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Another Timbre

Control And Its Opposites
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitting back a bit, seeking a wider focus. Wright gets nicely strident here and there, Coleman generally staying with breath tones early on, getting more vociferous later, Kasyansky hither and yon, doing a fine job integrating and coloring. There's a brea…
Meshes
Trombone, electronics and cello, the trio opts for a sparser, more irregular path, with perhaps a higher degree of difficulty. Two cuts, both emerging more or less unscathed, but somehow striking me as overly forced. Actually, it's a tough one for me to call; sometimes it has a searching quality that's very appealing, other times I hear it less as "searching" and more as "casting about". Again, I don't believe this series of discs are meant as statements or finished projects, more as snapshots; …
Loiter Volcano
The excellently titled Loiter Volcano was a constant source of somewhat surprising pleasure the first time I listened. "Surprising" because the general attack leans a bit more toward efi (I suppose "post-efi" has been appropriate for a good while) than I normally care for. But this mix of electronics, percussion and cello simply filled the space in a manner that held me rapt throughout. As with the other release featuring Dumont, it's partially about the textures and their creative deployment bu…
Centre Of Mass (For Cymbal And Resonant Objects)
Solo improvisation for cymbal and rotating objects
Scrub
A duo improvisation recorded in an exhibition space with several of Max Eastley's sound sculptures, and next door to a park where a firework display was taking place...
Dark Architecture
A duo improvisation recorded in an exhibition space with several of Max Eastley's sound sculptures, and next door to a park where a firework display was taking place...
A Life Saved By A Spider And Two Doves
As George Lewis recently said, it has become increasingly difficult to distinguish between improvised and composed music.   It’s a distinction he would like to see dropped.  For much of its length this delicately nuanced recording could quite easily be a formal electroacoustic composition, an impression strongly reinforced by the fact that Evan Parker sounds curiously unfamiliar in this new grouping.   He’s well used now to working with electronics, but this was a first convocation of this quart…
Endspace
Duo improvisations recorded at Goldsmiths College in South London
Hum
Quartet improvisations for trumpet, flute, harp and bass clarinet
Tasting
Recorded live at the June 2006 Jazz à Poitiers festival this little gem features the work of two truly extraordinary musicians, both of whom are giants from a technical and creative point of view: Phil Minrton and Sophie Agnel, an unusual and very welcome pairing in that ceaselessly changing world which is the improv scene. The former is well-known, and has the weight of many years’ experience on his shoulders, but refuses to give up and continues indomitably to explore the outer possibilities o…
Wanderer
Trio improvisations with Sophie Agnel - piano, Bertrand Gauguet - alto & soprano saxophones and Andrea Neumann - piano frame, electronic devices
Mouth To Mouth
Four compositions by the US-Chinese composer: 'Of Monsters' - Ingrid Lee, piano Merima Kljuko, accordion'Cells' - Ingrid Lee & Rowan Smith, amplified snare drums'Bead Spit' - Ingrid Lee, piano, Max Kutner, electric guitar, Tony Gennaro, percussion'Another' - Eric KM Clark & Andy Studer, violins, Heather Lockie, viola, Meldoy Yenn, cello, Jake Rosenzweig, bass & Tony Gennaro, vibraphone
Spiral Inputs
Trio improvisations with Sophie Agnel - piano, Bertrand Gauguet - alto & soprano saxophones and Andrea Neumann - piano frame, electronic devices
The Middle Distance
Trio improvisations for two pianos and double bass
And We Disappear
Trio improvisation for harp, double bass and percussion with Burkhard Beins - percussion and objects, Rhodri Davies - pedal harp and ebow and Mark Wastell - double bass, bow and beaters
Empty Matter
Electro-acoustic duo improvisations released August 31, 2019 by Lucio Capece - soprano saxophone, bass clarinet, preparations, sruti box and Lee Patterson - CD players, pick-ups, bowed springrods, springplate, hazelnuts
Arethusa
Wade Matthews, software synthesis & manipulated filed recordings, Stephane Rives, soprano saxophone
Maniera
With yet another striking and forward-thinking work of contemporary composition, Another Timbre returns with “Maniera”, their second outing with the Italian composer, Marco Baldini, following on from last year's brilliant “Vesperi” which sold out within weeks. Comprising seven works for various configurations of string ensemble, masterfully executed by Apartment House, that nod across time toward Italian polyphonic compositions of the 16th and early 17th centuries, the diverse history of Minimal…
Distant Musics
A portrait CD of the early music of US composer Paul Paccione, all 5 works being originally composed between 1980 and 1990. The pieces were recorded in 2023/2024 and are superbly played by Apartment House. Cover artwork by Anton Lukoszevieze.
shades
Portrait CD of Boston-based composer Nomi Epstein, featuring three chamber works from 2011 to 2023. Two of the pieces ('shades' and 'Sextet') were recorded by Apartment House in 2023, and 'sounds for Berlin' is a concert recording from Berlin in 2019. Thanks to Samuel Dunscombe for the Berlin recording, and to Heather Frasch & Rebecca Lane for organising the Vibrant Matters concert series of which it was a part. The other two pieces were recorded in London by Simon Reynell. Cover artwork by Amy …
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