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Editions Mego

Generators
Sold out at source... "Over the course of a year, Keith Fullerton Whitman performed a piece of live electronic music a few dozen times entitled "Generator." The debut was given in San Francisco at Root Strata's "On Land" festival at Cafe Du Nord on September 19th, 2009 … over the months that followed stagings took place in venues ranging from flooded basements to festival stages in Baltimore, Boston, Brooklyn, Chicago, Easthampton, Iowa City, Jamaica Plain, Northampton, Raleigh, Saint Loui…
GYU
CD version. Tujiko Noriko returns to Editions Mego after a period of relative silence, this time in collaboration with Tyme. (aka Tatsuya Yamada, member of MAS). This album was developed from songs that the duo made once a year at the end and beginning of the new year, for a period of six years. These were sent to friends and people who asked. After six years, there were six tracks and they added five more tracks based on the illustrations of Kimura Toshiko to complete the album. A gaudy ta…
Guts
Deluxe 2LP version. More voraciously bestial soundwork coming from Daniel Menche -- this time, his chosen theme is the piano, in which he attacks, investigates and dissects with the precision of an autopsy surgeon, adding a whole new meaning to the concept of prepared piano, or should we say, unprepared piano, for an all-out assault. Guts lays out quite possibly some of the finest slabs of Menchian sonic mayhem to date. Slightly different track sequence over CD and vinyl formats due to ti…
The Revenant Diary
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
1-4+5
DOME : B.C. Gilbert & G. Lewis. Floating-point re-master by Russell Haswell, August 2011. Cut at Dubplates & Mastering by Rashad Becker, August 2011. New artwork and layout: Dave Coppenhall. Editions Mego are proud to release the complete recorded works of DOME in a deluxe vinyl box set that that also includes newly designed artwork by David Coppenhall, reproductions of the original Atelier Koninck posters that accompanied Dome 1 and Dome 2, insert with sleeve notes by Howard Jacques and …
Canal Gendyn
Editions Mego is happy to announce the release of Kanal GENDYN, a vinyl and DVD set by Russell Haswell & Florian Hecker. This is the first full-length release by the artists following their highly-acclaimed albums, Blackest Ever Black and UPIC Warp Tracks. In the late '90s/early 2000s, it became common for bands, or solo artists to perform live -- often alternative -- soundtracks to feature films or silent classics. Critical of obvious instrumentation and the combination with known classic f…
(Fake) The Facts
After the runaway success of the Akita/Gustafsson/O'Rourke LP One Bird Two Bird (DEMEGO 016LP), Swedish sax legend Mats Gustafsson returns to Editions Mego with another storming collaboration. Now a resident of Vienna, he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result. A dense fog of sound comes from all directions, but whereas the general impetus is a full-on attack, the trio finds enough restraint to create a deepe…
Periodic Orbits Of A Dynamic System Related To A Knot
The album features two 23-minute halves that Fell describes as “almost live”. These tracks combine out-takes from his recent album ‘Multistability’, with bits he originally produced as part of a “quadraphonic piece” he performed live in Barcelona this year, which is called Supersimetria: New Languages In Computer Music. ‘Periodic Orbits Of A Dynamic System Related To A Knot’ was produced when Fell moved to a new home and studio, where he was limited to only internal speakers on his MacBook…
MP3 Deviations #6+7
Yasunao Tone creates music by means of disrupting MP3-files. Sound files that were corrupted in the MP3 generate error messages, which are then utilized to assign various lengths of samples  automatically. Feeding also different play back speeds creates a sound which is always different – unpredictable and unknowable. The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt…
MP3 Deviations #8
The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt at Music Research Center at the University of York in UK in 2009. My idea was to develop new software based on the disruption of the MP3. Primarily I thought the MP3 as reproducing device could have created very new sound by intervention between its main elements, the compression encoder and decoder. It turned out th…
26000
