and articles, and many hundreds of reviews, the magazine was an influential voice, sharing words about Aube, Cornelius, Yamamoto Seiichi (Boredoms, Rovo, Omoide Hatoba), Shizuka, Jojo Hiroshige (Hijokaidan, Alchemy Reco…

Eighth Tower Magazine is a periodical publication dedicated to music and modern mythologies. It explores alternative and experimental sound practices, tracing connections between contemporary music, invisible cinema, and dark fiction. Eighth Tower investigates how modern mythologies are shaped, transmitted, and transformed. It is conceived as a space for reflection, documentation, and critical exploration, where sound, image, and narrative converge into a shared cultural landscape. Volume I - co…

In 1975 a young queer singer from Cleveland meets photographer Nan Goldin — an encounter that will lead them to New York’s bombed-out downtown, where something unprecedented is brewing. At Max’s Kansas City and CBGBs, in derelict lofts and underground clubs, a generation of visionary women artists is rewriting the rules of creativity, sexuality, and power. Adele Bertei didn’t just witness the No Wave explosion—she ignited it. As acetone organist for the Contortions and Brian Eno’s assistant, she…

Sound shapes our world in invisible but profound ways, and here Caspar Henderson brings his characteristic curiosity, knowledge and sense of wonder to the subject to take us on an exhilarating journey through the heard universe. A Book of Noises gathers together sounds from the cosmos, the natural world, the human world, and the invented world, and contains quiet pockets of silence. From the vast sound of sand in the desert to the tuneful warble of a songbird, to the meditative resonance of a te…

2026 stock Sacred Intent gathers conversations between artist Genesis Breyer P-Orridge (1950-2020) and longtime friend and collaborator, the Swedish author Carl Abrahamsson. From the first 1986 fanzine interview about current projects, over philosophical insights, magical workings, international travels, art theory and gender revolutions, to 2019’s thoughts on life and death in the the shadow of battling leukaemia, Sacred Intent is a unique journey in which the art of conversation blooms. With (…

2026 stock Temporarily Eternal is an emotional-visual summing up of a creative friendship between Swedish author Carl Abrahamsson and British artist Genesis P-Orridge (1950-2020) that lasted for more than three decades, and which was filled with musical projects, films, books, writings, conversations, travel, and a great deal of magic. This book both is and is not a companion to Genesis Breyer P-Orridge: Sacred Intent – Conversations with Carl Abrahamsson 1986-2019. It is, in the sense that the …

It has been 50 years since Norman Mailer asserted, ‘I think that William Burroughs is the only American novelist living today who may conceivably be possessed by genius.’ This assessment holds true today. No-one since then has taken such risks in their writing, developed such individual radical political ideas, or spanned such a wide range of media – Burroughs has written novels, memoirs, technical manuals and poetry, he has painted, made collages, taken thousands of photographs, made visual scr…

A deep dive into the meaning behind the hatred of jazz.

Established in the 1950s by musician and engineer Pierre Schaeffer, the Groupe de Recherches Musicales would become the nerve center for avant-garde artists experimenting with sound and acoustics, as well as the birthplace of a genre of music-making enabled by new recording technologies and sound pioneers: musique concrète. Évelyne Gayou—herself a researcher, composer, and producer at the GRM—tells the history of the storied institution through the people, works, technologies, and research devel…

Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the…

Pierre Schaeffer’s In Search of a Concrete Music (À la recherche d’une musique concrète) has long been considered a classic text in electroacoustic music and sound recording. Now Schaeffer’s pioneering work—at once a journal of his experiments in sound composition and a treatise on the raison d’être of “concrete music”—is available for the first time in English translation. Schaeffer’s theories have had a profound influence on composers working with technology. However, they extend beyond the co…

This ground-breaking biography is as much about Sun Ra’s music as it is about his passionate, often wildly unorthodox views on the galaxy, black people and spiritual matters. With the various incarnations of his inimitable Arkestra, his repertoire ranged from boogie-woogie to swing to be-bop to fusion to New Age, and his influence extended throughout the jazz and rock worlds. While Sun Ra made a lifelong effort to obscure many of the facts of his early years, he did acknowledge that he was born …

*2026 stock. 50 copies limited edition* The recordings on this release were made in conjunction with the first edition of the concert series "A Sudden Point of Balance" that took place in Västerortskyrkan, Stockholm 26 November 2023.

*2026 stock. 50 copies limited edition* A Sudden Point of Balance, Vol. II took place at Nacka Kyrka on March 8, 2024, featuring a blissful performance by XTC in the XIV and an austere psychoacoustic endeavor by Simon Hansson & Leo Bodén. Nacka Kyrka, built in 1891 in the neo-Gothic style, was complemented in 1983 by a parish house adjoining the church, designed by Carl Nyrén, who also contributed to the first edition of A Sudden Point of Balance with his design of Västerortkyrkan. The recording…

*2026 stock. 50 copies limited edition* This recording documents the third edition of the concert series A Sudden Point of Balance, held in the columbarium of Uppenbarelsekyrkan, Stockholm, on May 19, 2024. This edition included the performance of Monolit by Simon Hansson, presented as an installation for eight speakers.

Very rare lathe-cut 7", with the addition of a 7" anti-record, in an edition of only 5 numbered copies in metal sculpure sleeve by Ichiro Tsuji's extreme noise/industrial/experimental project, self-released on UPD Organization in 2012.

