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Gruenrekorder

Terra Subfonica
As a composer and sound artist often working closely at the nexus of radiophonic art, environmental sound and electroacoustic music, one of my primary interests is in the exploration of relationships between people and the incredibly rich sonorous environments they populate. In particular, the sounds that exist all around us, however that are often out of earshot (or at least not listened to in any conscious manner), as with the sounds beneath us as we tend our daily lives. Terra subfónica is a …
Bug Music
There has been rhythm on this planet for millions of years longer than humans have opened their mouths to sing. Long before birds, long before whales, insects have been thrumming, scraping, and drumming complex beats out into the world.  David Rothenberg decided to investigate the resounding beats of cicadas, crickets, katydids, leafhoppers and water bugs in his unusual third foray into music made with and out of the animal world.  After working with birds and whales, he now tackles the minute …
East Music for Wax Cylinders
Erich Moritz von Hornbostel was an „armchair ethnologist“. Due to his bad health the musicologist was unable to travel to faraway countries. Instead he sat at his desk in the Dorotheenstraße in Berlin and received the world through his phonograph. On from 1900 the world’s music arrived at his office in the form of more than 16.000 wax-cylinder recordings from all over the planet. Due to an edict by the Prussian Emperor all German trading as well as scientific expeditors were bound to travel with…
Morne diablotins
What did the Caribbean islands – acoustically- look like before the arrival of Columbus? With this question in mind I took a short trip to the National Park of Guadeloupe and to Dominica, one of the most preserved island of the Lesser Antilles, which still retains some of its primary forest on the slopes of its volcanic peaks. I crossed the paths of the ‘Jaco’ and ‘Sisserou’ (the endemic species of parrots), met some local insects and tree frogs, but unfortunately failed to find any ‘Mountain Ch…
Terra Prosodia
-  Currently about 6000 languages are spoken on the world. Most of them will disappear soon – and together with them a meldodic richness of human expressivness. However, the fact, that dialects and disappearing languages are only spoken by a few people has one advantage: only if one does not understand the contents it is possible to really listen tot he sound, saying  far away from their homeland these languages unfold their musical enchantment (charme?).  What you find are melodies that nobody …
Burmese Days
Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…
The Hebrides suite
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides. The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
Eins +
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Mosaique mosaic
My first visit to Cameroon in summer 2010 occurred thanks to an invitation by the Goethe-Institut Yaoundé and the independent art organization Doual'Art. During my residency I prepared a sound installation for a festival in Douala in December. I also conducted a workshop, together with Eckehard Güther, for young local musicians and artists on the theme of field recordings. Field recordings? In the cities people are surrounded by distorted sound systems playing lo-fi illegal copies of Camerooni…
Air pressure
"Air Pressure" is a collaboration between Rupert Cox and Angus Carlyle. “Air Pressure” is primarily based around two periods of field work in Japan, one scheduled to coincide with the harvest in 2010 and one coinciding with the sowing season of 2011. All the recordings were made on the site of the last farming family – of the estimated 360 who arrived after WWII – who continue to make their livelihood from an organic small-holding with fields of fruit and vegetables, pens of pigs and a barn with…
Fire And Frost Pattern
“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…
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