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300 copies. All compositions by Howard Riley (PRS / MCPS), except “Lush Life” by Billy Strayhorn. Recorded live at VDU Jazz Festival Kaunas on the 10th November, 2012 by Areas Zujus. "Brilliant work from pianist Howard Riley – the British modernist who's been making amazing music for decades, but often through very obscure records like this! Riley's got this sense of balance, tone, and timing that sits justly in a legacy that starts with Herbie Nichols and runs up through Alexander Von Schlippen…
Established in 2007, Roil play their own original style of jazz-inspired improvised music, and have released 3 albums thus far: Meaning (2009) on Australian label, Rufus, Frost Frost (2011) on uk label, Bo'weavil Recordings & Raft Of The Meadows (2014) on Lithuanian label NoBusiness records.Their music draws upon a varied pallet; at times it comes close to free jazz, at other times to experimental improvisation, while also referencing other styles such as minimalism, reductionism and ambient …
Percussionist Juan Pablo Carletti leads a trio with Tony Malaby on sax and Christopher Hoffman on cello, beautifully unfolding jazz that balances light and dark, melodic and free approaches with textural percussive work. For his debut album, NYC-based Argentinian drummer Juan Pablo Carletti has made some wise choices, even before one considers the music. Foremost among those is the selection of saxophonist Tony Malaby to front his trio. Malaby has a compelling track record of energising such thr…
"Is there a better all-around bassist with a bow than Barry Guy? That query may scream sycophantic hyperbole, but in taking stock of the British improviser's discography it's an interrogative that can't help but manifest repeatedly.
On Guy's end the distinction of best isn't even a peripheral consideration or goal. He's placed his instrument in near-countless contexts, bringing to it a perfect sense of pitch and dynamics. Five Fizzles for Samuel Beckett is right in line with that sterling…
Unreleased session from 1975. "Trumpeter Ted Daniel's Energy Module was a short-lived band. They played exactly two gigs in the course of one week in the fall of 1975-and never played again. They gelled quickly as a quintet, however, in large part because everyone knew each other from working in Daniel's big band, Energy. However, the Energy Module was a less formal affair than the large ensemble, in which they played Daniel's original compositions and arrangements. "We had a couple of re…
Big Tip! Unreleased session from 1975."Trumpeter Ted Daniel's Energy Module was a short-lived band. They played exactly two gigs in the course of one week in the fall of 1975-and never played again. They gelled quickly as a quintet, however, in large part because everyone knew each other from working in Daniel's big band, Energy. However, the Energy Module was a less formal affair than the large ensemble, in which they played Daniel's original compositions and arrangements. "We had a couple of r…
\\\"Billy Bang was a brilliant human being, always much more than himself, especially when he surrendered to his true calling-that of musician, one who transforms music into magic, dancing instead of walking, jumping instead standing still. Billy Bang was an American original, an original musician, an organic person who had tapped into the river of sound and was riding on a boat drenched in blues-soul-funk and space.Billy is gone and unfortunately for the world there will never ever be another p…
Distinguished jazz and improvisation artists, pianist Dave Burrell and trombonist Steve Swell have crafted one of the most exciting and unique duo presentations I've heard in quite some time. The album moniker Turning Point is the third in a series of five suites honoring the individuals and events of the American Civil War. Here, Burrell ruminates upon Civil War era Americana, integrated with a progressive jazz flair amid lofty improvisational sequences and humbly stated melodic choruses v…
On their fifth album, Swedish vibraphonist Mattias Stahl joins the Portuguese RED Trio as a guest. He's the latest in a sequence which includes alliances with saxophonist John Butcher and trumpeter Nate Wooley on disc, and reedman Ken Vandermark in performance. The product, North And The Red Stream, comprises three collective improvisations recorded at the VDU Jazz Festival in the Lithuanian city of Kaunas in 2013. Each arises from an impromptu give and take, negotiated on the fly, as the pri…
A demanding live duo performance from New York drummer William Hooker and Lithunian saxophonist Liudas Mockunas, performing at the 2013 Vilnius Jazz Festival. The playing is hard-edged, rugged and free playing, keeping a strong momentum from Hooker's unabating drive, maintaining a solid pulse without seeming to repeat himself. Mockunas has a thick confident approach to his playing, varying melodic riffs with trance-like playing. An album of edge-of the-seat and persuasive playing."Liudas Mockuna…
