★Notice Recordings
Magnet Blues
*100 copies limited edition* "Magnet Blues" presents Zhu Wenbo and Zhu Songjie’s unique and utterly bizarre take on American blues, as if filtered through layered variations of darkness. Throughout the recording, we hear barely audible vocals, minimalist, smart, and subtle guitar work, and the folkish atmosphere of what sounds like distant train activity and dying radios. Instrumentation is notable here: Songjie uses the peculiar Casio EG-5 electric guitar, with a built-in cassette deck, while a…
Blue Breaking Brown
*100 copies lmited edition* Wind Tide is a multidisciplinary art presence inhabiting the sonic, visual, and conceptual realms of Gretchen Korsmo and Andrew Weathers. Wind Tide also functions as their recording space in Texas, while extending to off-site locations in the field, as both artists have a relationship with nature and landscapes. “Blue Breaking Brown” is both sprawling and focused, with mysterious drifting vocals emerging and receding along swathes of resonant guitar drones. Room tone,…
Hailstone Temple
*100 copies limited edition* Camilo Ángeles and Joanna Mattrey present a striking set of pieces culled from an improvised live set at Museo Ex Teresa Arte Actual, Mexico City, recorded and filmed February 2022, with a dual recording and video release presented here as “Hailstone Temple”. Both musicians have fascinated Notice Recordings for quite a while, and both exhibit deep relationships with their instruments: flute and viola, respectively. Ángeles originally caught our attention via the TVL …
Live Recordings
*Edition of 100.* "Live Recordings" presents MAW—the trio of Frank Meadows (bass), Jessica Ackerley (guitar), and Eli Wallace (piano/synth)—fully testing the possibilities of their creative dialogue in front of a live audience for the first time. Two concerts in Brooklyn and Saugerties, both staged in October 2021, display the performance of an acute democratic understanding, acquired across formative years of private sessions and conversation, including the late 2020 recording session that prod…
01.30.22
Tip! *Edition of 100.* Stella Silbert and Nat Baldwin’s "01.30.22" starts with a disorienting and curt mixture of vinyl static, chopped and skewed mysterious acoustic guitar strings, and a loud, acoustic “thud”. It’s an introduction to a strange piece of music from a strange album by two fascinating players in the current improvised and contemporary music landscape. This first piece, “5”, warbles and wobbles its way though oddly lyrical passages, framed in sporadic collaged format by the rapidly…
Dig Up Roots
*100 copies limited edition* "Dig Up Roots" is a document of a live performance at Tokyo Arts and Space on July 1, 2022. Ryosuke Kiyasu plays snare drum and table, presenting an extreme and cathartic relationship with physical surfaces and their characteristic tolerances, as exploited with wood, hands, and body. Notably the distinctive acoustics of the space can be felt deeply throughout the performance, not to mention the overblown recording. The space’s container is audible, fluctuating, and s…
Fire Point
Tip! *Edition of 100.* Fire Point is multicolored and elusive. The sounds contained therein are agitated, fluid and amorphous, as if listening to the sonic realizations of various characteristics of multiple landscapes. Branches intersect, tree foliage collectively billows, and groundwater seeps into the encompassing substrate. The interactions of these three musicians are effortless, and is the result of both remote and physically-collaborative engagements. Starting with percussion tracks laid …
Missa Amissa
*In process of stocking. Edition of 100.* Malcolm Goldstein has long been an admired figure for Notice Recordings; such albums Soundings and The Seasons: Vermont were foundational for our early forays into contemporary music. It is with great honor, then, that we present a document of a 2003 live improvised duo set with Fred Lonberg-Holm recorded at 3030 in Chicago. With ample room-tone, sounds of people shuffling into place, atmospheric sounds from the occasional interior/exterior crossover, Lo…
Raid On The White Tiger Regiment
*In process of stocking. Edition of 100.* Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is a…
Live In Accord
*In process of stocking. Edition of 200.* Recorded live in Accord, New York, this recording stands not only as Notice Recording’s 70th album, but also the first release to document an event organized by Notice as well. June 6th was one of the hottest days of that summer, and the wooden platform on which the performances occurred was on the top of a small hill on Deer Creek Farm. Many sweaty trips up and down that hill carrying gear ensued. Luckily, the performance and audience space was nestled …
Apparitions
