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** Deluxe edition, Tip-on jacket, 24 pp booklet ** Sam Records continues its essential reissue series of Transition Records' visionary catalog with Jazz By Sun Ra Vol. 2, the companion piece to Sun Ra's landmark 1957 Jazz by Sun Ra Vol. 1. Originally intended as Transition TRLP-28 but left unreleased when the label folded, these recordings remained in limbo until Bob Koester rescued them for Delmark in 1968 as Sound of Joy [DS-414]. Now, over half a century later, this crucial document of the Ar…
** Deluxe edition, Tip-on jacket, 24 pp booklet ** Did you know that the short-lived Transition label released the first LPs, or first sessions as leaders of three of the greatest performers in modern jazz? Donald Byrd – Byrd Jazz – Transition TRLP 5; Sun Ra – Jazz by Sun Ra Vol. 1 – Transition TRLP 10; Cecil Taylor – Jazz Advance – Transition TRLP 19. Tom Wilson, its founder and manager, was undoubtedly a man of taste more than a businessman as the label had to close its doors after only two ye…
** Deluxe edition, Tip-on jacket, 12 pp booklet ** Sam Records returns with a significant archival gem: the long-awaited reissue of Donald Byrd's Byrd Jazz, originally released on Transition Records in 1955. Capturing the Donald Byrd Sextet's electrifying performance in Detroit on August 23, 1955, organized by the New Jazz Society under the impetus of Kenny Burrell, this recording stands as a crucial document of both Byrd's emerging artistry and the vibrant Detroit jazz scene of the 1950s.
The r…
A never-before released Mal Waldron Trio 1970 live recordings. First official release with the full permission and cooperation of the Mal Waldron Estate & INA (Institut National de l’Audiovisuel).
"After hitting Paris in 1950, saxophonist Bobby Jaspar enthralled jazz fans and jazzmen alike with his smooth, elegant playing, with the lyricism of his tranquil phrases heavily influenced by Stan Getz in particular. So when Jaspar began regularly performing with a small ensemble at the Club St-Germain five years later, he adopted the same instrumentation as that of his idol’s illustrious quintet, with Sacha Distel on guitar and René Urtreger on piano in the roles of Jimmy Raney and Al Haig, res…
*2024 repress* Belgian jazz artist Bobby Jaspar died far too young at age 37 in 1963, but fortunately made a handful of memorable dates as a leader. This is the last studio session under his name. Jaspar sticks exclusively to flute on these December 1958 studio recordings. He’s joined by drummer Kenny Clarke, Sadi Lallemand or Michel Hausser (who also doubles on xylophone) on vibes, and either Paul Rovere or Jymie Merritt on bass, as well as percussionist Humberto Canto (on one of the two sessio…
A never-before released Art Blakey 1965 live recordings. First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).
2024 stock. Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grac…
This self-titled album is a testimony of the short lived-band led by New-York drummer Ron Jefferson during his stay in Paris in the mid-60s. After a first album under his name on Pacific Jazz in 1962, the founding member of The Jazz Modes and the Les McCann trio made the trip overseas.
Here, he made his living by playing with the popular pianists Errol Parker or Hazel Scott but his main drive was this trio that he formed with two other US expats, bassist Roland Haynes (the same musician who rec…
A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…
2025 Repress. In the pantheon of jazz "holy grails," few albums combine rarity and excellence like this one. Recorded in 1965, this session represents a forceful reminder of the limitations of the "great names" approach to jazz history, capturing Sahib Shihab (Edmund Gregory) at the height of his creative powers with Denmark's finest musicians. Shihab played with many of jazz's finest. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he jo…
A never-before released The Heath Brothers 1976 live recordings. First official release with the full permission and cooperation of the INA. Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’.
“That was the first Heath Brothers album. Stanley Cowe…
Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a …
A never-before released Donald Byrd & Bobby Jaspar 1958 studio recordings. First official release with the full permission and cooperation INA (Institut National de l’Audiovisuel). Available on vinyl only. No CD, No Digital is scheduled.In July 1958, Donald Byrd made a lengthy visit to Europe, not returning Stateside until December. He fronted a fine quintet that gave concert appearances at festivals held in many countries, Knokke-le-Zoute (Belgium), Cannes (France), Sweden, Norway, Germany – an…
*2022 stock. In process of stocking* Trumpeter Donald Byrd spent a few months in France in 1958, and a Paris concert resulted in two LPs' worth of material. Byrd's quintet at the time included Bobby Jaspar (on tenor and flute), pianist Walter Davis, Jr., bassist Doug Watkins, and drummer Art Taylor. Byrd was just beginning to find his own sound in the late '50s and he is in excellent form on "Dear Old Stockholm," Sonny Rollins' "Paul's Pal," Jaspar's "Flute Blues," "Ray's Idea," and "The Blues W…
‘58 issue, the title carried by Jazz Hot magazine was: »Revelation at the Chat Qui Pêche. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.« And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug W…
A fantastic early recording from the great French tenor saxophonist Barney Wilen – best known as an artist who recorded famously in the soundtrack world of the French new wave, and with Art Blakey – but who's even more striking here on a rare small combo date from the 50s! The session's a monster – cut with rhythmic backing by Milt Jackson on piano (!?), Percy Heath on bass, and Kenny Clarke on drums – and two cuts feature additional percussion by Gana M'Bow, which gives the set a wonderful kick…
*2022 stock. In process of stocking* One of the few albums ever cut as a leader by pianist Ronnell Bright – a player best known for his accompaniment behind famous vocalists, like Sarah Vaughan and Nancy Wilson! This rare date was cut in Paris – at a time when Bright was visiting the city with Vaughan – and it's a stripped-down trio date with a nicely relaxed feel – one that has Bright really opening up on the keys, in ways you don't always hear on his material with singers. Other players in the…
*2022 stock. In process of stocking* 'It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well-known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well-known in European jazz circles. With Lewis on piano, Distel on guitar…
*2022 stock. In process of stocking* “One of the first true moments of genius from saxophonist Nathan Davis – originally released in the mid 60s for the tiny SFP label – and a record that’s even rarer than his early classics for MPS! The sound here is similar to the MPS sides – a mixture of soul jazz and modal jazz – served up with a bit more freedoms than Davis might have gotten on the US scene, and featuring a lineup that includes Woody Shaw on trumpet, Jean-Louis Chautemps on baritone sax, Re…