We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Fou Records

Enfances à Dunois le 8 janvier 1984
Daunik Lazro, alto saxophone, Joëlle Léandre, bass, voice, George Lewis, trombone, toys. Recorded at Dunois in Paris on January 8, 1984, by Jean-Marc Foussat.
Angouleme 18 mai 1980
Recorded live at a crucial period of its existence, this Angouleme May 18, 1980 is a splendid testimony of the Willem Breuker Kollektief, a flagship of the new European jazz orchestra. Founded in 1974 to set to music the musical and social ideas Willem Breuker, the WBK brought together musicians that were somehow his students, and he had leverage their individual qualities although initially many of them were not properly improvisers as could be  colleagues such as Bennink, Mengelberg, Maarten A…
Instants Chevires
Truly an outstanding live document, by the trio comprising Peter Kowald (1944 - 2002), doublebass. Daunik Lazro, alto & baryton saxophones. Annick Nozati (1945 - 2000), voice. Recorded in Instants Chavirés, Montreuil, February 2000 by Jean-Marc Foussat. Duos, trios and one solo from Annick Nozati. The only time they did play together.
28 rue Dunois, juillet 1982
Awesome collective improvisation. "The fundamental tension between freely improvised music’s momentary existence in performance and the monumentalizing impact of media becomes more nuanced with each new delivery system. While MP3 files lack the totemic mass of box sets of discs, they nevertheless have a compensating spectral power. The rise of the archival recording compounds this tension, particularly when one is proffered to be the long-missing puzzle piece that completes the picture of how an…
L'oiseau
"A beautiful solo album by experimental electronician/multiinstrumentalist Jean-Marc Foussat. The album is clearly dedicated to his son Victor Foussat, a young poet and painter who died this year. One of his paintings his reproduced on the inner sleeve, and Jean-Marc recites a poem of his in-between the two 20-minute tracks that make up the album. I rarely cross paths with Foussat’s music, but each opportunity is a delight. The two pieces here are powerful amalgams of synths and objects. Foussat…
1 2 3