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Night Keeper is a collaborative album by New York City-based artist Aaron Landsman and former Swans guitarist Norman Westberg that is based on the former's eponymous play. Westberg recorded it together with performer Jehan O. Young for the Swiss Hallow Ground label, with Landsman serving as the record’s producer. The original piece was first performed in the Spring of 2023 at The Chocolate Factory Theater in Queens and filled the stark industrial space with spoken text, choreography, projections…
On Katelyn Clark and Mitch Renaud's Ouroboros astronomical and astrological phenomena, concepts and symbols such as the Great Year or the Eternal Return serve as the starting points for sonic explorations and experimentations. Focusing on a uniquely tempered range of frequencies, from low-enddrone rumbles to airy pipe swirls, the duo develops a minimalist and highly evocative sonic universe on their debut album for Hallow Ground.
Working as composers, improvisers and curators in Canada's vibrant…
Miki Yui is a musician, artist, and composer, originally from Tokyo, who has been based in Düsseldorf since 1994. Her whose work has long explored multiple forms of media, while documenting liminal zones of perception. On her latest album, As If, Yui creates a subtly connected suite of electronic music, drawn from improvisations and randomised processes that she has engaged with modular synthesis. Deeply poetic in its expression, even at its most minimal, the six pieces on As If have a curious t…
**Purple vinyl** "FUJI||||||||||TA, real name Fujita Yosuke, returns to Hallow Ground with his second full-length for the label after we had released his international breakthrough album »iki« in early 2020. Active since 2006, the Japanese composer and sound artist has become prolific since the release of »iki,« releasing a slew of records while also touring the world. His new album »MMM« is Yosuke Fujita’s most complex so far. Changing the set-up of his pipe organ by switching to an electric ai…
Musique Infinie is the collaborative project of Manuel Oberholzer a.k.a. Feldermelder and Noémi Büchi. Their album »Earth«, released through Hallow Ground, is based on a spontaneously composed live score for Alexander Dovzhenko’s groundbreaking 1930 silent film »Zemlya« (»Earth«) created for the 24th edition of Videoex – International Experimental Film & Video Festival. Frequently cited as a masterpiece of early 20th century filmmaking, the movie deals with the collectivisation of Ukraine’s agri…
Tropic of Capricorn is the second album by Lawrence English and Werner Dafeldecker. Based on field recordings made by the prolific Room40 owner that were subtly but decisively altered with electroacoustic techniques through the German improv legend, these two long-form pieces blur the lines between acoustic ecology and aesthetic interventions, concrete local sound worlds and boundary-defying art. They put a focus on our relationship with nature as listeners as much as they call into question whe…
Martina Berther and Philipp Schlotter are prolific in their respective ways, having been active in pop and jazz music, respectively, as well as playing in bands and exploring the outer fringes of sound art or composing music for film. Their first joint album »Matt« was recorded over the course of four days in a church in the Swiss village after which the album was named. Berther and Schlotter worked with the buildingʼs organ as well as synthesizers and electric bass to follow an experimental app…
Andrius Arutiunian’s debut album »Seven Common Ways of Disappearing« was first conceived as an installation for the Armenia Pavilion at the Venice Biennale in 2022. The Armenian-Lithuanian artist and composer uses hybrid forms of music, focusing on sonic vernaculars, hypnotic musical forms, and aural cosmologies. Arutiunian is known to work with installations, sound objects, and time-based collaborations with ensembles and performers. The piece on this record was written for two musicians, a ret…
»Triangular Progressions« can be considered a perfect synthesis of Petersson’s academic interests and aesthetic ideas, combining a mathematical approach with artistic rigour. The magic number triangle highlights the beauty of symmetrical properties.
Electro-acoustic composer and instrument designer Matthias Puech uses math to spin filigree "audio-naturalist noise" yarns using processed environmental recordings, dissociated instrumental vamps and sculpted electronix.
*In process of stocking* Steve Fors offers deeply physical music on his Hallow Ground debut »It's nothing, but still.« Having already established himself as a composer of visceral drone and noise pieces in various Chicago- and New York-based underground projects, Fors’s first release under his given name is even more dense and evocative than his earlier work. A concept album on the subject of breath, the Siavash Amini-produced record sees the now Swiss-based composer blend field recordings with …
DarkSonicTales is a project by Rolf Gisler and his eponymous album his first for Hallow Ground. Having been granted an artist residency by the label in a 300 year-old farm house in the Swiss countryside in autumn 2019, the Lucerne-based musician and sound artist explored the peculiar sonic environment of the building and its surroundings through the use of field recordings, modular synthesizers, guitar, bass, kalimbas, a singing saw as well as self-built instruments. The seven tracks, which were…
Tip! * 180 gram Vinyl * Dog Mountain is the second release by the Zurich-based producer and composer Laurin Huber on Hallow Ground. After last year’s »Juncture« saw the Edipo Re co-founder work mostly with synthesizers and programmed rhythms, the four tracks are much more restrained, drawing on tape loops and feedback, recordings of acoustic guitar and synthesizers such as the Korg MS-10 as well as field recordings that relate to the overarching topic that informed the making of the record. Whil…
Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« was conceived as the soundtrack for the eponymous installation piece by the French artist Fanny Béguély. First presented as part of the group exhibition »Panorama 21 - ›Les Revenants‹« at Tourcoing’s Le Fresnoy Studio National des Arts Contemporains in December 2019, Béguély’s chemically painted photographs focused on humankind’s propensity for self-examination and its attempts to probe the mysteries of the past, present and future. Ob…
Viaje is the debut album by Swiss musician Roland Bucher and was produced with an instrument developed and built by the artist himself, the noise table. Viaje presents the culmination of almost a decade of exploring the possibilities that the curious device offers. Combining the physicality of the improvisational praxis with a classical approach to composition, these five songs highlight the emotional, narrative and atmospheric potentials of granular noise. Viaje was not only produced with an un…
**180 grams clear vinyl** “A man wakes up in the middle of the night. Is there something there? Or has something disappeared? Outside are clouded constellations of stars, inside the radio plays idle sounds from beyond and the phone is dead. It seems as if something had been accompanying him already all the time, hiding in the corner of his eye, stealing his identity by being a double. Trying to escape this mirror phantom he leaves the room. Outside on the stairs he happens upon more reflections,…
Edition of 300, white vinyl. 9T Antiope have made a name for themselves in the vibrant experimental music scene of Iran over the past years. Now based in Paris, Sara Bigdeli Shamloo and Nima Aghiani are expanding their stylistic scope and team up with long-time friend Siavash Amini for their debut release on Hallow Ground. After 2017’s »TAR« and »FORAS« the year after 2018, »Harmistice« is Amini’s third LP for Hallow Ground and his first in collaboration with other artists. Recorded in Paris and…
After more than ten years of making music with turntables, tapes and loops the swiss based musician, artist, performer and architect Christoph Hess started in 1998 the project Strotter Inst. to concentrate just on the manipulation of turntables not using any records or sounds made by someone or something else. Strotter Inst.rument's machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The aud…