New Arrivals
Ombrophilia
Tomoko Sauvage: water, porcelain bowls, hydrophones, condenser mics, metal wire and wood spoons. Sauvage, a Paris-based Japanese musician, uses water-filled porcelain bowls for her electro-acoustic performances and compositions. The use of hydrophones (underwater microphones) allows her to capture the subtle sound of water waves and drops resonating in porcelain bowls. The serene, contemplative aquatic soundscape is woven from these fragile materials. Her first solo album, Ombrophilia will be r…
Vivian & Ondine
A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation. While the narrative ebb and flow is largely pinned to a single tape fragment, Basinski merged a further "dozen or so" that sunk into the mix in just the right way, adding to the aura of fluctuation and continuous evolution that's so essential to th…
Caves
Riccardo Dillon Wanke’s Caves was composed and recorded in 2006 in Alfama (historical district of Lisbon, Portugal) using acoustic and electric guitars, saxophones and natural sound elements starting from pure radical improvisation evolving into the investigation of drones and static and looped music related to minimalism. At the center of these works are the binaural beats in musical composition, the results lying between classical composition, minimalistic improvisation and a "folk" sensitivit…
Townsville
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…
Tetralogy (1978-1982)
'A 2-CD set containing four very different settings all featuring Paul Rutherford (trombone & euphonium): two festival solos - one with electronics and the other without; a festival brass quartet with George Lewis (trombone), Martin Mayes (french horn) & Melvyn Poore (tuba); and a studio trio with Paul Rogers (double bass) & Nigel Morris (drum set). The electronically enhanced solo and the brass quartet are unlike anything else in Rutherford's discography. All previously unissued.'
Durée
Back in 1999, on the forefront of the Japanese electronic/acoustic microsound scene, was the then two-piece live improvisation band Minamo (two more members were added in 2001 to make the current four-piece lineup). Their live concerts helped pioneer this hybrid of delicate and natural instrumentation with microscopic electronics and subtle digital processing bringing an organic richness to a genre that threatened to remain coldly digital. Fans of Minamo not lucky enough to see them create their…
The Yelm Sessions
Another important piece of the elusive and hermetic Eyvind Kang puzzle. This newest studio project from one of the most consistently interesting young composer/performers working today is instantly Kang’s most adventurous, varied and ambitious recordings to date. Featuring many of his most illustrious musical associates as well as several orchestral ensembles from around the world, this new CD brings Kang’s exuberant gift for orchestration and lyricism together with a keen sense of the miraculou…
A color photo of the horse
Alessandro Bosetti provides voice and electronics on words & text from a variety of writers, as performed in a trio with drummer Ches Smith and fretless guitarist Kenta Nagai; fascinating and perplexing expression. Alessandro Bosetti: voice, electronics. Kenta Nagai: fretless guitar. Ches Smith: drums. Music and texts by Alessandro Bosetti. Dead Bird text by Alessandro Bosetti on words by Alasdair Campbell. Istruzioni text by Alessandro Bosetti on words by Jerry Mandel, George Dippel, Howard…
Early Tapes
The Neon Judgement was formed in 1980/1981. Instantly they self-released two cassettes. With a limited amount of electronic instruments, they recorded their debut: "Suffering". The first version of their classic track "Factory Walk" is on this tape, a much more raw version than the one which would later become an underground clubhit. "Sweet Revenge" and "Schyzophrenic Freddy" remind of Suicide and the almost claustrophobic sounding tracks "Harem" and "Army Green (WOIII) are in the veign o…
Freedom, Rhythm & Sound
This collection of rare album artwork reflects the independent energy of the African American jazz movement. Located in the heart of Soho in London, Soul Jazz Records is a musical oasis. While many of the quality record shops that once graced this area have closed their doors Soul Jazz seems to go from strength to strength. Stuart Baker and his partner Karen Tate oversee a thriving business which is driven by their own tastes and beliefs. A pragmatic duo, they recognize that the survival of Soul…
Dopesmoker
The story behind Dopesmoker, the final LP in the life of pioneering stoner sludge trio Sleep, is one of perseverance not usually associated with such dedicated grass aficionados. Intended to be the Cali band’s third record and first for major label London, the album took shape as a single 63-minute track entitled “Dopesmoker,” an ode to the joys of getting baked. After nearly two months of work, the band (guitarist Matt Pike, bassist Al Cisneros and drummer Chris Hakius) pronounced the opus…
The Last Recording
Final solo alto sax blasting from the late legendary Japanese underground hero Kaoru Abe. Abe was an inspiration to free/jazz and Japanese noise lovers world-wide, lived a fast and hard life and ripped his guts inside out on each and every of his many releases. Extreme music for those who need it.
Schindler house
This cd documents a series of 3 sound installations originally presented at the Schindler house / MAK center for art and architecture Los Angeles in 2001. Garden was placed near the back of the lot facing the house in a bamboo grove via 8 small speakers. A quiet flexible background for a harmonious life was placed in a small hallway of the house on headphones. Pathway was placed along the front path to the house on 4 larger speakers. The outdoor works were set to relatively low volume lev…
In Winter
One more new Gianluca Becuzzi release on Silentes, this time in collaboration with Luigi Turra. Composer of musique concrete and graphic designer whose main interest is the musical balance between silence and the tactile perception of sound, Turra’s works were published by labels such as and/OAR, Unfathomless, Non Visual Objects, Smallvoices and many others. A lot has already been written about Becuzzi, here we would just like to remember his historic Darkwave / Industrial project…
Circle Snare
His given electronic anatomy of drum machine, microphones, tapes, & MSP folded out of their hard accustomed formations, breaking out into a more cogent & vital arsenal. A finely detailed & dimensional evolution of an already unique voice.
Everything's A Love Letter
Saddleback is the solo project for producer Tony Dupé. In many ways, with its warm and exploratory craft, Everything’s A Love Letter is the culmination of the varying strands in Tony’s musical life.Tony first came to notice in Glovebox, who put an ethereal, ambient twist on the indie-pop scene as far back as the early ‘90s. Glovebox’s swirling sound has been as unhurried as its release schedule, though no matter how spare their output, each album has always found a warm reception. The group were…
Liminoid / Lifeforms
Liminoid is a composition for large ensemble exploring sonic immersion in drones and textures, rhythms and pulsations. Incorporating composed and improvised segments, the piece uses elongation of sound and layered polyphony in an attempt to create a liminal and/or numinous state. This recording of Liminoid is from its premier at The Music Gallery’s X-Avant Festival in Toronto, October 25, 2008. The piece features a powerful vocal performance with every member sharing the vocal duties. The lyrics…
Tummaa
Marks a significant shift in emphasis in this acclaimed musician's work, reflecting a renewed interest in jazz & acoustic performance - this is far more organic than anything he's done before.
Kippschwingungen
In 2007, Frank Bretschneider was invited to compose music for the Subharchord, a unique electronic instrument developed during the 1960’s at the RFZ, the technical center for radio and television of the East German postal service. Built in a limited edition of eight machines total, only three Subharcords (in Vienna, Trondheim and Berlin) are believed to survive to this day. The Subharchord is, broadly defined, a subharmonic sound generator, comparable soundwise to the Mixturtrautonium. It’s sugg…
Okkupation
Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …