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Duane Pitre returns to Imprec with Omniscient Voices, an articulate, intense and emotionally resonant set of five pieces for justly tuned piano and electronics. Omniscient Voices is a uniquely distinct work that follows Pitre's trilogy of releases which culminated with 2015’s Bayou Electric and included the critically acclaimed Feel Free (2012) and Bridges (2013) albums. Where those albums were rooted in long form pieces, Omniscient Voices is a collection of shorter pieces, offering more harmon…
* Double CD edition. Metallic silver ink printed on high gloss paper * Eliane Radigue's complete Opus 17, her finest and final work created using feedback, is contained on this double CD. With Opus 17 Radigue perfected her slow mixing technique with sublime results. Imperceptible transformations envelop the attentive listener who is confronted with an immensely physical experience. Time is suspended in powerfully poetic and artful ways as Radigue masterfully sculpts the physical matter of sound …
* This replica tape presents Pauline Oliveros & Guy Klucevsek's collaborative Sounding / Way as it was originally released, on tape, in 1986. Sounding / Way is being released at the same time as Oliveros' profound Tara's Room is released on tape for the first time since its original release in 1987 * Pauline Oliveros and Guy Klucevsek's Sounding / Way was originally released on cassette in 1987 and has been out of print ever since. The Sounding / Way concept was simple. Each artist would write a…
Texturally detailed ambient-electronic study on the relationships between man made and natural environments in the Cromarty Firth, Scotland. File somewhere between Cindytalk and Richard Skelton
A collection of long-form works in just intonation by Kali Malone, Duane Pitre, Catherine Lamb, Tashi Wada, Byron Westbrook, and Caterina Barbieri. Mastered by Stephan Mathieu
Saturations is a composition by Danish multidisciplinary artist Niels Lyhne Løkkegaard, and features a clarinet choir consisting of 19(!) clarinet players. Niels Lyhne Løkkegaard (b. 1979) considers his work to be a basic research in realities working within the domains of imaginary & physical sound as well as other non-sonic media, and since 2012 Niels Lyhne Løkkegaard has experimented with creating music that lets the instruments transcend their inherent sonic norms and reappear in another for…
** Packaged in a deluxe, heavy duty tip-on gatefold sleeves printed by Stoughton; cut by Golden Mastering and pressed at RTI ** Alina Kalancea's Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which overtakes you, immersing…
**Black Vinyl** Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music. Reflecting the technology, science, modern art, new ecological awareness and optimism of the times and culture, Seastones embodies the history of electronic music by taking full advantage of tape music, analog synthesizers, and computer technology to create pieces that are dynamic, rich, and deep.
Originally released by the Grateful Dea…
Another smoker from Acid Mothers Temple & The Melting Paraiso U.F.O., in typically fine form. Benzaiten is an In C-style homage to the classic Osamu Kitajima record Benzaiten (1973). Acid Mothers Temple covers the title-track and reprise using Kitajima's original composition as a departure point to explore the outer realms of AMT territory. Further instrumental explorations reveal textures of the original composition while launching out further into the cosmic domain. Numerous Acid Mothers origi…
* Picture disc edition of 300 copies * Maja S. K. Ratkje is at the forefront of the musical avant-garde. Her music is bold, original and it is meant for sharing. At its heart lies Ratkje’s own voice, an open door to her individual musicianship and a constant tool for realigning her work with natural expressions and human truths.
On Mara, layers of vocals overlap and layer their way through the reverberant woodwork of an early baroque parish in Austria. At times slow and beautiful, other times fr…
David First likes to use the phrase "the virtuosity of slowness" to describe his musical philosophy. In The Consummation of Right and Wrong, he and his eight-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while creating music that is simply ravishing to listen to. This is "drone music" as dynamic organism, moving from compac…
‘Function’ is an aesthetic exploration of digital audio at an elemental level: a sequence of quantized amplitude values. The entire sonic material in this series are generated through a custom-designed program that takes a mathematical function as input, and based on a set of pre-defined criteria, outputs the function as a digital waveform. Accordingly, each track in this series is named after one mathematical function, where the function itself is used as the only sound-generating engine. These…
The title Ex Patris (from the fathers) plays on the idiomatic baroque lute compositions presented here which emulate the classical repertoire. It also refers to this almost forgotten instrument, which was passed on by the fathers. The Jozef Van Wissem's aim is to bring back and liberate the lute. The four compositions on Ex Patris form a circular narrative of interlocking repetitive melodic series. The follow up to Important release “ It is all that is made” kicks off with the pro apocalyptic tr…
Duo collaboration between the Japanese female accordionist à qui avec Gabriel, who previously released a solo album on John Zorn's Tzadik label, and Acid Mothers Temple guitarist and guitar-drone soundscape artist Kawabata Makoto. Kawabata's guitar traces heretical designs through the stoically beautiful illuminated manuscripts of à qui avec Gabriel's accordion and voice. The combination is deeply phantasmal.
Important Records announces Vibe, the new LP from Extended Organ, the Los Angeles-based quintet associated with the Los Angeles Free Music Society (LAFMS). Vibe, Extended Organ's first full-length studio LP since 2000's XOXO was recorded in April 2016 by members Joe Potts, Fredrik Nilsen, Paul McCarthy, Tom Recchion, and Alex Stevens. The album consists of two side-long tracks, Hate and Vibe, recorded live at LACM Studio in Pasadena, California by acclaimed engineer André Knecht. On Vibe, the gr…
One-time edition of 480. Eleh's Home Age series was composed and recorded over a period of five years and it reflects a search for color, form, connection, and growth. The handmade artwork contained in each package was created during the same period of time the music was composed and is an integral part of the meaning of Home Age. For this release, Eleh plays modular and analog synthesizers, piano, organ, bass, and symphonic chimes. Although Home Age is a two-part set, Eleh's upcoming Living Spa…
CD edition. "Bayou Electric" is the final installment in an unplanned trilogy, with "Feel Free " and "Bridges" making up the first and second installments in the series, respectfully. All three works share similar characteristics, compositional processes, alternate tuning schemes, instrumentation and a certain ethos that the composer views as cohesive whole. There is a progression toward refinement over the course of this trilogy, in the overall "sound" of the albums and in their dependence on o…
Alessandro Cortini (Nine Inch Nails) and Japanese noise legend Massami Akita (Merzbow) bask in their mutual love for the EMS Synthi, a British synthesizer from the early 70's notorious for it's patch matrix, portability and distinct tone. Astonishingly, these two disparate artists meld into a single sound as they flex the analog circuitry of the EMS Synthi in new ways; giving this classic synth a modern workout and proving that, in capable hands, a 40 year old analog synthesizer is a tool for th…
Tim Catlin formed the Overtone Ensemble in 2012 in order to perform works using his self-made "vibrissa" instruments. Each instrument consists of 12 vertically mounted aluminum rods that are longitudinally stroked by hand to produce ethereal singing tones. The long sustaining nature of the rods' sound and microtonal tunings allow players a sonic palette of complex textures and harmonic complexity. Other instruments used include massed hand-bells, quarter-tone bells, EBowed acoustic guitars, re-t…
Prefigured by the inclusion of a secret extra pocket in the original packaging of Far West (IMPREC 386CD/LP, 2013), this painstakingly crafted complimentary LP is intended for synced playback with that release. With two turntables or other playback devices, the listener can experience fully unique quad playback. Further West Quad Cult LP offers deeper journeys into the cave where the self dissolves. It also stands alone as an inverted Far West universe, and the listener is invited to enjoy it…