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Mémoriance’s Et après... is a cinematic slice of French symphonic prog: narrative suites, mellotron swells and dramatic vocals unfolding like a dystopian concept film scored for rock band and orchestra in miniature.
Pentacle’s La Clef Des Songes unlocks a distinctly French prog dreamscape: lyrical vocals, flowing guitar work and subtle symphonic touches combining into songs that feel like folktales told in shifting, mist‑lit harmonies.
La Vieille Que L'On Brûla by Ripaille is a baroque‑tinged prog fable: harpsichord‑like keys, acoustic guitars and theatrical vocals recounting witch‑trial tales with a mix of pastoral charm, satirical bite and intricate arrangement.
Blå Vardag (“Blue Weekday”) by Atlas is a slice of Scandinavian jazz‑rock melancholy: Fender Rhodes, sax and supple grooves painting portraits of urban drift where fusion chops serve an atmosphere of cool restraint and pale‑sunlight introspection.
Someone Somewhere was assembled from original tapes during the band's active period (73-77). Acanthe was a French Classic Rock/Prog band in activity in the mid 70’s (from 73 to 77), but that has never seen its music reflected on a official release. For obscure reasons, this band was never given the effective opportunity to see its work properly published. Well, more than 30 years after their disbanding, the merits of the band have been finally recognized (and assembled) by homeland label Replica…
The World Of Genius Hans finds Moving Gelatine Plates stretching out into longer, more intricate forms: extended suites, rich horn voicings and mercurial grooves building a strange, storybook universe where virtuosity and eccentricity walk hand in hand.
On their self‑titled debut, Moving Gelatine Plates fuse Canterbury whimsy with French jazz‑rock bite: knotty horn lines, fuzz bass and nimble drumming tumbling through tunes that are as playful as they are technically fearless.
*2023 stock* "Debut album released from this French outfit which has reached "cult status". "Gialorgues" has found its way onto many "best of" lists that I have seen and for good reason. Shylock are from the King Crimson school of progressive rock in style but have certainly their own unique style and delivery. For the most part Shylock were a three piece band who brought in some guest musicians along the way. Shylock deliver complex and involved prog which has a dark forboding theme and feeling…
*2023 stock* "Sole album from one of the early wave groups (along with Moving Gelatine Plates, Sandrose etc) that progressively rocked France, Ergo Sum's music is sadly a bit over- looked, even by specialists. Their music was a rather unique genre of rock, jazz and so many other ingredients (but I would not call them a jazz-rock group proper), helped out by a violin, a flute and percussion instruments and weird-voiced singer. All ion all it is a very excellent album that will furbish your rock c…
Les Poumons Gonflés finds Etron Fou Leloublan at their most joyously unhinged: jagged rhythms, rasping horns and yelped vocals tumbling through songs that splice punk urgency, free improvisation and absurdist theatre into something uniquely volatile.
Brussels captures Lard Free in raw, exploratory mode: a live document where jazz‑rock, minimalism and proto‑industrial textures blur into long, evolving jams that feel like they’re testing the limits of what a band can do with repetition and noise.
On Anyway, oto pare guitar‑band language down to its essentials: clipped rhythms, glassy chords and murmured melodies arranged with a minimalist’s ear, resulting in a quietly luminous set where small shifts in tone feel momentous.
Lard Free’s discography in slightly discounted bundle
Gilbert Artman’s Lard Free (LP)Recorded in just three days and released in 1973, mixing jazz, kraut and prog rock, Lard Free’s first album is a musical landmark in the French underground scene. To this day, it still matches the perfection of their English and German fellows like Soft Machine and Amon Düül. A true masterpiece.
I’m Around About Midnight (LP)Released in 1975 with a slight line-up change, I’m Around About Midnight shifts from roc…
** 500 copies ** Recorded in just three days and released in 1973, mixing jazz, kraut and prog rock, Lard Free’s first album is a musical land-mark in the French underground scene. To this day, it still matches the perfection of their English and German fellows like Soft Machine and Amon Düül. A true masterpiece."Lard Free is a French psychedelic band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their d…
** 500 copies ** Released in 1975 with a slight line-up change, I’m Around About Midnight shifts from rock to a more electronic ap-proach thanks to Richard Pinhas (Heldon) skills with keyboards. More experimental and sophisticated than ever, it shows a band searching for constant musical absoluteness.Lard Free's second album was recorded in Paris in a three day session and released in 1975 on Vamp. The lineup is totally different from the first LP and as mentioned it features long time friend Ri…
** 500 copies ** Released only one year prior to their split, III digs even deeper into electronic and experimental territories. Lard Free’s music has never sounded more cinematographic and spacey than on this record which perfectly blends the players, their instruments and some kind of dialog with the Universe.This is the most electronic effort of the group and the instruments on this album consists of mostly synths. In addition we have piano, drums, vibes, guitar - and clarinet as the first ti…
** 500 copies ** Never heard before until its release on CD in 1997 (on Spa-lax Records), Unnamed was recorded a year before Lard Free’s first album and shows a band that totally foresaw the Rock In Opposition movement. Aventurous, never afraid to explore unknown musical lands, Lard Free definitely owns its place in the great History of Rock Music.Recorded in 1971/1972, these Lard Free "lost" recordings document an interesting, primitive period of the band and shows Artman and Co. moving freely…
On Triton, Potemkine deliver a fiery blend of Mahavishnu‑esque fusion and French symphonic colour: rapid‑fire unisons, angular riffs and lyrical detours swirling around a core of high‑energy, jazz‑driven virtuosity.
On Racines Synthétiques, Joël Fajerman and Jan Yrssen plant electronic seeds in pastoral soil: vintage synths, sequencers and string machines tracing lyrical miniatures that imagine nature re‑composed through early‑digital circuitry.
Digipack CD Edition. Beatuful live album by the French avant-rock band founded in 1973 by actor and saxophonist Chris Chanet. They were one of only four bands invited by Henry Cow to perform at 1978’s Rock In Opposition festival. This, their third album, was recorded live while on tour in the United States. Recorded in public at the Squat Club, New York City, Trinity College, Hartford, Conn. in November 1979, “En public aux états-unis d'amérique” is the perfect introduction to the group’s avant-…