We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Mode

The Works for Piano 11: Cheap Imitation
All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.  The major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman …
Memory in Motion: Percussion in Surround
“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote Sorites to compliment Iannis Xenakis’ Persephassa and Alcides Lanza wrote mnais mnemes to compliment his own earlier composition sensor VI. In both cases, the composers were asked to use the identical setup and notational…
Respect in Yule
Respect In Yule promises to be among the most fun and eclectic holiday albums ever – the album ranges from introspective to ecstatic, from the popular to the obscure, the sacred to the secular. In choosing the repertoire, The Respect Sextet wanted to pull together some of their favorite holiday music from all genres and view them through Respect-colored glasses. Featuring compositions by Misha Mengelberg, Loudon Wainwright III, Frank Loesser, Robbie Robertson (of The Band), Thelonious Monk, Jule…
The Piano Works 7 - Chess Serenade
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwell, Breton, Duchamp, Ernst, Man Ray, Tanning and other leading surrealists.Cage contributed a painting entitled “Chess Pieces”. It was purchased at the show and went into a private collection. For decades it was deemed lost and was (almost) forgotten…
Whispers Out Of Time
Roger Reynolds’ (b.1939) music is a bit of a paradox: intimate in detail, while on a broader scale it is epic. It fits well with the music of his friends: Toru Takemitsu and Iannis Xenakis.  The three works on this disc were composed over a four-year period (1987-1990).  All are first recordings, and the first complete disc of Reynolds’ orchestral music.  Symphony[Myths], dedicated to Takemitsu, is for large orchestra: woodwinds in fours, piano, harp and an extended percussion section. It is see…
Live at Grenoble Jazz Festival 2010
A unique musical journey by three outstanding musicians exploring jazz, improvisation and electronic music. Percussionist/composer Roland Auzet with performer/composer Pierre Jodlowski invited the legend of French jazz and improvised music, Michel Portal (who premiered Pierre Boulez’s “Domain,” Boulez said that Portal is “blessed with an imaginative virtuosity”) to form Trio PAJ in 2007. This daring collaboration reflects their influence of various artists and styles, from Boulez to Stockhausen…
Voices: Ten Improvisations
This superb pairing of two top-flight improvisors reminds me of why I listen to this music. It’s not about ‘music’, it’s about sounds and their making. It’s a given that these two can really ‘play’. Joe McPhee established that in the immediate post-Coltrane era, and Heward – while I know little about him except that he’s also a visual artist who recorded a duo album on Avant with Steve Lacy – I’m sure he can really whack those tubs. The point, however, is that they don’t ‘just play’, they also l…
Live In Montreal
This live concert is perhaps one of the last recordings from soprano saxophone legend Steve Lacy. Lacy and percussionist John Heward first met in Paris in 1975. Though they remained in regular contact through the years, they did not actually play together until this concert in Montreal on 20 June 2003. Two months later Lacy was diagnosed with cancer, and died in June 2004.Lacy suggested to Heward that he wanted to end this improvisation with the motif Recessional for Oliver Johnson, as a tribute…
My Wounded Head 3
An indefinite, open-ended composition of short sections that allows the performer to decide what and when to repeat or to go on to the next phrase is not new. Terry Riley's In C is the milestone score of decades ago. Slow, prolonged, quasi repetitive and contemplative works in the Western classical style are also familiar though the scores of Morton Feldman, John Adams, Brian Eno, John Luther Adams, and Gavin Bryars. Thus, Marc Chan's piano piece, My Wounded Head 3, inspired by Bach's Passion Ch…
Complete Music with Saxophones
22 works are included, 9 by Grainger, 7 by Cowell and 5 by Cowell as arranged by Grainger. Many are first recordings. They are scored for varied instrumentation: sax ensembles, sax & piano and sax & orchestra. Ulrich Krieger, saxophones & director, various artists
Señales
Señales —Señales, “Homenaje a Jonathan Harvey” for violin & ensemble (Irvine Arditti, violin. Ensemble Signal/Brad Lubman); Páramo de voces for piano & tape (Alberto Rosado, piano); Intermezzo malinconico for bass clarinet solo (Adrián Sandi); Homenaje a Remedios Vario; Recuerdos del Porvenir (ensemble recherche)
On the Edges