Very rare lathe-cut 7" in an edition of only 5 numbered copies in metal sculpure sleeve by Ichiro Tsuji's extreme noise/industrial/experimental project, self-released on UPD Organization in 2012. This is the 5th copy released without the addition of the anti-record.

* Limited Deluxe Edition - 200 signed copies - Heavyweight black vinyl, insert, 3,60m long leporello (accordion-style) Photo book, silkscreened cover. * Building upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated an…

7" multi-axial scratched anti-record in 12" sleeve by Frans de Waard's experimental music project, released by RRRecords in 1989 in a numbered edition of 200 copies.

Italian edition. "Music 109" prende il nome dall'aula della Wesleyan University dove Alvin Lucier ha insegnato per oltre quarant'anni. Il libro nasce da quelle lezioni, e ne conserva il tono: quello di un compositore che ti siede accanto e ti spiega, pezzo per pezzo, come funzionano le musiche più radicali del secondo Novecento americano. Nessun gergo accademico. Nessuna distanza critica. Solo la voce di qualcuno che c'era - che ha conosciuto John Cage, suonato con Robert Ashley, condiviso il pa…

Two of the latest releases from Tochnit Aleph - Daniel Löwenbruck's project, for three decades one of the most radical and consistent spaces in the international experimental landscape, now operating from Denmark - that share a common obsession: sound as act, as summons, as a gesture that the recording does not archive but transforms. El Llamado (Der Aufruf) by Mario de Vega and A Profound Loss of Meaning by Alice Kemp are two works that inhabit the threshold between performance and record - and…

On Diastima, Luigi Turra moves inside Sylvain Chauveau’s sparse graphic scores with a hyper‑reduced electroacoustic vocabulary, turning each page into a fragile interval of tension, suggestion and nearly vanishing sound.

On Waterforest, Yoichi Kamimura turns a multichannel installation into an intimate atlas of water and ice, braiding global field recordings into a quietly immersive study of climate, memory and the act of listening to landscapes.

Bomb! 328 pages hard-cover book, large format +  2CD of previously unreleased recordings. Keith Tippett (1947-2020) occupies a singular place in the history of British improvised music - a pianist of extraordinary range whose work moved fluidly between free jazz, large-scale orchestral composition, and solo improvisation of rare depth. Born in Bristol and trained first as a chorister, Tippett arrived in London in the late 1960s and rapidly established himself as a central figure in the city's cr…

Published by 180 Studios in 2025, this limited edition booklet accompanies data-cosm [n°1], the monumental new installation commissioned and produced by 180 Studios as part of their long-running creative partnership with Ryoji Ikeda - a collaboration that has spent more than a decade pushing at the boundaries of sound, light, and human perception. Conceived as both microscope and cosmos, data-cosm [n°1] is a total sensory environment in which the mathematical fabric of nature becomes something t…

John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result.I…

Computer World was Kraftwerk's most concise and focused conceptual statement, their most influential record and crowning achievement. Computer World transformed the way pop music was composed, played, packaged and released and, in the process, helped create entire new genres of music including hip-hop, techno, trance, electro, industrial and synth-pop. They influenced the influencers. Upon its release on 10 May 1981, the record was a revelation. It was unlike anything created for mainstream cons…

New York City in the 1970s was an urban nightmare: destitute, dirty, and dangerous. As the country collectively turned its back on the Big Apple, two musical vigilantes rose out of the miasma. Armed only with amplified AC current, Suicide's Alan Vega and Marty Rev set out to save America's soul. Their weaponized noise terrorized unsuspecting audiences. Suicide could start a riot on a lack of guitar alone. Those who braved their live shows often fled in fear--or formed bands (sometimes both). Thi…

So much, popular and scholarly, has been written about the synthesizer, Bob Moog and his brand-name instrument, and even Wendy Carlos, the musician who made this instrument famous. No one, however, has examined the importance of spy technology, the Cold War and Carlos's gender to this critically important innovation.Through a postcolonial lens of feminist science and technology studies, Roshanak Kheshti engages in a reading of Carlos's music within this gendered context. By focusing on Switched-…

Sorrow Tears and Blood offers a glimpse into the complicated social, cultural, and political phenomenon that is Nigeria.

The Dead C's Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous…

The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Naná's …

This comprehensive portrait of Tropicália, exploring everything from influences and results to context and main players, demonstrates how the genre helped reinvent Brazil's cultural identity in a post-colonial world.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied.Today shoegaze is undeniable. As a descriptor and as a source of influence, it is used in more ways and by more bands than anyone could have dreamed o…

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. In May 1945, the Allies defeated Nazi Germany, putting an end to the European front of World War II and the Third Reich. In the immediate aftermath, German youth were tasked to create their own culture. Krautrock is this unlikely success story, as hundreds of bands-including Kraftwerk and Can-seemed to sprout overnight in…

When you think of techno and electronic dance music, you first think of clubs and festivals, ecstatic dancers and enraptured DJs. But in which spaces is this music actually created? Artists' studios and writing rooms of authors and composers have long been the focus of public attention and research. The studios of DJs and electronic music producers, however, have so far remained largely hidden. They can be found in darkened basements, abandoned factories, garages, and backyards, in magnificently…

Second Edition of Supersédure 2. Eric La Casa and Seijiro Murayama use percussion and field recording like scalpels on everyday life, shaving tiny ruptures into routine until small, repeated gestures cross an invisible line and start to sound like events.