★Bocian Records
Rupture & Dissipation
Recorded live in Sokolowsko, Sanatorium Dzwięku Festival 2016. Composition: Kasper T. Toeplitz. Played by: Ensemble Phoenix Basel.
Sombras
New recoerd form Uivo Zebra & Horns. Jorge Nuno - electric guitar. Hernâni Faustino - electric bass João Sousa - drums and percussion. Luís Vicente - trumpet. José Lencastre - alto saxophone. Paulo Galão - tenor saxophone. Pedro Arelo - baritone saxophone .
MID_EVIL
Improvisations recorded on the MID_EVIL album do not aspire to reconstruct the past. However, its ghost hauntingly looms over the whole project referring - if only by bone scraping sounds transmuting into the noise of prepared gramophone records - to sonic archaeology and the phantasms concerning the era of phonographic breakthrough. This material touches on issues concerning continuity in history and tradition, recording sounds and tones, as well as musical structures and practices.These are al…
Exhale- Volume 2
Tip! *200 copies limited edition*Erwan Keravec - bagpipes,Mats Gustafsson - piano mate and slide saxophoneRecorded September 13 and 14, 2017 by Martin Siewert, ViennaMastered by Martin Siewert, ViennaCover design/illustration: Lasse MarhaugPhotos by Mike KeysendalThanks to: "Stark Reality"Hans Falb and HeidiTitles inspired from Ted Huges "Crow" (Faber & Faber 1970)
Bass To Bass
Bocian Records presents Bass to Bass by Nina De Heney & Slawek Janicki. Recorded at Mózg Studio, on November 29th 2019. Sound Recording: Janusz Czado, Maciej Maciejewski. Sound Mixing and mastering: Michał Kupicz. Cover Artwork: Peter Jacquemyn. Design: ZbyZiel. Executive Producer: Mózg Foundation, Bydgoszcz Poland 2020. Co-Producer & Distributor: Bocian Records. Realized thanks to the financial support of the City of Bydgoszcz.
Umwelt
Bocian Records presents Umwelt by Lucio Capece (Gema): on bass clarinet, slide saxophone, cardboard tubes, analog synthesiser and filter, and Ben Vida (Bird Show/ASCAP): on Synthesis, sampling and digital arranging. Recorded in Brussels, Berlin, New York, 2016-2020. Mastering: Joe Talia. Graphic design: Ania Witkowska / Fontanna.
Polyptyque
Bocian Records presents Polyptyque by Nimitta. Performed by Massimo Pinca - Double bass, and Christophe Berthet - Soprano saxophone. Recorded in July 2017 at Studio de Agostini, Geneva by Marie Delorme. Mastering: Christian Gugenbuhl. Design: Renaud Goudal. Mixing by Marie Delorme. Cover art: Philippe Reymondin. All Compositions by Massimo Pinca and Christophe Berthet.
The Sea is Rough
The Sea Is Rough is only a single (released as a 12’’ EP, played in 45 rpm) that features 2 pieces, recorded by the Russian power-pree jazz outfit Brom (Бром) with Japanese legendary trumpeter Toshinori Kondo, known for his collaborations with innovative improvisers around the globe like Peter Brötzmann, Han Bennink, Henry Kaiser, Bill Laswell and Paal Nilssen-Love. This promising meeting of Brom and Kondo was recorded at Orange Studio, Moscow in March 2019. The first version of the title-piece…
Intuitive Mathematics
“Intuitive Mathematics” is illustrative improvisation registered with the use of percussion instruments amplified by piezoelectric sensors and an instrument I constructed myself called the Soundboard. I mounted metal springs, screws and tongues onto a pine board. Highly enhanced piezo amplification brings all sounds closer to the audience’s ears and allows them to hear rich harmonies of the percussion set as well as “non-musical” elements such as friction, shrieking or vibrations that occur insi…
Pedestal’s Complement
Pedestal's Complement is a recording of a concert from the Ambient Festival in Gorlice, which took place in July 2019. "All our performances are pure improvisation from scratch. I use the piano and the guitar, on which I play the e-bow bow. A lot of the sounds come from inside the piano, which is prepared. Jurek supports the Eurorack and Buchla modular system" - Andrzej Karałow.
