We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Thanatosis Produktion

Stabbings / Juiced
*2023 stock* "In joy / In grief / I’ve been so fucking lonely / In the bars, on the streets / In detox / At treatment centers / In the hospital / In custody / In psychiatric wards. Also at the royal art academies. But now I am finally free." - Roosen
Synapse / Oxytocin
Synapse is the first single off (and a sort of appendix before the fact to) Autorhythm's project Songs For The Nervous System that culminates in an album later this spring. It has a driving and asymmetric “Can meets John Bender”-like quality paired with a warm soundscape reminiscent of Cluster's Zuckerseit. The ambient B side Oxytocin features a recording of a Soviet era Ocean 209 transistor radio that adds to the ethereal other worldly dimension of this beautifully languid neo-Kosmische gem. Ex…
Marwa
Unique recording by dhrupad singer Marianne Svašek, a former pupil of legendary Hindustani musicians Zia Mohiuddin Dagar, Uday Bhawalkar, and Zia Fariduddin Dagar. The album consist of one track, a lengthy alap sung by Svašek––accompanied only by two tanpuras––in a complex and mysterious raga of twilight and sunset: Raga Marwa. Comes in a digisleeve featuring liner notes by Joep Bor, professor emeritus at Leiden University and author of The Raga Guide.
Monolog
Renowned Swedish musician Tomas Hallonsten’s debut solo recording started out as a Mark Hollis-influenced project featuring Hallonsten’s instrumental compositions sparsly performed with acoustic guitar,piano, bass and drums at its core. Gradually the music morphed and eventually it turned out as a solo album where the compositions came to life mainly via Hallonsten’s unique treatment of drum machine and synths.
Ogura Plays Stockhausen
This 2 CD album features Japanese pianist Miharu Ogura’s jaw-dropping rendition of Karlheinz Stockhausen’s Klavierstücke I–XI, for solopiano, recorded live at Monopiano festival 2021. Includes a 20 page booklet with an essay by Robin Maconie, former Stockhausen pupil and author of the book “Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007”.
The Sounds of VÖ
From the opening seconds it’s clear that the debut recording of the improvising sextet VÖ is not just another free improv session. The deeply meditative sounds may conjure disparate folk traditions from around the globe, whether Scandinavian fiddle tunes or the way Alex Zethson’s meandering pump organ evokes the exploratory harmonium lines in Pakistani qawwali music, but these associations are mostly coincidental. The ensemble members are devoted to improvised and experimental music mostly as an…
Within Reach Of Eventuality
The debut album from Swedish duo David Bennet & Vilhelm Bromander features their co-created piece Within Reach of Eventuality. Following a semi-open score by Bennet, the duo is treating elements such as complex textures, non-pitched sounds, microtonality, beatings and intense pauses in an improvisatory and careful manner. From the liner notes, by Peter Margasak: "This isn’t music where we need to know exactly what’s happening or trace how it proceeds. It exists to entrance the listener within th…
Seduced by (a) last year
Seduced by (a) last year is artist, musician, and researcher, Andreas Hiroui Larsson’s first album under his own name and which features his interdisciplinary music. Larsson weaves together materials from his art,music, and philosophy practices by way of an interdisciplinary artisticmethod, in which imagery, live improvisation, recordings, and text investigate the purpose of one another by entering each other’s fields, andperforming each other’s roles. Larsson’s music constitutes a layered hybri…
All The Birds And A Telephone Ringing
The Portuguese trumpeter Susana Santos Silva has firmly established herself in the upper echelons of jazz and improvised music, a musician of lyric imagination and technical ferocity with deep historical perspective. Based in Stockholm, Sweden—where she’s currently studying electro-acoustic composition at the Royal College of Music—Silva is an inveterate collaborator, turning to artistic partnerships to constantly explore new sonic terrain. She works with pianist Kaja Draksler in a duo as well a…
Two Skies
"Two Skies" is the first recording of an ongoing collaboration betweenviolinist Maya Bennardo, bass clarinetist Erik Blennow Calälv, and kacapi musician Kristofer Svensson, who have been playing together in Stockholm since 2020. Bringing together different performance and composition practices—contemporary classical, free improvisation, and Sundanese music—the music on this album represents a hybrid form of chamber music. In its origination, it is a form of music between improvisation and compos…
