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An album of deep-funk, Afrobeat, jazz, and psych by the Finnish band The Blassics on Funk Night Records. Includes some great flute playing on the tracks which works really well with funk.
"This is the enigmatic description given by zakè (aka Zach Frizzell) of B⁴+3, a reimagined and expanded edition of B⁴ (Zakè Drone Recordings, 2023), which was originally composed to accompany a limited series of striking, chiaroscuro art prints created by the artist. While the suite may conjure grayscale melancholy, it is characteristically brimming with texture and depth. Anyone familiar with Frizzell’s worldly catalog of tape-saturated drone knows that each volume exists in its own unique clim…
"Generations" by Amsterdam based artist Origin ST is an introspective exploration of the various emotions which he went through during the pregnancy and birth of his first child - fear of change, anxiety, surprise, excitement, longing often all happening at the same time." - Origin ST
Around this time last year, Marc Ertel joined the stage with the PITP brethren James Bernard, zakè, and From Overseas for a live performance at the Gothic Chapel in Indianapolis, US which was eventually released as a limited vinyl LP. Since then, Ertel has been quietly working on new solo arrangements along with new compositions that will be part of an imminent Dawn Chorus and the Infallible Sea record.
Just a few months after the Gothic Chapel performance, Ertel was invited to play a live set a…
Uoiea is a collection of meditative and textured minimalist ambient drone pieces created using only a Squier Bass VI and guitar pedals. Where in most of my compositions I tend to add layers and fill as many frequencies as possible, I opted instead to embrace the space between notes, the subtleness of the Bass VI's highest tones, and the general feeling of drifting slowly. The track names are nonsense pseudowords - descriptors of feelings and experiences that do not exist. This is an album for fl…
"hypnotism I" has held a special place on my hard drive since shortly after the release of mountain ambient IV. Like the piece itself, it evolved slowly and delicately. Each layer pulled me deeper into this hypnotic state of composition, listening, and re-composition that lasted for several months. Sometimes it would sit for weeks, patiently, before I added another small piece. The end result was so powerful, especially after such a long time, that I started putting everything new next to it in …
For this month's Electronic Sound cover feature, we're taking a deep dive into the music of Gerry and Sylvia Anderson's sci-fi TV shows, much of it the work of cult British composer Barry Gray. We're bundling the magazine with a superb six-track white vinyl EP featuring some of Gray's classic sci-fi theme tunes and incidental pieces too.
Gerry and Sylvia Anderson produced some of the most exciting children's television of the 1960s and 1970s. The list of their programmes – 'CAPTAIN SCARLET', '…
Dig deeper into the realm of italian jazz/funk libraries with this sought after holy grail ! Originally released in 1977 this collaboration has all the elements of the cinematic golden era, plus some amazing orchestral moments with walking basslines and lushy horn arrangements
Tip! Science Fiction is an album by the American avant-garde jazz saxophonist and composer Ornette Coleman, released in February 1972. It is considered as Coleman's creative rebirth. A stunningly inventive and appropriately alien-sounding blast of manic energy, where Coleman combines his past and future, working with bassist Charlie Haden and drummers Billy Higgins and Ed Blackwell. The album is made up of spacy, long-toned melodies and rhythm, including two songs with Indian vocalist Asha Puthl…
Music Is the Healing Force of the Universe is a powerful and often ignored 1970 recording from the American avant-garde jazz saxophonist, singer and composer Albert Ayler. Apart from the posthumous album The Last Album, this was to be Ayler's last studio album, recorded and released before his death in November 1970. The album was initially judged as too difficult by Down Beat, then recognized by the most as “an important portrait of a man facing a life and death inner struggle beyond the bounda…