Patrick Shiroishi returns with his second Notice album, a duo with double bassist Kyle Motl. “Apparitions” opens this album of the same name, and we are greeted with wispy and amorphous trails of wind-blown textures, as if the very first layer of an abstract painting fell to the floor of an old house and followed the contours of the walls and door frames, under shafts of light and in-between the fine cracks of floors. This is an album full of expressive and poetic phrasings, jittery movements an…
Some Time
Tip! *In process of stocking.* Adrianne Munden-Dixon and Leo Chang’s “Some Time” presents stuttering physical exchanges between Munden-Dixon’s violin and electronics and Chang’s amplified piri. These pieces are tense and tightly-woven, yet constantly unraveling and reforming. Chang’s “ampiri” is a Korean double reed instrument running through electronics and played in unconventional and non-traditional ways. Recontextualising the instrument “quasi-autodidactically” aligns with Chang’s approach t…
Erosion
Tip! *100 copies limited edition* Erosion is a sprawling yet focused love affair with the bass drum, allowing myriad objects to playfully interact with its grand form. Kevin and Jacob engage with the instrument in an entirely unrelenting way, traversing textural, pointillist sections, as well as rippling metallic drones. Notice’s admiration of Kevin and Jacob’s work goes back to circa 2008, with Kevin’s album with Tetuzi Akiyama and Christian Kiefer on the much-loved Digitalis Industries, and J…
A Need/A Want
Lucy Liyou’s music carries with it deeply personal poetry, in a literal and metaphorical sense, conveyed using sound collage, noise, field recordings, and abstracted pop tendencies. When Notice first heard Lucy’s music, we were struck by its incredible honesty, vulnerability, and originality. For her first collaboration, A Need/A Want, she is joined by Philadelphia-based guitarist and lyricist Yska. Bizarre shards of Yska's electric guitar permeate Lucy’s deft and supple production techniques as…
Ribbon
Tim Olive returns for his third album on Notice, a rare solo outing from this avid collaborator. “Ribbon” is a document of his highly developed relationship with amplified object manipulation, in a manner most cathartic and engaged, and yet informed by compositional sensibility. This release is constructed from multiple tracks of a variety of sound sources recorded in his studio in Kobe, Japan; these tracks have then been edited and layered, in shifting densities and evolving textures. Despite t…
Space Collective 2 Live
Space Collective 2 Live commemorates Portuguese musician Rafael Toral’s first U.S. tour in several years. Since the 1990s, Toral has been primarily known for his guitar work, but has since been working on the Space Program project, within which he has probed visceral and personal components of electronic music performance, and how they relate to the performer’s experience, not to the resultant product.
These recordings, taken from a live set at All Tomorrow’s Parties in 2012, find Toral perform…
Fissures / klisi
Lituus is from Chicago, IL; less is known of Black William. Somehow, on this split of hypnotically minimal synth pieces, that seems appropriate. Black William’s side takes a simple repeated figure and expands it (by hand) into an expansive buzzing drone. Lituus likewise programs a sequence that remains in constant change throughout the piece’s duration. Both sides combine programmed sequences with planned change, but also include a certain level of machine/human interaction. Certain parameters a…
Primary / Unit 11
Samuel Rodgers (co-curator of Consumer Waste) pairs up with sound artist Jack Harris on two explorations of minimal performance and sound creation. Working in a semi-urban ambience—open windows, barking dogs, distant sirens—the duo suggest both a specific location and a generic one. Their previous work has explored tensions between analogue and digital processes; here, sounds remain mainly non-instrumental in source: amplified object manipulation, cable hum, and different types of feedback intru…
Jaw Works & Behind a Dead Tree on the Shore
Two sets of music by Chik White, an alias of Darcy Spidle, whose Nova Scotia-based Divorce Records has been slinging LPs of sonic bemusement since 1999. Jaw Works is made up of solo jaw harp performances, wringing mesmerizing detail from variations in rhythm and tempo, while achieving a wide variety of barely believable, almost synthesized-sounding timbres. Behind A Dead Tree On The Shore also features the jaw harp, albeit in concert with the North Atlantic Ocean, which inspired the more minimal…
Radio: Vol. 2
Upon seeing Ryan Jewell’s patient, rigorous and riveting performance at Chicago’s very first Neon Marshmallow festival, we were fascinated by his meticulous sonic explorations falling somewhere in-between percussion, minimalism and electronic composition. Several years on, Jewell, still based in Columbus, OH, has continued to build an impressive resume as a co-conspirator with all sorts of people. Populated by acoustic textures, percussion-based sonic events, and unconventionally performed sound…