Residy
'The music on this album is a variation on a variation, the Goldberg Variation no. 21 by JS Bach. In a moment of realistic modesty, it struck me that I will probably never live up to my old dream of being able to play all the Goldberg variations in a way that’s at least close to the composer’s intentions and that pleases my own ears. However, I reckoned, perhaps I could use the score of one of the pieces as a foundation to build something else. Exploring and at the same time (re)creating the res…
Night Will Fade and Fall Apart
"As I perceive it, in much of Magnus Granberg’ work, going back as far as projects such as Sheriff, there’s an in-drawing nurturing of self. However one may read the beautifully poetic, frequently melancholic nature of the titles of the pieces, this is far from a flattening of the nature of existence but rather a celebration of the interior life of the individual, both of the composer and his growing, attentive, audience, accumulated over time due to a remarkably consistent series of releases. T…
Arch of Motion
*Edition of 300* In recent years Swedish musician Linnéa Talp has grown interested in liminal spaces of sound, increasingly searching for her breath deep within passages of a song when instruments gently and patiently bridge the verses. In 2020 she released Cochlea, a brooding pop-rock record made under the name Deerest. “I’ve been trying to work with my body, my breath and my listening,” she says of her work since finishing that release. “I wanted to integrate a sense of slow and simple movemen…
Kristine Scholz Plays Otte And Cage
*In process of stocking* Featuring the Sweden-based pianist, new music pioneer, and former Merce Cunningham-collaborator Kristine Scholz, the album "Scholz plays Otte and Cage" is focusing the music of two composers who over time came to mean a great deal to one another: Hans Otte (1926-2007) and John Cage (1912-1992). On the album, four movements from Otte's seminal work "Das Buch der Klänge" (1979-82) is combined with a stunning interpretation of Cage's "Music for Piano 4-19" (1953). As the ex…
Utopia
For more than two decades Swedish reedist Martin Küchen has cemented his place as one of the most versatile musicians within improvised and experimental music, following his innate curiosity to pursue many different approaches. Depending upon one’s aesthetic preferences one might know him as a free jazz firebreather in Threnody (with Johan Berthling and Steve Noble), a post-bop composer and bandleader of grainy soulfulness (particularly as the ringleader of the sprawling Scandinavian nonet Angle…
Björnhorn
*100 copies limited release* Recorded and mixed by Daniel Bengtson at Studio Rymden, Stockholm, Feb 2021Produced by Alex Zethson & Johan BerthlingMastered by Daniel Ögren All music by Johan Berthling except For Turiya by Charlie HadenDedicated to Maria, Arvid & Vidar Produced with support from the Swedish Arts Council
Some Of Them Were Never Unprepared
*In process of stocking* 'As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in depth in some of my composed music: during 2015-2017 I experimented with ways to surprise and destabilise myself in the solo format within the compo…
Tkać
LED and Love Sounds (2015) is Forsberg’s first sound-and-light piece. The piece is made of frozen and processed violin sounds. The drones are slowly changing, providing minimal repetitions that never stay the same. ”A slow transition from playing on my instrument, to play only my electronics. Letting the violin hang there with me on stage, listening to itself. Following how the drones slowly change, minimal repetitions that never stay the same. And you can hear the gallery clearly, it moves some…
Det Försvunnas Namn
*In process of stocking* All compositions by Martin Küchen (STIM/ncb), except "Sheer Life Asleep" and "Hippopotami mit Mensch" by Martin Küchen with recordings made by Chris Watson – "19. Elephants" and "05. Hippopotami" – taken from the album "Outside the Circle of Fire” (TOUCH TO 37). Chris Watson is published by Touch Music/Fairwood Music UK Ltd. "The 5th of December 1931 02.00 AM" is based on the first part of the sarabande from Bach's Cello Suite II, BWV 1008.
Ismalfa
Soon celebrating 20 years as a duo, on Ismalfa J/L Duo team up with Brooklyn-based composer/musician Adrian Knight and vocalist/lyricist Frew Elfineh Taha (also known under the moniker Black Fist). A cohesive suite in eight parts, Ismalfa is a powerful statement of dynamic and forward-looking acoustic jazz.
1 2 3