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Bionic Environments by Qba Janicki is an illustrative sonic work in which organic matter and mechanical intelligence merge into a single, continuously evolving organism. Composed for amplified soundboard, electronics, electromechanics, extended voice, and string orchestra, the piece unfolds as a cinematic yet deeply material journey through hybrid environments suspended between biological mutation and synthetic architecture. The composition is based on controlled aleatorism and open improvisatio…
The album Mômo comprises a collection of Adam de la Cour’s concert pieces – more specifically, his most important solo keyboard-based compositions. De la Cour draws his inspiration from languages where abrupt tonal shifts and grotesque exaggeration are simply how things function. His influences come as much from psychotronic cinema, rubber-mask practical effects, vaudeville, genre tropes, and forms of satire as from contemporary classical music. De la Cour shares a particularly close artistic pa…
Huck Hodge, an American composer and multi-talented artist, writes, as the New York Times puts it, “harmonically fresh works […] full of splendour and thunder”. Both intellectually and immediately poetic, his music explores the many invisible connections between the most diverse artistic and philosophical traditions of East and West. His passion for learning both ancient and modern languages, his own poetic output and his original choice of texts are reflected in the interplay of colour, light a…
Rand Steiger’s Introspective Trilogy is a series of string quartets with electronics composed over a period of eight years for the JACK Quartet. Reflecting on emotional states through musical expression, the quartets explore intense feelings of anger, frustration, and despair in response to alarming political developments in the U.S. and globally, from 2016 when the project began, to catastrophic recent developments. Steiger relates the resurgence of xenophobia and well-known elements of authori…
The pianistic writing of Giorgos Koumendakis represents a rare encounter of delicacy, intellectual concentration, and profound compositional coherence. It belongs to a free post-modernity, rooted in the continuity of certain Eastern European composers who developed an independent and original modernity. The cycle Mediterranean Desert, which forms the central axis of this album, is a work for piano consisting of 22 pieces inspired by Mediterranean flora and fauna. It offers a distinctive sound ma…
This album is intended to be a retrospective view of Luigi Manfrin’s compositional journey. Rather than following a chronological order, it identifies loops that run through his musical production: recurrences, foldings and returns that never replicate the same pattern, but instead reactivate structural tensions in different contexts. At the core is the idea of sound as an immanent experience. The unity of the album lies not in the identity of its materials, but in the constant questioning of th…
1999 release ** Both peculiar archaism and highest sensitivity characterize this quiet, while extremely tense sound landscapes of the Sicilian composer Salvatore Sciarrino.
Salvatore Sciarrino’s music-theatre piece Luci mie traditrici (Oh my deceitful eyes) was originally based upon the colourful life of the composer Carlo Gesualdo, but when he discovered that Schnittke was also busy on an opera on the same subject, Sciarrino changed track and eliminated all references to the great madrigalist i…
Davor Vincze is a composer of contemporary music who immerses himself in phenomena and experiences and conveys them musically through a powerful narrativity. Whether it is technology in his use of machine learning, or philosophy, mathematics, or the experience of visiting a Taoist temple or a gallery, Vincze hears music and searches for hidden acoustic spaces. The six compositions featured on Ashes unmistakably convey (and confirm) the composer’s aesthetic and expression, his identifying signatu…
This 32CD bundle includes the following items: Denis Dufour "Complete Acousmatic Works — Vol 1" (16CD Box, 2021). and Denis Dufour "Complete Acousmatic Works — Vol 2" (16CD Box, 2026)Denis Dufour "Complete Acousmatic Works — Vol 1" (16CD Box, 2021)Epic box set containing 16 CDs, presenting more than 40 works and 18 hours of listening, including never released before music by Denis Dufour and texts in a detailed booklet. There is a title buried in this collection that serves as its unspoken manif…
Dream Sequence of an Ancient Forest gathers pieces composed between 2017 and 2023 into a continuous arc that feels less like a compilation and more like a slow, lucid dream. Across the album, Madli Marje Gildemann listens with almost scientific care to the smallest workings of the natural world – the secret exchanges of plants, the nocturnal trajectories of birds, the micro‑rhythms of an old‑growth forest – then lets imagination bloom around those observations. Her sound world is atmospheric and…
Hermetika IX – Vox Angeli II pushes Bernhard Lang’s obsession with loops, fracture and stylistic collision into explicitly metaphysical territory. Centring the female voice, the piece takes its texts from the Nag Hammadi scriptures, a body of early Christian and Gnostic writings in which the tension between spirit and flesh, transcendence and fall, is particularly charged. Across four sharply contrasted movements, Lang treats those texts less as doctrine than as volatile material: sensual biblic…
Across … in grief and detail presents Michael Hersch at his most concentrated and exposed. Composed between two shattering personal crises, these three compact works push his already uncompromising idiom into a realm where every sound feels physically paid for. Writing for soprano, violin and bassoon in shifting combinations, Hersch strips away any sense of orchestral distance; what remains is a chamber theatre of proximity, in which the smallest inflection of the voice, the slightest change in …
Second monumental box set of Denis Dufour's complete acousmatic works: 16 CDs, 17 hours of listening. Direct heir to Pierre Schaeffer at the GRM, Dufour redefined acousmatic art by reintroducing theatricality, voice and narrative into a sonic universe of unprecedented rigor and freedom.
