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New Vienna is the fourth concert recording to be released from Keith Jarrett’s final European solo tour. It follows Munich 2016, Budapest Concert and Bordeaux Concert. Why New Vienna? As Jarrett aficionados will know, his discography already includes a legendary Vienna Concert (recorded at the Vienna State Opera) whose music, he once claimed, spoke “the language of the flame itself”, after long years of “courting the fire”. Keith Jarrett’s 2016 return to the Austrian capital brought the flames …
Masterful trio interplay reliant on deeply honed three-way communication and a refined sense of understatement make Fred Hersch’s third recording for ECM an essential entry into the piano trio canon. Hersch tackles a handful of 20th century compositions – spanning from standards to less frequented jazz tunes – as well as three originals, with Drew Gress on bass and Joey Baron on drums – two longstanding companions of Fred’s who have played with him on and off since the late 80s and early 90s res…
After Mette Henriette’s critically acclaimed, self-titled first recording comes Drifting – and album pervaded by trio conversations of idiosyncratic and original expression. With Johan Lindvall returning on piano, new addition Judith Hamann on cello and herself on saxophone, Mette’s chamber musical elaborations prove of a concentrated and exploratory quality, marked by subtle yet intense interaction. Motifs and recurring patterns crystallize and reveal a concise, intricate narrative. The saxopho…
Musical messages from Oslo, New York, Basel and Lugano – recorded between 2018 and 2022 – are juxtaposed and recombined on an absorbing recording that features Norwegian drummer Thomas Strønen solo and in a series of duets . With such partners as Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy, the musical frame of reference is very broad. Elements from Langeland’s’s archaic-sounding folk to Potter’s post-Coltrane saxophone and Taborn’s whirlwind modernist piano each find their p…
The Scandinavian project Arcanum brings together four artists all well-known to followers of directions in music at ECM: Arve Henriksen, Trygve Seim, Anders Jormin and Markku Ounaskari. They’ve played together in many permutations over the years, but this is their first album as a quartet. Compositions by Anders Jormin and Trygve Seim, the Finnish traditional “Armon Lapset” (Children of Mercy), and Jormin’s arrangement of Ornette Coleman’s “What Reason Could I Give” are slotted into a programm…
Originally released in 1990, Get The Flu is the debut album from Karen Mantler-a witty, idiosyncratic songwriter, vocalist, and multi-instrumentalist-joined by her feline muse, Arnold. Recorded at Grog Kill Studio in New York, the album blends deadpan humor, offbeat storytelling, and jazz-inflected pop across ten distinctive tracks, including “The Flu,” “I Love Christmas,” and “Let’s Have A Baby”. Mantler’s vocals, harmonica, and organ are at the heart of the project, supported by a remarkable e…
2025 stock Keith Jarrett and conductor-pianist Dennis Russell Davies have been friends and musicalcomrades for forty years. In the mid-70s the St Paul Chamber Orchestra, under Davies’ directionpresented Jarrett’s chamber music. In the 90s Jarrett recorded the Mozart piano concertos with Davies and the Stuttgarter Kammerorchester. Near the beginning of their association, Jarrett invited Davies to play a composition he had written for solo piano. To listen to Ritual is akin toexperiencing the core…
2025 stock Crystal Silence A cornerstone of ECM’s legendary catalog, Passengers unites vibraphonist Gary Burton with an all-star ensemble: guitarist Pat Metheny, bassist Eberhard Weber, electric bassist Steve Swallow, and drummer Dan Gottlieb. Recorded in January 1976, this album captures a moment of creative synergy and forward-thinking jazz, blending lyricism, subtle groove, and the unmistakable ECM sonic clarity.
The repertoire features original compositions from Metheny, Swallow, and Weber, …
The repertoire features original compositions and Norwegian folk themes, balancing lyrical melodies with subtle harmonic exploration. Pieces such as “The Circle” and “Stream” highlight Gustavsen’s ability to let themes emerge organically, favoring patient development and deep listening over overt virtuosityWith Opening, Tord Gustavsen returns to the classic piano trio format that has defined his ECM legacy, unveiling a fresh perspective on his distinctive blend of Scandinavian folk hymns, gospel…
2025 stock On his second release for ECM New York-based saxophonist Oded Tzur introduces a heightened sense of urgency and a conceptually augmented approach to his distinctive voice, weaving one underlying musical idea through a series of elaborate and impassioned designs. The quartet’s lineup is unchanged from 2020’s Here Be Dragons and the group’s interplay has grown even more expressive in the meantime. Throughout Isabela the saxophonist and his collaborators – pianist Nitai Hershkovits, Petr…
2025 stock On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being th…
2025 stock Wolfgang Muthspiel and his trio with Scott Colley on bass and Brian Blade on drums reaches a new creative peak on Dance of the Elders – the group’s follow-up up to the much lauded Angular Blues, which The Times called a “quietly impressive album”. Here Wolfgang’s successful stride continues, with his unique compositional signature on the one hand and the particularly vibrant interchanges with his trio colleagues on the other. The guitarist’s writing and approach to jazz is heavily fol…
On Lontano, Anja Lechner (cello) and François Couturier (piano) expand the expressive horizons of the duo format, weaving a tapestry of original compositions, improvisations, and deeply personal interpretations. Recorded at Sendesaal Bremen and produced by Manfred Eicher, the album draws inspiration from a remarkable array of sources-echoes of Bach, the folk laments of Argentina, the lyricism of Henri Dutilleux, the cinematic touch of Anouar Brahem, and the haunting minimalism of Giya Kancheli.
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2025 stock There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem. For a decade he was a member of Nik Bärtsch’s Ronin, in which his bass guitar was frequently th…
Newly designed packaging with original artwork. Comes in a hard box cover with a 12-page booklet. There exists a clear before and after Solo Concerts Bremen/Lausanne. On those evenings in March and July 1973, in those European concert halls, Keith Jarrett wasn't simply playing piano. He was conjuring something magical and unrepeatable - note by note - in that unique dialogue between artist and instrument that only the greatest improvisers truly understand.
Today, fifty years later, ECM Records t…
Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbreaking album marked Metheny's first collaboration with jazz luminaries from multiple generations, including bassist Charlie Haden, saxophonists Dewey Redman and Michael Brecker, and drummer Jack DeJohnette.
Drawing equally from the freewheeling spiri…
Over the years, Pat Metheny Group's Grammy-winning double live album Travels has earned a singular reputation among jazz aficionados as one of the most distinctive and impeccably recorded live jazz albums of all time. Upon its initial release, it appeared on numerous year-end best-of lists, with The Wire hailing it as simply "remarkable" and "superbly recorded."
The album captures the Pat Metheny Group during their 1982 US tour, a period when Brazilian percussionist Nana Vasconcelos had become a…
Following three studio albums (Stoa, 2006; Holon, 2008; and Lyria, 2010) plus a double live album (2012) with his electric band Ronin, Swiss pianist and composer Nik Bärtsch now unveils a new release with his original ensemble, Mobile – whose lineup partially overlaps with the current Ronin formation.
Originally formed in 1997, Mobile (here enhanced on three tracks by a string quintet) represents the foundation of Bärtsch's ritualistic approach to music-making. This distinctive style has been sh…
Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014 – Far From Over, featuring his dynamically commanding sextet – finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of the world’s most inventive new-generation jazz pianists” and The New Yorker to describe him as “extravagantly gifted… brilliantly eclectic. Far From Over features this sextet of virtuoso im…
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…