We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Mode

Ensemble Music Vol.2
Recorded after performances at New York's prestigious 92nd Street Y in 1996 with the participation of the composer, Ensemble Music 2 is the follow up to the initial, critically acclaimed and best selling volume of Iannis Xenakis' Ensemble Works on Mode. This disc contains the first recording of Xenakis' memorial work A la Mémoire de Witold Lutoslawski, to the great Polish composer. A literal monument in sound, comprised of massive blocks of brass arranged as a dirge-like fanfare. Composed in 19…
Ensemble Music Vol.1
Xenakis' oeuvre is unique in modern music--it is music of great visceral power, energy and sheer sound. Music from another world. Music that grabs the listener, riveting his attention. Conductor Charles Zachary Bornstein is a Xenakis specialist. Bornstein learned that of the 700 to 800 performances of Xenakis' music worldwide each year, only a handful were in America. He formed New York's ST-X Ensemble (named after Xenakis' series of ST- compositions from the 1960s) in 1994 to fill the void. Mod…
Percussion Works
Performed by the percussion ensemble red fish blue fish, directed by Steven Schick. "The first complete set of Xenakis' percussion ensemble, percussion duos, and solo percussion works. As Steven Schick states in his comprehensive essay accompanying this set, Xenakis was the 'progenitor of modern percussion music.' Of course, Iannis Xenakis did not create percussion music, his first major contribution to the percussion repertory came more than three decades after the American percussion revolutio…
The Orchestral Works 2
"The first recording of his 32-minute grand cantata 'La Nascita del Verb.' Steeped in chromaticism, with hints of Scriabin and a sea of percussion, 'Nascita' boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, 'truly written in blood,' left Scelsi 'in a deplorable state, afterwards he stopped composing for several years. One of Giacinto Scelsi's infamous pieces are the 'Quattro Pezzi (su una nota sola).' Ear piece…
The piano works 2
Volume 2 in Mode's Scelsi Edition presents three of his rarely heard and recorded orchestral works, vividly captured in outstanding sound. Hymnos (1963) for large orchestra, Hurqualia (1960) for large orchestra, Konx-Om-Pax (1968) for large orchestra & choir, Canti del Capricorno (1962-72), selections, for voice with instruments. The Carnegie Mellon Philharmonic & Choir, Juan Pablo Izquierdo, conductor. Written when the composer was 25, this work bonds Scriabinesque flourishes with dance-hall pr…
Black Angels and Makrokosmos III
This CD combines two classic Georg Crumb compositions of the 1970s expertly performed by members of The Carnegie Mellon Philharmonic under the direction of conductor Juan Pablo Izquierdo. 'Black Angels' for string quartet was written as a response to the Vietnam War. The work draws from an arsenal of sounds including shouting, chanting, whistling, whispering, gongs, maracas, and crystal glasses. 'Music for a Summer Evening' is scored for the classic Bartok combination of two pianos and two percu…
Advance of the Fungi
Advance of the Fungi - (chamber works 1960-66) - Time on Time in Miracles for soprano, 2 horns, 2 trombones, piano, cello & percussion; Mod 3 for flute, percussion & contrabass; Holy Ghost Vacuum or America Faints for electric organ; Advance of the Fungi for male choir, 3 clarinets, 3 trombones, 2 horns, & 1 percussion; Two Worlds for soprano, flute, oboe, piano, percussion, violin, viola, cello & contrabass; Bestiary 1: Eingang for soprano, piano & 5 percussionists.
Ever Present
Awesome collection of new, post-2000 works by Alvin Lucier. It's a been a long time since "I Am Sitting In A Room" for sure, but the dude clearly understands how to fill a room with sound as well as most anyone alive. "Alvin Lucier's (b. 1931) works on this CD, for solos and trios, continue to explore his unique sound world, exploration of microtones, and use of unusual instrumentation. 'Piper' is probably one of the few avant-garde pieces composed for the bagpipe. The piper is asked to walk slo…
Navigation for strings. Small waves
"'Navigations for Strings': For String Quartet. 'Small Waves': For String Quartet, Trombone, Piano and Two Water Pourers. The Arditti Quartet: Hildegard Kleeb, Roland Dahinden. Alvin Lucier (b. 1931) has been a pioneer in many areas of music composition and performance, including the notation of performers' physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. 'Navigat…
Melody, Ergodicity and Indeterminacy
Barton Workshop. James Fulkerson & Frank Denyer, directors. First Recordings. "James Tenney (1934-2006) was probably the first composer to develop an aesthetic for computer music, realizing that electronic music almost forced the composer to accept noise as music and to abandon the idea of absolute control over a composition. He came to accept Cage's passion for randomness, but from a different angle: computer music can be "unpredictable" (rather than "random"). This CD looks at how Tenney…
1 2 7 8 9 10 11 12