Ying Wang’s RE:Wilding presents five works shaped by sonic precision, cultural awareness, and political urgency. Acoustic instruments and electronics coexist without hierarchy, exposing noise, fragility, and quotation as structural elements. Rather than fixed messages, the music offers a field of tensions—between gesture and abstraction, control and collapse, presence and disappearance. References to social injustice, ecological crisis, and cultural memory are articulated through sharply drawn c…
In Star Trail, José Luis Hurtado sculpts a luminous universe of sound—music that resembles light itself: expanding, reflecting, distorting. Through multilayered “parametric counterpoint,” space triumphs over time, revealing textures that shimmer between structure and spontaneity. Each work—Electric Dust, The Untitled 3S, In the Space of Time, Mutual Gravity, and the title piece Star Trail—unfolds as a sound installation of infinite possibilities, where every gesture refracts into new meaning. Bo…
Sounds, Archaeologies brings together works by Isabel Mundry that understand listening as an active, participatory process. Arising from the experience of a transformed acoustic environment, the composer opens her music to a dialogue with history, material, and cultural grounding. In the title piece for basset horn, violoncello, and piano, Mundry excavates the “sediments of our musical history” – sound becomes an archaeological find linking past and present. Balancing reflection and intuition, s…
In Naturstudium III, Luis Tabuenca, together with Les Percussions de Strasbourg, explores the sonic worlds of the Baschet sound sculptures—resonant bodies of metal, glass, and wood that oscillate between instrument and architecture. From their dialogue emerges a new musical grammar and hybrid notation that seeks to capture the fleeting nature of these resonances. Recorded by Neu Records in immersive sound, Naturstudium III is more than documentation: it is a spatial experience of vibration, reve…
Joanna Woźny’s music resists certainty. Fragmented, elusive, and ever-transforming, it listens into the noise of the everyday and distills from it something fiercely alive. Her works trace perception’s fault lines – between sound and noise, sense and abstraction – constantly unmaking and remaking form. In this sonic terrain, repetition never means stasis; structure dissolves into process. Each piece is a beginning: a seismographic record of emergent thought, a refusal to conclude. For Woźny, com…
Felipe Lara’s music is driven by a visceral sense of presence and process. Beneath its notated clarity lies a deep trust in the performers: a shared language built over years of collaboration, where every sound becomes a negotiation between gesture, breath, and form. Lara’s work moves between the intimate and the monumental, but always seeks what lies behind the surface – where structure becomes porous, expression is embodied, and music emerges as a living tension between instability and control…
An Index of Metals, Fausto Romitelli’s final work, is an ecstatic ritual of sound, light, and image—a multimedia opera that fuses electronic music, psychedelic ecstasy, and brutal-poetic texts into an intoxicating sensory flood. Blending techno, pop art, noise, and spectralism, Romitelli propels music theatre into a hallucinatory present: metallic, eruptive, rebellious. The voice is distorted, the image disintegrates, sound becomes palpable material. In this uncompromising fusion of composition,…