"The main focus of Gerald Eckert’s music is frequently not placed on a centrally triggered event or center of action, but on what has been triggered by this event and how the consequences are subsequently developed. In other words, he focuses his sights on what an impulse is followed by. For Außen, von tief innen (Outside, from Deep Within), the consistent subtle and quiet tonal structure of the work is the fine delineation of multiphonics in bass flute and double bass clarinet alongside the ton…
The Works for Percussion 3
John Cage’s vision of the future of music was first shaped by an intense creative period from 1935-1942, when he wrote many of the seminal works of percussion chamber music featured here. When he composed these works, the young Cage was basically the same age as the members of Third Coast Percussion. This release includes all three of the groundbreaking Constructions. First Construction (in Metal) utilizes dozens of metal instruments which are beaten, scraped and shaken, creating an other w…
Ghosts
This CD collects four chamber works in Chris Newman’s idiosyncratic, quirky style, performed by one of Berlin’s leading new music ensembles.  Newman appears a vocal soloist in the work Cologne. The texts are derived from a travel brochure about the city of Cologne which was filled with translation mistakes to a hilarious extent.  For Ghost Symphony, Newman writes: “the majority of the piece consists of my own five chords to which I applied the rhythmic values of the first movement of Beethoven’s…
Panorama of American Piano Music
* Set consists of Foldover cover with box containing 4 black cardboard-jacketed CDs and a 27-page booklet * Panorama of American Piano Music is a comprehensive survey of 20th century piano works, beginning with Ives’ “The Alcotts” movement from the Concord Sonata (1911) through 1991.  Every decade is represented with works from between those years.  Pianist Yvar Mikhashoff (1941–93) was a master at presenting marathon concerts on a single theme. The Panorama was one of them, exploring the remark…
Afterglow
** 2021 Stock ** Keeril Makan composes without assumed expectations of an instrument’s sound or a performer’s capabilities, but by exploring the possible, by discovering the beautiful in the unexpected and following where that beauty leads. Makan’s relationship to the world of sounds has its connection to the work of Edgard Varèse and John Cage and by a broad American experimental tradition, with touchstones in the work of some of the European modernists.  Afterglow is the outcome of hours spent…
Zwei Gefühle and Solo Works
Violin and viola players whisper over their instruments. A guitarist waits with the closest attention for the moment to make a gesture we might easily have missed. The tuba player rises to go over to the open piano, there to send sounds echoing into its interior. Two cellists, bowing with heavy pressure down near the tailpiece, produce an urgent rasping. From the timpanist comes the sudden fortissimo that seems to shock the music to a standstill…  Renowned German composer Helmut Lachenmann’s mus…
Songs Of Innocence & Experience
** 2021 Stock ** This is the first complete recording of Walter Zimmermann’s string quartets. The 10 Fränkische Tänze, from the project Lokale Musik (Local Music) explore the folk music of Franconia in Germany. They are built on research of old peasant books of dances, some dating back to the early 19th century and the beginning of the notation of folk music. The many dance melodies including waltzes, Schottische [German polka], mazurka, galop etc. are captured, rejected and presented in just in…
In the Shadows of No Towers (Art Spiegelman)
On 9/11, Pulitzer Prize-winning cartoonist Art Spiegelman (creator of “Maus”) was in the immediate vicinity of Ground Zero, fleeing the crumbling World Trade Center with his family. He wrote In the Shadow of No Towers to illustrate the first-hand horror of that day, and the grief and disillusionment which followed.  Inspired by Spiegelman’s book, guitarist/composer Marco Cappelli transforms it into a multi-media production. Actor John Turturro, a quintessential New Yorker, narrates the English v…
Save Percussion Theatre
Aiyun Huang’s unique recital,  “Save Percussion Theater,” is a video-recording of theater music for percussion dedicated to the pioneering work of the Parisian group “Trio Le Cercle,” for whom many of these works written and by whom they have been championed. This recording, in essence a document of the complete percussion works from the French school of theater music, is an ambitious undertaking.  Here the camera replaces the eye of an audience member, and the microphone his or her ear, yet wit…
1 2 3 4 5 6 7