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Once whispered about in underground circles, Juvenile Rock—a crucial artifact from Japan’s vibrant 1980s post-punk scene—returns in definitive form. Originally circulated only as a CD-R and later on cassette, this rare collection of unreleased material from Dendo Marionette is now finally available on double vinyl, bringing new life to a body of work that until now was largely inaccessible outside of dedicated collectors. Juvenile Rock presents an expansive portrait of the band at their most dar…
At the dawn of the 1980s, Osaka’s Dendo Marionette stood at the forefront of Japan’s first great Synth-Wave explosion—an underground movement where icy electronics collided with the raw urgency of Post-Punk. Their sound was both futuristic and deeply atmospheric, channeling a restless creative energy that mirrored the global wave of experimentation while remaining distinctly Japanese.
This definitive double LP brings together the band’s complete studio legacy, finally giving shape to a story t…
Formed in Hakata before relocating to Tokyo in 1984, Akebonojirushi quickly established themselves as one of the most adventurous acts in Japan’s underground music scene. The six-piece band defied easy categorization, blending sharp-edged New Wave textures with the groove and freedom of Funk-Jazz, then distilling it all into daring, unpredictable Pop songs.
Originally released in 1987 on the influential DIW label, Paradise Mambo captured the energy of a vibrant era when Japanese musicians were…
Originally released in 1985 on Japan Records, "Trap" marks the second solo venture from pioneering Japanese musician Chiko Hige. Delving deep into the raw energy of the No-Wave movement, Hige crafts a powerful, hypnotic sonic journey brimming with hyper-kinetic grooves, jagged guitar textures, and contorted saxophone lines. "Trap" stands as a snapshot of controlled chaos—its blend of frenetic rhythms and edgy soundscapes continues to resonate with fresh relevance, captivating new listeners and l…
If punk culture and aesthetics ever had a poet, it would undoubtedly be Kō Machida. Best known as the visionary frontman of the pioneering punk band INU and later acclaimed as a novelist, essayist, and professor, Machida has built a career at the intersection of raw musical energy and razor-sharp literary craftsmanship. Eleven years after the groundbreaking 1981 masterpiece INU – Meshi Kuuna!, Machida returned with a new creative chapter: the album *Harafuri*. This record marked a significant ev…
Dance Till You Die is more than just a track title—it’s a loud and clear order, a warning, and a timeless statement from one of the most uncompromising Japanese post-punk outfits of the early 1980s.
Emerging from Japan’s underground scene, Daisuck & Prostitute forged a raw yet magnetic sound that blended the abrasive edges of No Wave with an almost ritualistic sense of groove. Dance Till You Die stands as a rare testament to their uncompromising vision: esoteric and challenging, yet undeniably…
Spittle Records is proud to announce the reissue of Chance Operation’s seminal sophomore release, Spare Beauty. Originally issued in 1982 as a double 7” on Jeep Records, this sought-after EP makes its long-awaited debut on 12” vinyl, reintroducing four tracks of pure Japanese post-punk brilliance to a new generation of listeners. Spare Beauty is a masterclass in hypnotic, infectious sonic grooves. Each track weaves together raw energy and avant-garde flair, showcasing the band’s innovative appro…
Originally released in 1981 on Jeep Records and reissued here for the first time, Chance Operation’s debut 12” EP stands as a bold statement from Japan’s avant-garde underground. This seminal recording, now available on Spittle Records, captures the raw energy and visionary spirit of a group that defied genre boundaries and predicted the sonic upheavals of the decade to come.
Chance Operation emerged from Tokyo’s fertile experimental scene, channeling the restless creativity of the late 70s and …
Spittle Records reissues Chance Operation’s 1985 debut “Place Kick,” a genre-defying mix of post-punk, funk, and jazz, now on vinyl for the first time—restoring a vital underground classic for new audiences.
