** Deluxe edition, Tip-on jacket, 12 pp booklet ** Sam Records returns with a significant archival gem: the long-awaited reissue of Donald Byrd's Byrd Jazz, originally released on Transition Records in 1955. Capturing the Donald Byrd Sextet's electrifying performance in Detroit on August 23, 1955, organized by the New Jazz Society under the impetus of Kenny Burrell, this recording stands as a crucial document of both Byrd's emerging artistry and the vibrant Detroit jazz scene of the 1950s.

The reissue of this hard-to-find album is significant for a number of different reasons. Its very rarity is one attraction for certain collectors, but more important perhaps is the fact that it was the first recording as featured artist for trumpeter Donald Byrd. At the time just 22 years old, Byrd was on the cusp of a legendary career that would see him become one of hard bop's most innovative and influential voices. Yet what makes Byrd Jazz particularly striking is how it hints at the experimental edge and modal explorations that would later define his work—a restless creativity already pushing beyond the conventions of mid-50s bebop toward something freer and more modern.

Equally revealing is what this recording tells us about the depth of the Detroit jazz scene in the 1950s. The New Jazz Society, formed under Burrell's guidance, was instrumental in creating opportunities for local musicians and documenting their work. Detroit in this era was a crucible of innovation, producing artists who would bridge hard bop and the coming free jazz revolution. This concert showcases not only Byrd's prowess but the caliber of musicians Detroit was producing during this fertile period—players who understood that jazz was a living, evolving language, not a fixed tradition.

The sextet's performance crackles with an energy and forward-thinking approach that anticipated the modal and free innovations of the decade to come. Byrd's trumpet work displays a harmonic sophistication and willingness to explore outside traditional chord changes that would become hallmarks of modernist jazz. These aren't museum pieces—they're blueprints for the future, captured live in a moment when the boundaries of jazz were beginning to dissolve.