★ReR Megacorp
Speak Puppet
Prepared guitars and dobro, for the most part composed and all very much in Janet's own unique style - somewhere between classical, experimental and folk-picking with attitude. Which doesn’t tell you much about how listenable and strange these pieces are, but then there's no one to refer to or to compare with since Janet is really in a class of one. On some tracks she is joined, variously, by Thinking Plague guitarist Mike Johnson, Margot Krimmel (prepared harp), Mark Weber (voice) and Mi…
Automat Highlife
Canada's most extreme noise-music exponents caught here in a project built around short, diverse sound experiments..31 bites - which you are encouraged to programme for random order select (shuffle).
Three Pieces Suite
Studio recordings seven years in the honing. Plus music for a film by Jacques Leduc, with guest Tom Cora.Plus part of a live performance at Sound Symposium, Newfoundland.
Shark!
From the much lauded Queen Elizabeth Hall concert and club Link in Bologna, two very different knife-edge tours through sound and structure landscapes; from rollercoaster to glider. 'Indescribeable but wonderful. Quite superb. I would have been happy listening for ten times as long' Gibralter.
There and Back Again
A companion to 'Twice around the Earth, 'There and Back Again' uses 44 environmental recordings to explore - amongst other things - the way memory works, and how the experience of passing time is constructed. Mainly it's just meant to be good to listen to: surprising, serendipitous, mundane - but alien, the commonplace transfigured - an agglomeration of inadvertent sounds made haphazardly by the world and some of its inhabitants that were never meant to survive, and certainly not to be l…
Live in Moscow, Prague & Washington
72 minutes consisting of the whole of a 1978 Prague concert, a cause celebre at the time, (audibly) dividing the 3500 public and provoking controversy for some years after; a snippet from Washington, and the whole of a Moscow concert 10 years later (May '89).This is improvised music that refuses to fit into the usual categories of improvisation, as well as being technically and formally provocative.
CMCD (Six Classic Concrete, Electroacoustic And Electronic Works 1970-1990)
This essential piece of history at last reissued, redesigned and repackaged. Keystone works from the various streams of musique concrete, electronic music, soundscape, electroacoustics and plunderphonics - including two masterworks from Eastern Europe, a territory traditionally overlooked in collections of this medium. It comprises: John Oswald's 'Parade', a complex work drawn and extended from Satie's celebrated ballet composition of 1917; Georg Katzer's monumental 'Aide Memoire' ('7 nig…
The Shunned Country
A collection of 52 very short songs on uncanny themes, illustrated in the exquisite 24p full-colour booklet with a set of 20 commissioned paintings by Ray O'Bannon. Perhaps the scariest thing is that each of these miniatures is a fully formed, fully orchestrated and complete structure - no lazy snippets here - and Bob Drake plays all the parts with his famously Paganini-esque virtuosity in spooky variable tempo synchrony, packing more ideas and material into 50 seconds than many manage on an ent…
Lawn Ornaments
After Bob Drake's Drive-In, which, in terms of production was quite restrained and minimal, Ornaments sets off in the opposite direction, piling up great car-crashes of overlapping fragments in a production that makes rococo look like shaker minimalism. Playing only drums, guitars, bass, banjo, fiddle, organ, trumpet and piano Bob herds tamed cataclysms of musical debris into the shapes of coherent - if episodic – songs, en route skipping through half a century of recording history. As to method…
13 Songs and a Thing
The latest collection of twisting, turning instrumentals and songs, and another instant classic. If you didn't venture down this way yet, now is a good time to start. In a category of one, Bob Drake undermines musical, technical and production norms with a breathtaking amalgam of broken rules and unimaginable musical logic.
Downtime
The first release by the Blegvad Trio (Peter Blegvad, John Greaves, Chris Cutler). Compiled over two years without the pressure of Peter's major label releases, giving time for the songs and for Peter's singing to speak for themselves. Widely diverse in style, with many songs that have since become classics, this is a more personal and less marketable collection that Peter's Virgin releases, with the playing and production dedicated to the song, rather than its surface. Great songs, eccen…
Sift
"Blast's second release on the Recommended label after a long wait from this unique ensemble. Equally at home with the discipline of composition and the tightrope of improvisation Blast have evolved a fluid, pointillistic, unfathomable but transparent musical language that seamlessly integrates - over very short durations - highly complex writing and very free ranging improvisation, allowing the two languages to merge and combine into a new kind of logical exposition that makes sense but …
Funnel to a Thread
Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of quasi-familiar musical languages and sounds – or none - and use instrumental resources that span half a millennium and two thirds of the planet to create unique combinations of timbral colour in constant motion; this is a music in which everything is i…
Cape Flyaway
After 5 years of extensive and careful work, the new and much anticipated CD by this extraordinary collective, who have no parallels, no rivals and no peers, is at last complete. It’s a dense and indescribable orchestration of electric and acoustic guitars, clavioline, trumpet, Hammond organ, micromoog, biolmellodrone, electric and acoustic violins, bass, mandolin, accordion, piano, rubab, kit percussion and sometimes voice, layered and radically processed in the unique Biota manner. Ther…
Tessuti
The latest from Paulo on which he plays compositions by Fred Frith and Bjork - solo (though when you hear it, you definitely won't believe it) on his highly customised and extended, electrified, giant Sardinian guitar. A tour de force of technique and a musical pleasure. There is so much subtlety and so much attention to the minutiae of sound, and so much going on at any given time, that it is difficult to relate what you hear to just one person playing. Very concentrated, rewards listenin…
Itsunomanika
Paolo Angeli and ex-After Dinner/Volapuk violinist/singer Takumi Fukushima present an integrated, complex and largely composed programme of deft, focused pieces that make the most of their not inconsiderable individual talents and instruments; mostly sounding like a much larger ensemble. The sonorities of Paolo’s extended, customised, prepared giant Sardinian guitar doing extraordinary, and sometimes chameleonic, work as bass, chord accompaniment, melody instrument, viola/cello, and even percuss…
Bucato
Extraordinary player - extraordinary instrument. Paulo plays a highly modified and treated Sardinian Guitar - in many styles, some of them apparently impossible. Innovative techniques, a deeply musical sensibility and a rich, occasionally baffling, palette of sounds.
Inevitably, comparisons will be made with Fred Frith, though not by me, Paulo is his own man. A fine and original work.
NITA. L'Angelo sul Trapezio
This could hardly be more different from his first ReR CD- the extraordinary collection of solo prepared Sardinian Guitar pieces. Here, with a small orchestra of musicians (30 of Bologna's finest), is a programme of highly evolved, through composed pieces that cover half a planet of styles and influences. At one pole there are involved pieces that bring to mind Uncle Meat period Zappa, and contemporary experimental music - and at the other, the straightforward influence of traditional Sa…
Tibi
This disc will play in stereo on a CD player and with film and 5.1 surround sound (or stereo) on a DVD player or computer. The music, as always, is prodigious, sounding like a small band, but played by one person in real time (as the film attests). In this format, you can also see the instrument close-to - a highly rebuilt and extended giant Sardinian guitar - with many sympathetic and extra strings, motor driven hurdy gurdy wheels, whirling strings, springs and other appendages, played, …
S'Û
An amazing record. It’s beautifully recorded and almost impossible to believe that such a layered and polyphonic music, with chords, percussion, lead lines, bass lines, harmonies, string sections and sometimes voice could all be produced by one person in real time, without overdubs or loops. But it is. The instrument, a specially designed and augmented Sardinian guitar (almost the size of a cello) is equipped with motors, pedals, individual string mic’ing, and extra appendages; and of course the…