*48 page A5 zine. Printed on high quality PEFC certified recycled stock* It is with much gladness that we present issue number eight of our irregular journal. With spring well and truly sprung, there is no better moment to be reminded of the creativity which continues to unfold in the landscape, whether through new folk forms, socially-engaged art or weird tales told on stage and screen. With contributions from Maxine Peake, Rachel Adams, Lucy Wright, Isaura Barbé-Brown and Beccy Mccray
"Imagine it’s late afternoon, you’re outside by the lake, and there’s sunlight on the water. This is the peaceful and contemplative scene that Matt Gold and Resavoir set on their collaborative LP Horizon. Across 10 lush and exploratory tracks, it’s the product of two Chicago-based musicians—Will Miller, the acclaimed trumpeter, composer, and producer who’s worked with SZA, Whitney, and more, and Gold, a seasoned multi-instrumentalist and accomplished guitarist—effortlessly combining their distin…
“Second” is the title of the second album of the Alsatian group Wlud This French band is composed of Philippe Wendling on keyboards, Bernard Labroche on guitars, Gigi Untersinger on bass and Gianni Drago on drums. Wlud is the acronym of the musicians' names, W for Wendling Philippe, L for Labroche Bernard, U for Untersinger Gigi and D for Drago Gianni. All compositions are by Wlud. The original vinyl record released in 1979 was as successful abroad (notably in the USA and Japan) as in France. Th…
"Carrycroch'" is the title of the first album by the Alsatian progressive rock band Wlud. This French band is composed of Philippe Wendling on keyboards, Bernard Labroche on guitars, Gigi Untersinger on bass and Gianni Drago on drums. Wlud is the acronym of the musicians' names, W for Wendling Philippe, L for Labroche Bernard, U for Untersinger Gigi and D for Drago Gianni. All compositions are by Wlud. The original vinyl record released in 1978 was as successful abroad (notably in the USA and Ja…
The summer of soul collides with the acid rock revolution in this 1969 opus originally licensed by MCA sub label UNI (roster of talented artists such as Strawberry Alarm Clock, Hugh Masekela and Fever Tree). The sole album by US power trio Fields is a majestic blues rock effort, arranged by cultish producer Gene Page (Blacula soundtrack, Aretha Franklin, Elton John, the Whispers, Gladys Knight, etc.). The short-lived Los Angeles band was clearly influenced by the likes of Cream and Vanilla Fudge…
Tokyo playwrite, director and artist J A Caesar sprang to prominence in the early ‘70s largely through his work with Shuji Terayama’s Tenjo Sajiki Theatre, specializing in vaguely sinister music. The Kokkyou Junreika release, often considered Caesar’s finest work, was culled from the 5 hours of music written for the original play distilled down to an album’s worth of ageless chants, Budhist mantras, heavenly invocations and fuzztone guitar vamps supported by Caesar’s droning electric organ and …
One of the British progressive era’s most intriguing but overlooked groups, Deep Feeling were an obscure short-lived band from Kent. Their one and only album from 1971 contained six tracks that showcased their dazzling harmonies and superior musicianship. Highly collectable amongst UK progressive rock aficionados, the record has been finally officially re-issued.
The second chapter of the project, "Break," marks the first encounter with Yosuke Yamashita & Hiroshi Yamazaki in 60 years since their first encounter at Ginpari. Guitarist/composer Otomo Yoshihide has been active all over the world, from movies, plays, TV shows to commercials, without being confined to the framework of free jazz. The live performance recorded on December 27, 2024 at Shinjuku Pit Inn, which has been his "core" since his teenage years, is not only a "milestone" in Otomo's career,…
The opening of the pair of simultaneous releases, "Introduction," is a new wave of free jazz born from an intergenerational improvisation session with Takashi Sugawa (b) and Shun Ishiwaka (ds). Guitarist/composer Otomo Yoshihide has been active all over the world, from movies, plays, TV to commercials, without being confined to the framework of free jazz. The live recording of December 27, 2024 at Shinjuku Pit Inn, which has been his "core" since his teenage years, is not only a "milestone" in O…
Inspired by minimalistic icon La Monte Young and guitarist Allan Holdsworth, Nightclouds is a powerful collection of jazz pieces for solo pipe organ. Over long improvisation and shorter compositions, Swedish composer and installation artist Ellen Arkbro employs her usually epic chord structures and adds in a more self-reflective tone than previously.