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2010 limited audiophile re-issue in an edition of 1000 copies on 180g virgin vinyl on ReR Megacorp of the landmark first album by the quintesential British art-rock/RIO band, originally eleased in 1973. NWW list.
2010 limited audiophile re-issue in an edition of 1000 copies on 180g virgin vinyl on ReR Megacorp of the second album by the quintesential British art-rock/RIO band, originally released in 1974. NWW list.
2011 limited audiophile re-issue in an edition of 1000 copies on 180g virgin vinyl on ReR Megacorp of the third album, in collaboration with Slapp Happy, by the quintesential British art-rock/RIO band, originally released in 1975. NWW list.
Excellent experimental LP split bwtween short electronic/instrumental pieces and a long evocative musique concrète composition, released by ReR Megacorp in 1989.
"A Noise, A Sound" is a pioneering experimental album blending plunderphonics, ethnic field recordings, and avant-garde electronics. Released in 1992 by RER Megacorp, it showcases the collaborative genius of Italian composers Roberto Musci and Giovanni Venosta.
This enigmatic third collaboration fuses Musci's global travels-inspired ethnic timbres with Venosta's technical wizardry, creating a provocative sound collage of harmonies, noises, and cultural fragments. Tracks like "Keep The Funeral Ma…
This is a lovely and surprising treat indeed. Composer and multi-instrumentalist Tim Hodgkinson (Henry Cow and much more) partners with vocalist Atsuko Kamura (Mizutama Shobodan aka PolkaDot Fire Brigade and Frank Chickens) to present 37 compositions,expanding the usual sub-10-second acoustic life of classic haiku into avaried suite of compositions which place the gem-like poems, spokenand sung in both English and Japanese by Hodgkinson and Kamura,into gorgeous musical frames composed by Hodgkin…
Huge Tip! Fifty years on, an abandoned dream takes shape. What began as a post-Dark Side of the Moon whisper - Pink Floyd's notion to compose entirely from household sound - now emerges as a monument to constraint, curatorial vision, and the democracy of domestic sonics. William Hayter and Barry Lamb didn't resurrect a museum piece. They commissioned something altogether more vital: twenty-seven independent visions, each artist tasked with the same elemental rule - excavate your house for sound.…
* Remastered repress. Comes with printed inner sleeve. * Two records in one, hinged at the exact moment a rock band decided to dismantle itself in the studio and see what was left. Unrest was the second album by Henry Cow, recorded at Virgin's Manor studios across February and March 1974 and released that May. It was the first to feature Lindsay Cooper, whose bassoon, oboe and recorder replaced the saxophone of the departed Geoff Leigh, completing the line-up of Fred Frith, Tim Hodgkinson, John …
*2025 warehouse found* On vinyl, this is a reissue of the final Henry Cow record, originally released in 1979 after the group had officially disbanded. The LP features guest appearances by Irene Schweitzer and Anne-Marie Roeloffs. Following their split with Virgin, the group's history became complicated; bass player John Greaves left, and after a dispute in the recording studio, what was intended as the next Henry Cow album mutated into the Art Bears' much respected Hopes and Fears. In 1978 the …
Essential 5CD+book box covering the classic years of Faust with all their albums, BBC sessions and unreleased material. The ultimate collection from the legendary inventors of krautrock.
CD contains commissioned works by Q.R. Ghazala: Sacrifice To Isis, , Mike Hovancsek/Paul Guerguerian:Three Cold Floors, Tom Dimuzio: Inception, Marie Goyette: Short-Cuts: Brahms, Ken Ando: Danseuse, Robert Iolini: Congo, Zimbabwe, Giovanni Venosta: Le Ombre Di Otello, Keith Rowe/A. De Fillips: Feu Brilliant, Brian Woodbury's Variety Orchestra:Shenandoah/Innsbruck, Richard Barrett: The Unthinkable, Stevan Tickmayer: Heterophony, Volapuk: Des objets de la plus grande importance, Boris Kovacs: Extr…
On the CD: John Oswald/John Zorn, Biota, Cornelius Cardew, ZGA, If Bwana, Kalahari Surfers + Lesogo Rampolokeng, Koongoortoog (Tuva),Blitziods, Al Margolis, Tom Nunn, Thinking Plague, Adenoid Quartet, N.O.R.M.A., Les Sales Combles, R.Deutsch, Martin Burlas, Peter Machajdik, David Myers, Chris Cutler/Fred Frith. New, found and commissioned work.
