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Hardcover, 527 pages, 21×27 cm! In the mid-1990s, four thick, annual issues of Ongaku Otaku magazine were published. Operating from San Francisco, California, the goal was to spread the word about the compelling independent music being produced in Japan. With dozens of interviews and articles, and many hundreds of reviews, the magazine was an influential voice, sharing words about Aube, Cornelius, Yamamoto Seiichi (Boredoms, Rovo, Omoide Hatoba), Shizuka, Jojo Hiroshige (Hijokaidan, Alchemy Reco…
1991 minimal electronic album by Freek Kinkelaar and Frans de Waard's ambient and experimental electronic project released in a limited edition of 180 copies on Korm Plastics.
Split LP with minimal industrial music by two experimental electronic Dutch bands, released on Korm Plastics / De Fabriek in 1990 in an edition of 250 copies split into two hand-numbered editions of 125 copies each differently packaged by the two groups. This is the De Fabriek edition. With inserts.
Split LP with minimal industrial music by two experimental electronic Dutch bands, released on Korm Plastics / De Fabriek in 1990 in an edition of 250 copies split into two hand-numbered editions of 125 copies each differently packaged by the two groups. This is the De Fabriek edition. With inserts.
1991 Dutch experimental electronic album released on Korm Plastics in an edition 77 copies with handmade, a collaboration between Ios Smolders, Frans De Waard and Das Synthetische Mischgewebe. With booklet and insert.
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
Softcover, 244 pages, 21x21 cm What connects 1950s open-reel tape trading to Quebec's pioneering all-female punk band? How does Peter Green of Fleetwood Mac lead to Amon Düül and the Rote Armee Fraktion? Why should you know about Korla Pandit? And what exactly happened at Nijmegen's legendary Diogenes Club? The Third Annual - Korm Plastics' biggest and boldest yearbook yet - doesn't answer the questions you thought you had. It answers the ones you didn't know you were asking.
This third edition…
Before the internet collapsed distances and democratized distribution, the international noise underground operated through an intricate web of mail-order catalogs, hand-dubbed cassettes, and photocopied fanzines. Labels emerged from bedrooms and basements, their catalogs circulating through postal networks that connected isolated outposts of extreme sound across continents. Few figures navigated this world as actively as Frans de Waard, and few labels embodied its uncompromising spirit as purel…
2010 release ** Cardboard sleeve. “2009-2010 sees the celebration of twenty years of Kapotte Muziek, the first musical project of Frans de Waard. Expanded in 1993 with members Peter Duimelinks and in 1995 Roel Meelkop, this trio explores the world of micro electro-acoustic music, playing on waste found on the streets and with a fine addition of field recordings. Before 1993 Kapotte Muziek was largely known as a player in the field of industrial music and musique concrete. To celebrate their 25th…
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tells the story of Ron Lessard, owner of RRRecords, a record store in Lowell, Massachusetts and, from 1986 to 2009, a record label, releasing the albums of Blackhouse, F/i, PGR, the first Merzbow LP outside Japan and many more, regional compilations, th…
Just Glittering and Idwal Fisher were two collaborative noise zines produced by Mark Wharton, featuring work by the genre’s finest exponents and fans. The first issues of Just Glittering appeared in the late 1990s, and the two zines went on to document a fertile decade of creative noise-making. Back then, you couldn’t walk past a pub in Leeds without hearing windows rattled by a passing Japanese noise artist or effects pedals looped into submission, whilst meat thermometers regularly disappeared…
Softcover, 228 pages, 21x21 cm Korm Plastics founder Frans de Waard teamed up with designer Alfred Boland for the (second) one and only Korm Plastics magazine cum yearbook. Lots of new authors, including Audrey Golden (about Una Baines), Elodie A. Roy (about Shimmy Disc), Michel Faber (about Extreme Death Metal), Huili Raffo (about Hotline), Robin Rimbaud (about Peter Tscherkssky), Erik Quint (on Radio Tonka), Fred de Vries (the Kalahari Surfers), Lukas Simonis (about Dull Schicksal) and Richard…
Hardcover, 20×29,6 cm, 480 pages. Edited and assembled by Kristian Olsson. Almost an encyclopedia of esoteric knowledge, dark music and arts and much beyond! Book-format publication dealing with all kinds of apocalyptic culture, anarchic rants, archaic sorcery, damned poets, esoterrorist tactics, forbidden knowledge, libertine lusts, necromantic collages, oneiric musings, outlaw occultism, perversion, sinister arts and visual expansionism. Giftnålen is the foul arts journal for death-obsessed br…
Bomb! Softcover, 17×24 cm, 144 pages. English cassette and record label Broken Flag was founded in 1982, and whilst not having released anything for a long time, it has never officially ceased to exist. Their primary interest was radical music, noise and power electronics. They first released music by label boss Gary Mundy’s project, Ramleh, but later also by Le Syndicat, MB, Controlled Bleeding, Giancarlo Toniutti and various Mundy solo projects.
Steve Underwood’s text appeared in a 2010 magazi…
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tells the story of Ron Lessard, owner of RRRecords, a record store in Lowell, Massachusetts and, from 1986 to 2009, a record label, releasing the albums of Blackhouse, F/i, PGR, the first Merzbow LP outside Japan and many more, regional compilations, th…
Softcover, 196 pages, 21x21 cm Korm Plastics founder Frans de Waard teamed up with designer Alfred Boland for this, their latest publication, The Annual. For a long time both had wanted to publish a magazine, which eventually became what they hope will be a regular yearbook with ‘everything you never knew you were interested in’. They invited their authors (present and future) to contribute an article, which led to a wildly diverse selection. From the history of turntablism, a 1985 interview wit…
*200 copies, limited edition* While Korm Plastics publishes books these days, this is a surprise CD only release. We sent him this demo in 2011 & we all forgot about it. Pastoral is a welcome edition to the catalog showcasing a less aggressive stance from the project, a more organic subdued presentation, sounds to make a clearing, & open space. The recordings history is a bit blurred now but it is very likely tracks 1, 2, 3, & 5 are Kurt Griesch and Daniel Burke, post 1995 tour work. Track four …