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* Comes with a four-page foldout insert* Originally released in 1977, Locanda Delle Fate's "Forse le lucciole non si amano più" is an LP for which the term 'masterpiece' is never wasted. Perhaps the last true album of Italian Progressive Rock, before the genre was completely overshadowed by waves of 'new' music, and then come back strongly in vogue in the new millennium.Reviewed hundreds of times and as many incensed, it is a record that has stood the inexorable passage of time, due to its perfe…
**180 gram vinyl** Following the sad passing of Mark Hollis earlier this year we all collectively turned back towards the impressive career arc of his band Talk Talk. Lesser referenced was his self-titled solo album released in 1998, which is now available again on vinyl.Despite being released as a solo album by Hollis, it was originally intended to be credited to Talk Talk, under the name Mountains of the Moon. A beautiful and haunting work, this album picks up where he left off with Talk Talk'…
Reconstruction of The Velvet Underground's Fabled Lost 1969 album, available on vinyl for the first time with bonus tracks. To honour The Velvet Underground's 50th anniversary, Grammy-winning producer Bill Levenson has lovingly recreated the band's much-mythologized lost album, 1969. Nearly fifty years later, much remains unclear about these mysterious recordings. While there's been reports that the album was intended to be the band's fourth record only to be rejected by MGM, it's also possible …
Exact LP repro edition A grey-area edition of the legendary 1967 modal masterwork by one of the greatest unsung jazz pioneers of the 20th century. A ture lost underground jazz classic from the late '60, filled with long, flowing tunes that have tremendous modal energy and a very cohesive feel. Backtracking a little, Nathan Davis was born in 1937 in Kansas City, Kansas and attended the University of Kansas in Lawrence before shipping off to military service in Germany in 1960. After being dischar…
The quartet of Ian Carr, Jeff Clyne, John Stevens and Trevor Watts - encounter here in their only recorded document, is among the most important gestures in the history of British free jazz. Issued in 1969, but recorded three years earlier, Springboard offers a window into the origins of an entire movement - the flowering of change within a music in geographies not its own. Free jazz always had a more receptive audience in Europe than in America. It’s not surprising that indigenous realisations…