★Room40
Stochastic Parrot
In the past some reviewers and critics of my series of Ambient / Electronic / Exotic releases mentioned Jon Hassell and even suggested that we should make an album together.
That never happened of course and probably never would have. An influence of …
That Porous Line
On That Porous Line, Push For Night dwell in the blur between song and atmosphere, trading in smudged hooks, low-lit textures and slow, pulsing tension where guitars, electronics and voice seep into one another instead of standing apart.
Country / The Country
On Country / The Country, J.WLSN and Liam Keenan pare things back to the bone, using repetition, space and grain to sketch a faint, flickering idea of “country” where landscape, memory and rusted‑out song forms quietly bleed into one another.
Headwater
On Headwater, Helen Svoboda traces an intimate, slow‑moving current through bass, voice and carefully placed sound, letting murmured melodies, extended techniques and silence pool into an ecosystem where every ripple feels both fragile and tidal.
Somewhere in the Wind
Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live reco…
The Rest Is My Ghost
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used f…
TripleAkuma
TripleAkuma is the third in a series of essential live documents from Merzbow. The stage and the studio are not the same place, and Merzbow has an acute understanding of this juxtaposition. Whilst the sheer density of the music might be maintained ac…
Parasymbiosis
I have long pondered the concept of connectedness in relation to life’s existence. The Dalai Lama teaches that destruction of one’s neighbour equates to destruction of oneself. In contrast, modern Western culture has placed the individual at the epic…
Imu Plastos
Spring 2024. Carl Stone and Asuna performed together for the first time at an international experimental music festival held in Kanazawa city, where Asuna lives. Carl Stone is a pioneering composer of computer sampled music. and Asuna known for its “1…
The Sound Leaves
"The Sound Leaves" began as an interactive sound performance and installation based around humans’ impact on the environment and how that impact is altering the sonic landscape of our world. As ecosystems change due to climate collapse, the sound of …
Pendulum
A note from Carlos... "I initially recorded all tracks in California between 2024 and 2025. The tracks were then sent to various locations around the world to each collaborator for completion, before returning to me in California for final touches. T…
Obliteration Bliss
Degraded, faded cities now empty of people. You can hear household appliances in the kitchens still talking, but only to each other. The phrases are distorted, unclear; broken English , Japanese and a few Korean and Chinese automated voices, syllable…
Meditations
Meditations is a set of 8 works based on the experience of meditation practice. Music made for both meditation and reflecting the realities of a life of daily practice. The breath, the quietness, the listening, the distracted dissonant and consonant …
Smelter
Smelter by Faith Coloccia and Daniel Menche constructs a temporal architecture that explores water in its myriad states—snow, ice, streams, and storm. Moving between spontaneous, voice-laced vignettes and epic drone formations, the record serves as a…
Steelwound (20th Anniversary Edition)
"If I’m not mistaken, Ben Frost and I first talked about the ideas of what would become Steelwound sometime in mid 2002. In the early 00s, Ben had been working on cut-up electronics, spilling over with floating rhythms, humming string samples and pia…
Within Without
"I first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and on…
WhiteOut
"Even without visiting a place, we often think we know it. It’s a syndrome of the modern age. The world is right before us, on screen, summarised and sensorially curated into a particular vision that casts light across ‘just so much’ of an impression…