Commissioned materials from Robert Wyatt, Iva Bittova / Pavel Fajt, LA 1919, Jocelyn Robert, James Grigsby, J. Lachan, Henry Kaiser, Increase The Angle, Bill Gilonis, David Thomas, Jospeh Racaille, John Oswald, Musci / Venosta, Luciano Margiorani, 5UU'S, When, Jean Derome. Taken from Volume 2 of the influential Quarterly, remastered, with an exquisite book by Dirk Vallons. L
Selections from Volume 1 of the ReR Quarterly,including the legendary recording of the so-called 'supergroup' Duck And Cover (Tom Cora, Chris Cutler, Heiner Goebbels, Fred Frith, Alfred Harth, Dagmar Krause and George Lewis), Biota, Steve Moore, CASSIX, 5UU's, John Oswald. With generous book.
Re-issue of Bob Ostertag's Getting A Head, and underground classic of tape manipulation from before the days of samplers. Best known for his work with computers, here a young Ostertag plays an instrument consisting of a highly unstable and peculiar recording system, which uses helium balloons to hold up tape loops between three tape recorders made to malfunction in a variety of ways. The record marks one of the first, and to this day one of the only, times that tape manipulation techniques devel…
The spirit of enquiry and experiment is still alive and kicking - in Portugal anyway. On this double CD, Vitor looks twice at the same material. On CD one we get his unique take on guitar improvisation, which is electric, songlike and mixes genres in an unusual way. Then he takes all the pieces on that CD and orchestrates them with drums, bass, piano, guitar, clarinet and trumpet, to make a duplicate CD on which the same pieces appear as quite different pieces. You can choose one or the other, o…
Allen Ravenstine, erstwhile eminence grise of classic-era Pere Ubu, was one of the best-integrated and least predictable pioneers of analogue synthesis in rock until, in the late 1980’s, he quit both the public and the musical arena to pursue entirely different interests. But he never lost his interest in, or his feel for, analogue electronics. A few years ago, with Pere Ubu’s current synthesist, Robert Wheeler, he recorded ‘Farm Report and City Desk - in the context of a documentary about modul…
Just when you think it's all over, along comes something completely unpredictable - in this case, a modest but uncompromisingly original confection that mixes latin brass arrangements (sort of), great drumming, medium wave radio and the many characters of the accordion. Simplicity, complexity, surprise, familiarity -and all without undue fuss but adding up to something exotic and new. Radio Banana is a record that wears its heart plainly on its sleeve. It doesn't play by genre rules, or fashion …
Kiraly's experimental music stems from two sources, the first of which is his country's traditional folk music, while the second is Edgard Varese, whose '+'"'+'Poeme Electronique'+'"'+' had an incredible impact on Kiraly when he first heard it. Thus the high pitched gypsy violin, the energetically strummed guitar and the eerie rumble of electronic music come together to create a marriage of sounds that are both ancient and modern. Kiraly (like Partch) is also an inventor of musical instruments, …
Followers of our Quarterly will recall, about 6 years back, Woodbury's inspired arrangement of 'Shenandoah', which managed to embrace the whole of America history in under 10 minutes. Since then he has been working on completing this collection, his first full ensemble instrumental CD. The interest starts with the ensemble itself, half as expected for Latin, Jazz and Big band arrangements and half traditional American: pedal steel, banjo, accordion and fiddles. One thinks of Van Dyke Parks', and…