Incl. printed inner sleeve & 4 page fold-out insert ** Spittle Records resurrects a dangerous ride through Japan's experimental underground with the first vinyl reissue of this 1985 masterpiece. Four decades after its original Japanese release, Mizutama Shobodan's sophomore album A Skyfull of Red Petals finally receives the vinyl treatment it deserves, emerging through Spittle Records as a testament to one of Japan's most fearless and uncompromising experimental units. Mixed by master Fred Frith…
Incl. printed inner sleeve & 4 page fold-out insert ** Spittle Records resurrects a dangerous ride through Japan's experimental underground with the first vinyl reissue of this 1985 masterpiece. Four decades after its original Japanese release, Mizutama Shobodan's sophomore album A Skyfull of Red Petals finally receives the vinyl treatment it deserves, emerging through Spittle Records as a testament to one of Japan's most fearless and uncompromising experimental units. Mixed by master Fred Frith…
Emerged from the heart of Japan’s underground scene, Schedars is an incredible five piece band with an explosive sound rooted in the Post-Punk-No-Wave aesthetic. Previously self-released and now reissued on a world-wide scale, this is their first full album. A hyper-active blend of sharp singing, psychotic guitars and organs, snaky saxes, infectious bass lines and nervous drums beats.
Fans of bands like D.N.A, The Contortions, Phew or early The Ex will find themselves enthralled by Schedars’ unc…
*2025 repress* Spittle Records presents a reissue of Chinese Restaurant by Italian new wave duo Chrisma, originally released in 1977. The album was recorded between London and Milano during the second half of 1977, and the results were something like post-punk. More in the direction of bands such as Ultravox, The Stranglers, and Suicide than the Sex Pistols and the Ramones, due to the use of electronic keyboards, obsessive rhythms, tense harmonies, and scratching vocals emerging from generally d…
Super offer, crazy price! Sold-out at the label, last available copies. A happening -- maybe one could call it that. Confusional Quartet is one of the most original and unique bands to ever come out of Italy, and one of the few bands able to switch from the prog rock era to dislocated art forms, painting their music with traces of early electronica and a post-punk twist (read: no wave). A bridge linked the band from Bologna (rock) to the musical past and present of the nation, with senses of urg…
Produced and engineered by Jah Wobble at home in his bedroom (hence the title), the album was originally released in spring 1983, showing a different side in the bass player evolution. His proper 2nd album after a major label stint with Virgin - for his debut - and the stratospheric collaborations with Holger Czukay & The Edge. A mystical hybrid of dub fusion, ethereal wave and global beat, still ahead of his time.
After the surprising debut with ‘Monochromatic’, Milano 84 - the musical project of Fabio Di Ranno and Fabio Fraschini - returns with a new album that brings the formula into even sharper focus. Synth pop, new wave, Italo disco acquire a contemporary dimension and an international flavour.
Ultimately, this 1984 EP by the Ruins - of which Spittle DepenDance now offers a valuable reissue enriched with additional material from the period that has remained completely unreleased until now - is a testament to the band's innovative spirit and its role in shaping the Italian new wave scene, landing moreover to international acclaim and acclaim even over the following decades. With its mix of electronic experimentation and dark pop sensibility, it remains essential listening for fans of a…
After achieving some decent notoriety, and not only in Italy, as an electro-pop duo (thanks mainly to the single 'Short Wave, a small 'classic' in the early years of that decade), between January 1982 and March 1983 Ruins morphed into a new five members line-up. With this fresh option, Ruins restructured the previous repertoire and produced entirely new material. The original 4 track recording had remained largely unpublished at the time and seemed irretrievably lost. However, thanks to persist…
Third chapter of the "Milano Undiscovered" series, curated by Fred Ventura, takes us on a journey through the vibrant Milanese techno and house scene of 1988-1992. This latest installment unveils a treasure of unreleased demos, showcasing the productions that emerged from the city's flourishing underground during this era. Inspired by the pioneering sounds emanating from Chicago, Detroit, London and Sheffield, a wave of Milanese producers embarked on a creative odyssey, crafting their own unique…