Angel is Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (Schneider TM) who play time-transcending freeform sound with the weightlessness and gravity of electromagnetic signals, together since 1999. These five tracks describe the last period of a 26,000 years-long cycle that leads to a new situation on this planet. 26000 was recorded between 2008 and 2010 at Construction Site Studios in Berlin and Ilpo's cottage in Karttula, Finland and features guest appearances by Hildur Gudnadottir, BJ N…
Get Lost
And yet another killer album from the ever-productive Mark McGuire (Emeralds). It just keeps getting better, as he delivers another fine set of tunes in his perfected style. A few more electronic elements than usual and even some voices, but still the unique blend of feel-good riffs, electric and acoustic loops and melodies that just stick in the head. This album is chockablock with short hits and one long jam of blissed-out McGuire ambience. Awesome. Electric and acoustic guitar, vocals,…
How The Thing Sings
Yet another essential cracking new set of songs from bill orcutt, showcasing a further development of his unique visceral acoustic style. the language that orcutt uses looks familiar at first glance, but cut deeper and its myriad of twisted audio thats both full on and drenched in melancholy, usually in the same gasping breath.while a lot of it is the classic face melting style, some quieter segments counter balance on the title track as well the epic closet ‘a line from ol’man river’ and ‘heave…
Uffuff
12” with 1 new Quehenberger orginal (Uffuff) and a trio of near remixes from his lastest album Hazard (released as LATON 047 in 2009). Patrick Pulsinger tackles New Beat, in his unique future funk sound. A welcome return of Elin (who hasn’t been on a Mego record since 1995, check MEGO 003). He slurps out a version of Hey Gert, making it into an slamming slowed down twister of a track.This leaves the pumping exccess of Altroys (Minimal Soul) Keep Talking remix.
Hold Everything Dear
Hold Everything Dear is the third installment in the new Cindytalk sound which started with 2007’s The Crackle Of My Soul, and then last years Up Here in The Clouds. Its the first in the trilogy to feature musicians other than Gordon Sharp namely the late Matt Kinnison, to whom the album is dedicated. Inspired by the John Berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in…
Live Double Seance [Antaa Kalojen Uida]
The analogue-digital electronic duo of Marcus Schmickler and Thomas Lehn has been working since its first meeting in December 1998 during the German premiere of the Music in Movement Electronic Orchestra (aka MIMEO) in Cologne. Since they have been extensively touring in Europe, the USA and Japan and performed at Experimental Intermedia/NYC, Mills/Oakland, Bard College, Lampo/Chicago, Princeton University, Festival Wittener Tage fuer Neue Kammermusik, AMPLIFY/Tokyo, CCA/Glasgow, Darmstadt…
Life (...It eats you up)
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
Indeed
Awesome record, exactly as good as you’d expect it to be (Keith Fullerton Withman) "While Oren Ambarchi and Jim O’Rourke have collaborated in a number of forms, from remixes to their acclaimed trio with Keiji Haino, Indeed  is their first duo album. One long electro-acoustic exploration (presented here as two side-long pieces), what Ambarchi and O’Rourke proffer up here is also melodic and approachable, bringing to mind the warm post-minimalism of composers like Alvin Curran, David Behrman and L…
Speculative Solution
This sensation that you are in a world where there can be no physics, but only a chronics, of things. Editions Mego and Urbanomic are pleased to announce the release of ‘Speculative Solution’, a CD and book with contributions by Florian Hecker, Elie Ayache, Robin Mackay and Quentin Meillassoux. Originally commissioned by Urbanomic and developed over the last year, this collaborative project brings together Hecker’s sonic practice and psychoacoustic experimentation with philosopher Quentin Meilla…
The Shivering Man
The Shivering Man, originally released in 1986 on Mute, was Bruce Gilbert's second solo album. Following on from his 1984 masterpiece This Way (EMEGO 102CD), it further explores Gilbert's investigations into the grey border where abstract noise and rhythm co-exist with obscure melodies and song structures. The sound is further expanded with guest vocal appearances by Angela Conway and fellow Wire traveller Graham Lewis. This is also the first time the complete album is available domestically on …
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