Mineral
The Red Trio: Rodrigo Pinheiro (piano), Hernani Faustino (bass) and Gabriel Ferrandini (percussion), plus two guests; Gerard Lebik (tenor saxophone), and Piotr b (trumpet). Sweeping from turbulent to intimate with with a fluid sort of dialogue that could only come from players well versed in the art of improvisation.
Melodnie
Jerzy Mazzoll is a key figure of polish music over last twenty years. He is a bass clarinet virtuoso that goes deep into the tradition of Polish improvisers and contemporary music composers of the mid-twentieth century. He played in many bands such as Arhythmic Perfection, Pieces of Brain, Mazzoll & Arhythmic Memory. He cooperated, among others with musicians such as Roscoe Mitchell, Greg Fox, Django Bates, Peter Brotzmann, Jon Dobie, Alfred Harth, Peter Kowald, Vytutas Labutis, Jeffrrey Morgan,…
No End
**300 copies** "I guess it’s pretty difficult to look beyond the profile of a certain label if you think of new releases coming from it. With Bocian records who releases improvisational stuff or modern composition, sometimes more or less obscure drone noise aspects of the former two, I was pretty surprised to hear about Joanna John’s album. It was also intersting since I know her from her visual art side which doesn’t change the fact that it was a bit surprising to see her upcoming release on Bo…
Endless: Music for Performers
**300 copies** Since 2016, Wojciech Puś has been developing Endless, a sensual architecture of images, light, and sound that serves as a base structure for a poetic essay, a dream about identities in process. The music result is a fascinating electronic masterpiece showcasing his talent as a performer and producer creating his own unique universe. This works sound very ancient and probably very alien as well. This is music of hope, love, despair and sadness and probably all at the same time.
Uivo Zebra
When improvisers turn to electricity and imposing volume levels, the results are sometimes as intense as they are tedious, because they forget that it can quickly become a stodgy, lumbering mess that bleeds out way too soon. Not so here, as the musicians of Uivo Zebra have the experience, but also (and more importantly) the awareness that the most enduring results are found when guts, self-knowledge, shared vision and discipline are kept in rigorous balance. Which needn’t imply it becomes safe o…
Zwölf
12 short live solo guitar, like a portrait of the Austrian musician at a time of his course, oscillating between minimalism, American primitive, improvisation or noise. Guitar’s lover will be pleased.Some tracks with field recordings from Steve Bates.Mastered by Martin Siewert.
String Quartets
String Quartet 1, 2 et 3 composed by Reinhold Friedl (Zeitkratzer) and performed by Quatuor Diotima.Reinhold Friedl’s string quartets do not pretend to be string quartets, they are anti-Goethe. There is no sophisticated conversation of four elder gentlemen, sitting in armchairs. The music is physical work for the performers and intended to be physical pleasure for the listeners. All three quartets are based on the same idea: smooth transformations from a given texture into another one. The rando…
Duft
On their 3rd LP for Poland’s Bocian Records, the Zeitkratzer Ensemble directed by Reinhold Friedl yield two knife-edge pieces recorded live at Haus der Kulturen der Welt, Berlin, September 30th, 2015. A-side is a performance of Gilles Sivilotto’s Handmade 02, meaning a 15 minute transition from sleigh bells and arrhythmic string scrapes into structuring, creaking rhythms and banks of atonal clangour, developing into a serious caterwaul akin to a busy factory cosign to the end of its day. The …
Walser
**260 copies** Walser, the new album by Robert Piotrowicz, is a reiteration of the artist’s composition for the namesake film by Zbigniew Libera where a fictitious Concheli tribe enacts its ritual gestures through music and performance. Rather than following a traditional soundtrack format where music is written after the film is cut to illustrate the cinematic form, Piotrowicz treats the film music as a point of departure to create an autonomous sound work altogether. While its aesthetic narrat…
Les voix de l'invisible
For the first time, the music of French electro-acoustic lynchpin, Jérôme Noetinger is played by an instrumental group, Ensemble Phoenix Basel with uniquely dynamic, rugged results for Poland’s Bocian Records. In June 2012, Ensemble Phoenix Basel commissioned me to create a work for them to play. It was the first time in my life I had received such a request. After several months of reflection, I accepted and began working on a way of communicating a music with other musicians.Not knowing classi…