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In one of the last projects he conceived, interrupted by his premature death, Davide Mosconi chose to absolutize as ‘concrete’ sonic data the complete cycle of Wagner’s “Ring”. Mosconi, an artist equally divided between the sonic universe and the visual sphere, perhaps could not resist the temptation of picking up the torch to intentionally fan the flame of he who made the Gesamtkunstwerk one of the theoretical groundings of his futuristic ideology and therefore inspiring a never-more-to-be-soot…
2021 restock. "Includes liner notes & archival photographs. 1970 was an important year in Eliane Radigue's musical life since it was the year just before she acquired her ARP 2500 synthesizer. Since 1967, she had been using the feedback as a material; feedback from two tape recorders reworked through intensive studio techniques: slowing down, alteration, superimposition, montage. In 1970, the last year she dedicated to feedback, several milestone pieces saw the light of day: Omnht, a wonderful s…
Milestone reissue!! Here's the much needed reprint of Rolf Julius’ first and only (and almost impossible to find) LP from 1985 / Rolf Julius was the archetypal “sound artist“. He painted with sound, he colored with pitch, and his work demands the attention and open-mindedness of those who embrace modern art. He collected found sounds, and mixed them with prerecorded single tone notes which were then, electronically modified and filtered through tiny loudspeakers, transformed into music. De…
Legendary debut album from Japanese composer Jo Kondo, originally released in 1974 on the highly collectable ALM Records label (East Bionic Symphonia, Takehisa Kosugi, Somei Satoh, Yuji Takahashi, John Cage, Akio Suzuki). Since the early 1970s, Jo Kondo's compositions have stood on a concept he has named "Sen no Ongaku" (i.e. "Linear Music"), music consisting of a "line" of single notes, hocketted over different instruments. Over the years, the "line" of notes has gradually evolved a much thicke…
Third part in the reissue series of all Selten Gehörte Musik records. This is the Münchner Konzert 1974 performed by all-star artist line-up of Dieter Roth, Gerhard Rühm, Oswald Wiener, Hermann Nitsch and Günter Brus. Originally published as a 3LP-Box by Hansjörg Mayer in 1975. Now reissued as a double-CD set, packaged in illustrated LP-Gatefold sleeve (reproduction of the original artwork), with printed innersleeve and a reprint of the original fullcolour concert-poster by Günter Brus. Edi…
This documentary film directed by Anne-Laure Chamboissier and Philippe Franck, in collaboration with Gilles Coudert, brushes an intimate portrait of Bernard Heidsieck, pioneer in the sound poetry movement since 1955 and founder in 1962 of action poetry. The film takes viewers into Heidsieck's 'double life' as an artist and a banker, exploring his work through a series of conversations and seldom-seen audiovisual archives. Interviews with other major figures from sound poetry add to viewers' unde…
New composition by Berlin-based sound artist Stefan Roigk. "The Rising Of Matteo" is a highly dynamic and eclectic ride between directed feature, audio-art and faked diary. Out of field-recordings made during an artist-residency in Milano (at O') and the audio material of his recent installations, Roigk molds spatially complex and overlapping plattforms for tedious noises playing sonic protagonists in an exclusively acoustic audible theatre piece. The hypnotic swarms of organic chants, cascades …
Presented in tri-fold digipak sleeve. Alga Marghen presents the "sixSIXsix"th installment of its Golden Research Charlemagne Palestine archive series: CharleBelllzzz at Saint Thomas. These previously unreleased recordings of Palestine's "Bells Studies" are both some of his earliest recordings and some of his darkest and most accomplished works. In 1963, while attending The High School of Music & Art in New York, the 15-year-old Palestine was asked if he'd be interested in playing a 26-bell caril…
Alga Marghen presents a 2015 remastered CD edition of its 2003 CD The Wolfman, a collection of pieces that introduce the listener to the most extreme experimental side of American composer Robert Ashley. Presented in digipak with 12-page booklet including liner notes written by the composer and the complete score of "The Wolfman," first issued in Source magazine. The program starts with "The Fox" (1957), Ashley's first electronic work, which displays his nascent electronic music theater style. D…
Restocked, reduced price. Awesome catalogue raisonné of Dieter Roth’s work as musician and music publisher. There is a long list of records, CDs and cassettes that document the music of Dieter Roth. He played in many ensembles and made recordings, both in public concerts and in private spaces. One important series of audio documents is the collection of different records with the collective title Rarely heard music. These recordings were made in collaboration with friends and artist colleagues s…
First part in the reissue series of all Selten Gehörte Musik records. CD in printed CD sleeve packaged in fullcolour 12" LP sleeve (reproduction of the original artwork) and printed 12“ innersleeve featuring rare photos and an english text on Selten gehörte Musik by Gerhard Rühm. This is the reissue of the first SGM release from 1973. Recordings of the 3rd Berliner Poetsworkshop (First Berliner Musicworkshop) with Dieter Roth, Gerhard Rühm, and Oswald Wiener, Berlin 12th & 13th July 1973. Editio…
Sometimes We All Disappear documents the enduring collaboration between Canadian artists Jamie Drouin (suitcase modular synth, portable radio) and Lance Austin Olsen (amplified objects, audio cassettes). Recorded in Victoria, West Canada, shortly before Drouin’s move to Berlin, the album stands out for its sonic restraint, embracing environmental ambiance and field sound as active partners in music-making. Working with long takes and casual edits, the duo divides and rearranges their source impr…
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…
Surrealism Reviewed is a collection of spoken word recordings by Surrealist artists, writers and poets. Made between 1929 and 1963, these historic audio recordings include poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). The remarkable contributions by Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s.
Running for 74 minutes, wit…
Futurpiano showcases three influential avant-garde composers associated with the Futurist movement, by way of piano music composed between 1913 and 1933.
Arthur-Vincent Lourie was the first Russian Futurist musician, and a signatory of the original St Petersburg Manifesto in 1914. The five Syntheses written that same year offer a form of dodecaphony, while Formes en l'air from 1915 is a Cubo-Futurist conception using an innovative form of notation, dedicated to Pablo Picasso.
Born in the Ukraine…
Par Hasard is a unique collection of avant-garde music by Marcel Duchamp, Francis Picabia, Georges Ribemont-Dessaignes and John Cage, all composed during the first half of the 20th century using chance techniques and operations.All selections are performed on piano. Iconic French conceptual artist Marcel Duchamp conceived both of his Musical errata in 1913. One consists of notes drawn at random from a hat; for the second, balls are dropped through a funnel into wagons drawn by a toy train. "Exec…
Long unavailable only documentation of the tape work by conceptual artist John Perreault on Slowscan's collectable artist's records series, limited to 300 copies.
Liam O'Gallagher's audio work, People's Opera aka Aerosol/or the Computer That Couldn’t Hear: An Inter-Media Opera, features nine transistor radios (four tuned to FM stations and five to AM stations), a telephone system, and soloists on tambourine, flute, oboe, and French horn. Here are the notes on the presentation, by O'Gallagher's himself: “The ‘conductor’ signals the operators of the radios to approach the microphones or recede from them. Soloists play according to any predetermined plan. Tw…
Lovely collaborative work by Daniel Löwenbrück and Marcellvs L. on Ideal Recordings, edition of 300 copies. 45RPM LP for maximum sound quality. Composed of field-Recordings captured in Thailand, Iceland, and UK. Mastered and cut by Andreas 'Lupo' Lubich at Calyx, Berlin. Marcellvs L. (b.1980) is a renowned Brazilian Video- and Sound-Artist currently living in Berlin and Seydisfjödur, Iceland. His particular and radical production attracts attention by the intensity with which it associates philo…