In the Dan Blacksberg Trio, the innovative and genre-defying trombonist brings an expansive and creative new vision to the cutting-edge jazz traditions of pioneers like Ornette Coleman, Don Cherry, and Albert Ayler. The trio is celebrating the release of Perilous Architecture, their second album for Lithuanian-based NoBusiness Records. Blacksberg has penned a set of music that pushes at the technical and timbral limits of his instrument, opening up into far-reaching sounds worlds while maintaini…
This open-minded trio recorded Plaything in October of 2012 at Studio Juillaguet, a recording and dance space located in a rural part of southwest France that is run by Kent Carter and his wife, a professional choreographer. Bassist Kent Carter produced the album, along with the NoBusiness label. Gianni Lenoci and Bill Elgart first met in Evil Rabbit's 2010 Amsterdam music festival. Subsequently Lenoci invited Carter to Monopoli, Italy to do a workshop with his orchestra, which Carter …
Previously unreleased material from the quartet of trumpeter Earl Cross, saxophonist Idris Ackamoor, bassist Rashied Al Akbar, and drummer Muhammad Ali, performing live in The Netherlands in 1980, for five smoking examples of free jazz. The recordings are on the rough side, but the playing is spectacular, with impressive soloing from all 4 players. Clearly the room was transfixed by their playing, all all 4 respond with concentrative solos and great exuberance. The tune's heads sometim…
"An often inspired study in post-noise atmospherics, Malus brings together three pioneering improvisers in their late thirties. Nate Wooley deploys vocalisation and extreme extended technique to turn his trumpet into a hissing steam engine and a bubbling cauldron, channelling electricity to create groggy lo-fi textures. Chris Corsano is in a reflective, exploratory mood, dragging objects across amplified skins to create queasy high-pitched drones and dull metallic rings. Double bassist Hu…
Bassist Jason Ajemian composed these 8 works performed with the Chicago/NY band of Tony Malaby on tenor sax, Rob Mazurek on cornet & electronics, and Chad Taylor on drums, a dynamic set of music that varies through a spectrum of styles while staying true to its jazz roots."Jason Ajemian can always be counted on to offer up way more than just the usual set of avant and improvised music – and as with some of his other recent albums, this set shows a range of imagination that just seems to be…
The Freedom Principle is an album crackling with energy. Consisting of three long tracks, none shorter than 11 minutes, the album is full of bristling creativity and expression, never feeling tired or lost. Rodrigo Amado is a musician and photographer from Lisbon, Portugal (check out his artist home page; in addition to his discography, he had a link to his pictures and a photo book, all very nice), who was involved in the burgeoning free jazz scene there in the mid to late 90's. The start of …
Not enough is heard from Brooklyn-born bassist Adam Lane. He boasts an impressive track record, illuminated by a series of outstanding recordings, mainly on the CIMP label, but culminating in the acclaimed Ashcan Rantings (Clean Feed, 2010). Nothing has surfaced under his own name since, so any new disc grabs attention. That's not to say he has been idle, notching up notable appearances on drummer William Hooker's excellent Bliss Suite (Not Two, 2010) which also featured rising star saxophonist …
Daunik Lazro - baritone & alto sax. Jean-François Pauvros - electric guitars. Roger Turner - drums & percussion. Tracks 1 and 2 recorded live at Instants Chavirés (Montreuil) by Jean-Marc Foussat and Dominique Pauvros on 7th November 2008. Tracks 3 and 4 recorded live at festival Jazz en Frache-Comté (Besançon) by Jean-Marc Foussat on June 30th 2010. Edited and mixed by Jean-Marc Foussat
Recorded 9th February, 2004 at Steam Room Studios, London. Recording engineer Jon Wilkinson. Photos by Gérard Rouy except photo of Tony Bianco by Christopher Trent. Mastered by ArÅ«nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer - Valerij Anosov
All the music is improvised by Jean- Luc Cappozzo, Gerry Hemingway and Christine Wodrascka. Recorded in October 18th 2012, live in Le Carré Bleu, Poitiers, France. Recording, mixing by Miké Goupilleau. Photos: Framboise Estéban (photos of the musicians). Mastered by ArÅ«nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by Freddy Morezon Prod and Danas Mikailionis. Co-producer – Valerij Anosov. Partners: Jazz à Luz Festival, Toulouse II University, Jazz à Poitiers