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Recorded live at Alto Adige Jazz Festival in Bolzano, Italy in June of 2007. All compositions by Anthony Braxton: Composition No. 63, Composition No. 92 (part 1-2), Composition No. 164 (part 1-2), Composition No. 59
This is the collaborative masterpiece of the 3-piece unit, sim (Oshima Teruyuki on guitar and composition, Ootani Yoshio on computer, electronics, etc, and Uemura Masahiro on drums) and Otomo Yoshihide (turntables, self-made synthesizer). The noise o…
Great album by this Detroit group. The songs range from sticky amoeba-like free ooze to stuff of some international album Folkways suppressed because it was too fucked up for public consumption. Pretty fantastic sleeve. 500 made.
PAT THOMAS (piano and synthesizer), CLAYTON THOMAS (double bass), RAYMOND STRID (percussion) recorded in concert at the 2009 Perspectives Festival, Västerås, Sweden.
Abe at his best! Crudely generalising a contrast in free jazz tendencies between AMM/SME/MIC/FMP and AACM/ESP, it's hard to say if Abe's closer to the gentle, bearded intellectualism of some European improvisation, or to the gutsier funk of more US f…
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many …
Newest Nico Vascellari trio (WW stands for Women in the Woods), an amazing hypnotic industrial soundscapes housed in a beautifully packaged tape box, released in a handful of copies
Obscure artist from Italy, harsh noise with not so dynamic structures, junk abuse, no space for field recordings or concrete parts. A brutal assault, perfect mix between early Bastard Noise era and 90s Japanese scene.
RESTOCKED amazing 7": a wall of sound, predominantly on some 'obscure' and distorted machines, creating a terror noise music, originating from metal, a conceptual and extreme musical journey.
This 10xCD box set composed of previously unreleased recordings from 1993–95, it focuses on pure noise from before the introduction of synthesizers and other electronic instruments. The noise is described as being linked to grindcore, having a sense…
Jason Crumer likes what you like: noise, girls, getting wasted once in while and maybe a spot of trouble here and there. He first started blowing minds as guitarist in the insane sludge punk core outfits Aluminum Noise and Facedowninshit. As well as …
Just arrived, stellar release as usual! FIRST EDITION ON VINYL!!! In 1999 SISSY SPACEK made their first recordings as a more or less "conventional" blur/grindcore duo consisting of CORYDON RONNAU (vocals) and JOHN WIESE (bass and drum machine). Sh…
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, elec…
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it…
An on going project of prolific artist JOHN WIESE, SISSY SPACEK has taken many forms: intricate collages of the small, quiet, details that trickle through in between “sound”, drums spliced and severed, 18-piece “noise” orchestras, performances tha…
This is the limited friends edition limited to 55 copies. This issue comes in a grey wooden box with grey T-shirt and grey LP vinyls, postcard set in a cardboard case with photos by Sinan Revell, a 36-page 12"x12" booklet with information and phot…
The First all new Ramleh album since 1997, and the first new power electronics recordings from the project for 25 years. And yet Valediction is no ordinary “power electronics” record, nor is it anything as straightforward as simply a return to their …
Subtitled Minimal Compositions, Instrumentals, and Experiments 1980-1983, J.G. Thirlwell's CD-DVD retrospective casts an entirely new and surprising light on his already diverse and infamous Foetus moniker. Some of these songs are close to being 30 y…
The first new material from the legendary Ramleh since 1998 and it doesn't disappoint. Powerful droning intensity, motorik rhythms and warped guitar riffs dominate these two songs with one containing Ramleh's distinctive distorted vocals weaving in a…