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Now! by Masaru Imada was the second album released by the fledgling Three Blind Mice label and the pianist's first leader album for the label. All four tunes are Imada's original compositions. The two slow numbers – "Nostalgia" and "The Shadow of the Castle" show his lyrical, "quiet but emotional," qualities. "Alter" is an adventurous tune whose focus is on free improvisation while "Gehi Dorian" is a modal composition as the title suggests.
For the better part of the 50s and 60s, Masayuki Takayanagi was among Japan's best-respected jazz guitarists. But it wasn't until his experiments with tabletop guitar led him down the seductive path of sonic experimentation that he became the stuff of legend. “Ginparis” (literally translated as Silver Paris) was known as the chanson cafe in Tokyo, Ginza, and the performances often centred around chansons but eventually became the session venue for young jazz musicians. They left their mark on a…
After the conceptual depth of "Parallel Traces of the Jewel Voice" (2021), dj sniff returns to Discrepant with a more direct and visceral document: Turntable Solos.
One of the wonderfully creative 70s sets from Japanese stringman Isao Suzuki – an artist who also plays bass, but who works here on jazz cello – for a very unusual approach! The set has Suzuki's work on the light strings matched in a combo with lead guitar from Kazumi Watanabe – who's nicely restrained here, and falls in with Isao's strings at a level that's quite different than his own material of the time. Watanabe's lead is augmented by further rhythm guitar work by Kazumasa Akiyama, and the …
Following the wave of critical acclaim for his debut, the prodigious Japanese saxophonist Kosuke Mine cemented his place in the modern jazz world with the release of his 2nd Album, recorded in Tokyo in late 1970 and originally issued on the revered Three Blind Mice label. Now, this pivotal work is available again, celebrating a new generation of jazz lovers and collectors.
Rising to the forefront of the Japanese jazz scene, Kosuke Mine assembled an all-star quintet featuring trombonist Takashi I…
*100 copies limited edition* Aire EP features four improvisational, loop-driven pieces created with minimal instrumentation and hardware-based processing, including electric and bass guitars, tape machines, and pedals. Written, recorded, and produced by zakè and Tyresta. Mixed at KTS by zakè. Mastered at Ambient Mountain House by James Bernard.
*2025 stock* Founded in the Winter of 2017 Adam Shead’s Adiaphora Orchestra is a large mixed chamber orchestra performing the compositions and conductions of percussionist composer, and educator Adam Shead. The Adiaphora Orchestra, located in Chicago, IL, is comprised of the cities finest rising star improvisers from a variety of performance idioms and practices. Including a full string, brass, woodwind, auxillary, and rhythm section the ensemble performs what Shead calls “indifference music”. A…
*2025 stock* Full Cycle, Thread New. is a long form composition in three movements by Chicago multi-disciplinary artist Adam Shead. The piece focuses heavily on concepts of reformation, regeneration, non-linear time dynamics, and cyclical history. Throughout the three movements (which features Shead alongside acclaimed Chicago improvised music stalwarts Jeff Kimmel, clarinets; Ishmael Ali, cello/electronics; Matt Piet, piano; and Andrew Scott Young, double bass.) the quintet effortlessly intertw…
*2025 stock* Balance Point Acoustics proudly presents Volumes & Surfaces, a bold new statement in contemporary free jazz from the extraordinary trio of Jason Stein (bass clarinet), Damon Smith (double bass), and Adam Shead (drums). Recorded in Chicago at Elastic Arts and The Hungry Brain, this album showcases three of creative music’s most distinctive voices in full flight.
Volumes & Surfaces reveals the trio’s uncanny synergy, adventurous spirit, and unyielding commitment to improvisational exp…
Recorded live at Arts Isozaki, Mito, Japan, on 21st September 2021, the final day of Kikuchi's solo exhibition Vaccine. Kikuchi Yoshihiro played the following instruments that partially compose his installation work 153 Years shown at the exhibition:Electronic device that converts analog video signal into audio analog signal and vice versa, VHS video tape, video cassette recorder, cathode-ray tube television, effects pedals, and mixer.
Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel. Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd …
Water Damage is ten people from one town and one sound from twelve people. For Instruments, the plus two are guitarist David Grubbs and saxophonist Patrick Shiroishi, neither of whom blunt the angle or confound the aim. The tempo? Slow and low. Four tracks, averaging twenty minutes each, the pace never above a comfortable walk. The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and "Reel 25" takes after the Shocklee Brothe…
LSD046 is a compilation released on the renowned Light Sounds Dark label, known for its mysterious and evocative approach to experimental music. This single-disc album delivers around 40 minutes of captivating soundscapes, focusing on gothic, archaic atmospheres and indescribable late-night moods—from the shadowy edges of electronic music to haunting drone, alien-like chatter, and unsettling anti-gravity textures. The album eschews traditional track listings, instead inviting the listener into a…
A Mineral Compound: Fountain Of Youth is an expansive compilation released on Light Sounds Dark, renowned for unearthing the obscure corners of experimental music. This 3LP set ventures deep into a shadowy sonic world, fusing DIY electronics, avant-noise, post-punk, ambient, industrial, and classical influences. Listeners are enveloped in nearly two hours of dense, faceless murk curated from Light Sounds Dark’s mysterious vaults—a journey through dank, musty soundscapes shaped by private-press o…
In English, the Shona word "Useza" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shi…
"Lost Communication" by Mike Bandoni, released on Funk Night Records (FNR), is a concept album that launches listeners on a discovery mission through alien territory, inspired by journeys into interstellar space toward a supermassive black hole. The LP is marked by heavy and funky organic drums, deep cosmic textures, and a fusion of sounds drawing inspiration from the 1970s to present day. Known for his powerful drumming—Bandoni is the founder of Funkshone—the record combines groove-laden beats …
"3rd Drop" is a full-length album by Great Revivers, an instrumental funk band from St. Petersburg, Russia. Released in 2023 on the US-based Funk Night Records (catalog no. FNR-176), this LP showcases the group's signature groove-driven sound and tight musicianship. The record includes 12 tracks that journey through deep funk atmospheres, cosmic tinges, and energetic rhythms, opening with "Adventures Begin" and closing with the melodic "Estrellas." Great Revivers highlight their Russian roots wh…
Estrada Orchestra's self-titled debut album, released on Funk Night Records (FNR), is a 5-track LP that showcases the group's adventurous blend of jazz, funk, psychedelic, and disco influences. The Estonian-based quintet recorded the album mostly live in one day, capturing their raw improvisational energy with minimal overdubs and only a handful of microphones. Anchored by bass-driven grooves and swirls of cosmic keys, the tracks move fluidly between free funk, Afrobeat, and lo-fi psychedelic ja…
2025 stock The Destroyed Room: B-sides And Rarities, a band-chosen collection of near-hidden Sonic Youth gems. The album brings together songs from throughout the band's career with Geffen, focusing on tracks previously available only on vinyl, limited-release compilations, or as b-sides to international singles. The tracks were hand picked by the band and also include material that has never before been released.
In November 2017, something extraordinary happened in Shibuya. As Shuta Hasunuma began conjuring otherworldly sounds from a single Buchla Music Easel modular synthesizer, Keiji Haino—one of Japan's most uncompromising experimental voices—responded by singing "Kimigayo," the Japanese national anthem. What started as an unplanned encounter between two visionary musicians has now crystallized into U TA, an album that brilliantly captures the haunting and complex interplay of Haino's resonant …