We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Relative Pitch Records

Mongrels
Mongrels—Buck Nauseef—two creatures with no pedigree or particular style who have absorbed, mixed and amalgamated numerous pedigrees and styles during long careers working closely with leading musicians of diverse genres including: orchestral, Javanese gamelan, jazz, Ghanaian music and dance, r&b, Hindustani classical music, free improvisation, Balinese gamelan, Turkish classical Sufi music… Recordings and performances have been with, amongst many others, The Necks, Evan Parker, Jack Bruce, Bill…
Una ofrenda a la ausencia
“Una ofrenda a la ausencia” (an offering to absence) explores in depth the rawness, harshness and roughness of sound embracing the intense and unfiltered expressions that emerges from absence.
The Impossibility of a Single Sound
This impossibility is propelled as an subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker, all of them sublime atmosphere creators who observe the universe as a unit.
Aphelia
Berlin trumpeters Axel Dörner and Lina Allemano team up to create experimental improvised sonic explorations, both in duo and in larger trumpet-ensemble form. The pieces' titles reference the small lesser-known objects circling around the sun in our solar system; the album’s title Aphelia being the furthest distance away in orbit around the sun.
Primitive
“Primitive” is Jessen’s first full-length release. A raw solo saxophone recording born out of anger and isolation. At times, it screams violently. At others, it slowly pierces. At all times, it is a reaction to Jessen’s surroundings.
Some Of Them Were Never Unprepared
'As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in depth in some of my composed music: during 2015-2017 I experimented with ways to surprise and destabilise myself in the solo format within the compositional framework of pol…
At Grnd Zero
This recording comes from a memorable show the band performed during their first (and so far last) tour in France. The concert had been a heavy mass of around 90 minutes, of whom only a part was caught on cassette, as nobody remembered to flip side when it was time. Anyway what got recorded is here, and it's still enough to dig the psychoactive multitude of sound informations Melting Mind delivered in Lyon that night. A hypnotic vortex of multi-layered dimensions. Italo-noise at its best, as in …
Likht
Incinerating sound together since 2014, Nava Dunkelman and gabby fluke-mogul combine their expansive palettes with finesse, creating a fierce dialect of their own. Violin and percussion combust viscerally through spirit and song. Forged in flame, Dunkelman and fluke-mogul honor ritual and celebrate their rich sonic hues in their duo release, Likht.
Sand
Sand is a Fields composition for 20 instrumentalists, three singers, and conductor. It combines three areas in which he has often worked: modularity, manipulation of text, and integration of composition and improvisation.Like Fields’ previous modular works, Sand is constructed of units whose interrelationships vary from weak to strong. In performance a conductor spontaneously selects, combines, sequences, and layers modules. Sand also includes improvisational elements within structures and “orga…
Retrato A​ñ​os Despu​é​s
Uruguayan guitarist Santiago Bogacz is a genre-bending virtuoso with a strong penchant for improvised music. Over the years he has released many solo and duo recordings, some under the stage name Matador. On the stimulating and poignant Retrato Años Despues he joins forces with his compatriot Emiliano Aires for nine spontaneously created pieces.Aires sticks to the infrequently heard soprano clarinet, the twittering tones of which, with their hints of vibrato, complement Bogacz's resonant strings…
Fata Morgana
"If you have the belief that your house plants are talking amongst themselves, you may not be crazy. French composer and electronics musician Erikm aka Eric Matt, with the help of the experimental chamber Ensemble Dedalus, transmutes sounds created beyond the frequencies of human hearing into a spectrum accessible to our limited range. This process reveals a world of creatures and natural phenomena that, unless you were working in a specific scientific discipline, may never suggest itself to you…
Images Of One
New York City-based Pavone and Kasten Krause met by being placed together in the ensembles of other like-minded music experimentalists. It wasn't long before they realized their unique sonic preferences, aesthetics, and approaches to their instruments were similarly aligned and worth further investigation. Over the course of two seasons, they explored and experimented with sound worlds and structures, resulting in the four pieces that make up this album. Images of One is the first release from t…
Matanzas
Brandon Lopez (contrabass), Steve Baczkowski (saxophones), and Gerald Cleaver (percussion) freely play propulsive grooves drawing as much from heavy metal aggression as free jazz freakouts. Baczkowski’s reeds with their acoustic distortions impart a crunch to the music and their snaking lines dance over the sinister and doomed romp of the rhythm section. Lopez and Cleaver are most often locked into a martial groove, assembled and disassembled, sometimes faltering and reeling from their own displ…
Crying In Space
"The question to be answered during this live performance was, "Will there be enough space for all the musicians' voices to be heard?" Recorded at Firehouse 12, in June 2019, this new ensemble is an adaptation of various duos and familiar trios. Saxophonist Paul Flaherty and drummer Chris Corsano have performed and recorded numerous discs together since the late '90s, releasing high-octane free jazz. The same can be said of the drummer's duo work with Danish saxophonist Mette Rasmussen; their tw…
From Union Pool
This adventurous set catches lightning in a bottle. They hit the ground running and never let up. Susan Alcorn's pedal steel soloing is phenomenal while Ryan Sawyer drives the trio forward as Patrick Holmes' clarinet keeps pace with both of them. A breathless set of high energy free improvisation at its best.
Goodbye Ground
Sakina Abdou has expressed herself in many contexts, in musical fields both broad and eclectic. With this solo album, she invites herself within, focus and anchors herself for the first time in her own language, where she summons the many influences which have nurtured her. Through «homemade» recording, naked, raw, without effects or tricks, we meet her on her own, at home. Grab a chair or settle on the floor next to her, on the edge of the bell, almost touching, and find yourself captured in a …
Mutable
The music on Mutable is a totally acoustic sonic exploration. It is an investigation that has led to the development of certain extended techniques in order to discover the ultimate limits of the sound of the saxophone and to try to create new sounds on the instrument.
s/t
Reading Group is thrilled to introduce the debut LP from a new improvising group of three singular artists: Fred Moten (voice), Brandon López (double bass), and Gerald Cleaver (drums). López and Cleaver have been improvising together as a duo for a number of years, over which they’ve developed a secret, unspoken language of organically growing repetitive figures in a wide range of sonic palettes. López and Cleaver have long been recognized as some of the most vital voices in contemporary experim…
Look Like
*In process of stocking* Look Like is the first complete solo release from bassist and vocalist Kelsey Mines. A series of improvised solo-duets, Look Like explores how listening to our on-going internal dialogue helps us conjure honest, outward expressions.
Oracle
Joanna Mattrey & gabby fluke-mogul, two of the most radical & revolutionary New York-based improvisers, join forces in the birth of Oracle. Rejoicing in the strange magic of sound, the duo weaves together new worlds while simultaneously destroying the ones that no longer serve them. Oracle is a declaration, a remedy, and a revelation.
1 2 3