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Hidden in a remote, forgotten corner of German library music, Peter Patzer stands as a unique figure in the landscape of 1980s functional music production. A self-taught artist and musician, Patzer founded his own personal label, Crea Music, operating in complete autonomy from his base in Bremen, northern Germany. Between 1983 and 1989 he produced eight white vinyl LPs, all featuring the same austere tricolor sleeve - red, white and blue - with title and catalog number typewritten. A minimalist …
Ghost Story, by Ron Geesin, is a previously unreleased, wildly inventive soundtrack to Stephen Weeks’ cult British horror film of 1974. Blending traditional folk motifs, modern electronic experimentation, and eccentric studio craft, Geesin’s score is at once haunting, playful, and profoundly original - characterized by spectral atmospheres and surreal sonic storytelling.
Some mighty fine unreleased Basil Kirchin's film music here, including the freaky deaky Mutations score, plus a killer Eastern-tinged TV soundtrack from a TV show you may never have heard of, called Journey To The Unknown, which was a spooky precursor to Tales Of The Unexpected. Kirchin's distinctive talent resides in the smooth juxtapositions and mutations of recorded surroundings, free jazz skronk, surprising vocal samples, and delicate electronic harmonies that he employs in his music.
Basil …
Touted by the label as the scariest, most inappropriate and possibly most influential kids TV music of all time, Sidney Sager and The Ambrosian Singers’ ‘Children of the Stones’ really is a terrifying anomaly collecting polyphonic vocal drone and “wordless wails” you’d sooner associate with the darkest Italian library records than anything made for children’s television. It’s a real fucking find this one - highly recommended if yr into anything from Delia x Daphne to Demdike.
Alec Cheer's Night Kaleidescope is an incredible modern techno-based score to an underground psychedelic detective vampire indie drama. So there. There is little history here as this is a new release, but this is simply an amazing modern score to a 2017 film one may never have heard about (directed by Grant McPhee). What sets this score apart is its clinical post-modern feel, with influences including Mica, John Carpenter, Brian Eno, Goblin, Fabio Frizzi, even whispers of the 1980s, as well as a…