We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Sonically, Bryn Jones's work as Muslimgauze often pulled in two directions at the same time. The one, towards what fans of Can might call an "ethnographic" kind of practice, especially with his use of vocal samples and percussion instruments from th…
The provenance of bonus tracks can often be tangential or suspicious; in this case, it's more like a homecoming. WhenBryn Jones turned in the master for what would become 1994's Drugsherpa mini-CD, Staalplaat selected the 20-minute title-track, truly…
Some might say that the continued stream of releases fromBryn Jones aka Muslimgauze is beginning to beggar belief. But Jones was always prolific, creating not just song after song but variant version after version of his existing work. And so Muslimg…
"We do not work on a release, a piece is done at a time. A CD is drawn from various tracks which can span a few days, weeks or a month, or a day, each release is different." --Bryn Jones, Grinding Into Emptiness interview, 1998Not only has Muslimgauz…
The original 2CD Deceiver from 1996 is a seminal release in Bryn Jones' sprawling discography, one of the first major ones to really pivot into the noisier/more abrasive side of Jones' sound as Muslimgauze. From its epic, vinyl-side-long title-track …
While the human voice has often been an element in Bryn Jones\' WORK as Muslimgauze, rarely did he highlight it as much as in Minaret Speaker, the latest in the Muslimgauze Archive SERIES, and its concurrent release, Feel the Hiss(ARCHIVE 030CD). Whi…
Some of the tracks on Feel the Hiss, a release Bryn Jonesrecorded LIVE to cassette in early 1995 but never had the chance to remix and polish before he DIED, use the same kinds of devotional voices found on much of Minaret Speaker(ARCHIVE 029CD), but…
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
"For this live-to-air outing, Raphael Lyon’s primary instrument is a customised organ, with which he sketches out simple cyclical themes that suggest either a more rudimentary take on Terry Riley’s Persian Surgery Dervishes or a more involved reworki…
Recorded in Tokyo, New York and Los Angeles. Walpurgisnachet recorded with Joe Potts. Purge recorded live at Anticlub, Los Angeles. Live recording engineered by Joseph Hammer. Mastered by John Duncan at Unormori, Tokyo. The result is a terrific in…
MINBLOWING EDITION! 'This might very be the first time that Staalplaat repeats a cover for their Mort Aux Vaches: the metallic cover for this one was also used for the Mitchell Akiyama release (unless of course one states that a lot where printed on …
New Ignatz cd out now on Staalplaat ´Mort Aux Vaches´ series. Live session at Berry Kamer´s Dwars program at VPRO. KRAAK is working on a new Ignatz lp as well, compiling the best tracks of his cassette releases. Will be released after summer...On Fri…
CD, 3-panel engraved sikscreened cover ltd. 500ex. Perhaps I told this before: one sunday afternoon two years I went out to see the farewell event of a band that I never heard of, Dagpauwoog, but I knew all of its members (including Rutger Zuydervelt…
A collection of recordings from Spains Esplendor Geométrico recorded between 1980 and 1982. Very much like a spanish Suicide, Esplendor blend soundscapes, industrial noises, vocals and early drum machines to brilliant effect
long out of print "In their own way, ETANT DONNÉS perpetuate the very select circle of alchemist image-makers who, like Michel Maïers in his Atatanta Fugiens ou Lambpsrinck in De Lapide Philosophico, drew up allegorically, poetically, and in a way in…
Pete Swanson (electronics, vocals) and Gabriel Mindel Saloman (electric guitar, electronics). Produced and recorded for Dwars by Berry Kamer, Amsterdam, May 17th 2007. Packaged in a 3-panel cardboard relief sleeve. Artwork & concept by Staalplaat. Li…
Nigel Ayers’ most accessible emission? The glut of his ‘band’s prolific history has generally been a full-scale assault upon the senses, via either dingy slabs of noise or near-pretty industrial musique concrete. Stoneface operates on many levels, a …
Zoviet*France are one of the most important collectives in the 'post-industrial' era. Their swirling, repetitive music changes shape each time it is listened to and has been, as much as the elborate packaging, of great inspiration to the current ambi…
Back in stock! 'composition: reinhold friedl this cd should be played with random or shuttle function zeitkratzer will soon be the center of innovative music. This project promises to be endlessly fascinating, the Wire magazin wrote three years ag…