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Listening to this recording session I am lifted to a world both evanescent and yet somehow connected to a distinct culture of music making in the 21st century (Miya Masaoka) 'Though an unlikely combination - accordion and koto - it is not so much about the instruments as about the energies of the music that comes from the intensity of listening - listening as close to now as possible. We know that our consciousness is delayed by a fraction of a second that the brain interprets as now - however t…
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…
Originally released on the Table of the Elements label and long out of print, this Pauline Oliveros's version of the recording contains an additional 30 minutes of material not included on the original release. Recorded live on March 20, 1998 at Hallwalls, Buffalo, NY. Primordial/Lift is based on information concerning the shift in the resonant frequency of the earth from 7.8hz to 13hz given in Awakening to the Zero Point by Gregg Braden, Radio Bookstore Press (1997). According to Braden, the re…
Both pieces are intended to aid the listener in times of spiritual change, but are just fine for 'everyday' use as well. Highly recommended." Charles S. Russell, Ear Magazine The two works on this cd - Tara's Room and The Beauty of Sorrow were composed and performed by Pauline Oliveros and recorded in May 1987. Previously only available as a cassette and long out of print." (Deep Listening) "The beauty of sorrow" was played by the composer on a small accordion tuned in just intonation and using …
2008 release ** "Pauline Oliveros (accordion with Expanded Instrument System); Peer Bode (live text with Bode vocoder); Andrew Deutsch (live mixing, archival recordings, samples, loops and electronics). Voice Coil was performed by the Carrier Band in the fall of 2003 at the Deep Listening Space in Kingston, New York. Pauline Oliveros performed on accordion and computer-based Expanded Instrument System, Peer Bode performed live text with his Bode Vocoder, and Andrew Deutsch performed live mixing,…
The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexico supported in turn by two month US/Mexico Exchange Fellowships from the National Endowment for the Arts and FONCA. Together with our host—composer/ ethnomusicologist Arturo Salinas—we attended El Dia de los muertos in Chalco to help inform our work…