We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Absolutely KILLER new twelve from Vatican Shadow on Dominick Fernow's own, newly minted Bed of Nails imprint - his most direct dancefloor productions to date. Edition of 700* Bed Of Nails is a new label curated by Dominick Fernow of Vatican Shadow and Prurient fame. Operating from his recently consecrated L.A. compound - the label will focus on his reorientation towards industrial dancefloor rhythms and seductively isolated electronics. Fernow christens the label with 'September Cell', a…
Wally Shoup, Chris Corsano and Paul Flaherty make up this screamin' free punk jazz liquid solid noize trio captured LIVE 'in your face' style in Seattle, WA. Totally improvised double sax and drum explosions that break down into duos and solos and re-ignite as trio howlin' paint splattered madness gone butt-naked wilder. Recorded at an art gallery with artwork melting off the walls and frightened fans nervously mopping their furrowed blood-stained brows (they were especially afraid one or both o…
LP version. Edition of 500 copies. On The Very Heart of the World, Burning Star Core (BXC) has created an incredibly heavy record, built on dense, layered drones, pulses, splintered vocals, and deep rhythms that euphorically build to total overload. With a line-up including the Hair Police front line and other luminaries from across the exploding Midwestern psych-noise-folk underground, BXC's C. Spencer Yeh has assembled a group that seamlessly shifts through epic movements and pushes pure elect…
Over 15 years ago Daniël de Wereldvermaarde Botanicus (hat and cacti collector Cassis Cornuta) deejayed a ton of horrible la bamba versions for 2 hours in the now defunct situationist radioshow RTVS (Radio Centraal-Antwerp). The 'galdezen' of RTVS yelled-sung along, creating their own versions of la bamba while getting more and more hammered or naturally gone from a bamba trance! After telling me this short story Daniël mumbled 'I always wanted to dj all night long la bamba, I think it will driv…
The album resonates a future sound vision that can only come from an old soul destined to further pave the paths laid by electronic & minimalist pioneers. Undeniably pure processes of creating & sustaining sound visually, sonically & otherwise brings a mathematical & scientific accuracy that hasn't been seen since the days of lovely music ltd. or GRM. Brilliant textures & audio hallucinogenic time/space wormholes create infinite listening possibilities
Five tracks, totalling approximately fifty minutes. Packed into the small horrible room (rip) inside the cedar house (rip) down in Lexington ky (still alive), individuals huddled in every corner, painting the room in colored cables, glossy wood and metal boxes. Deafness and disorientation was administered through the afternoon on into the night. Summoning over two hours of recorded tape, it was decided to cut the baby in half for adoption between two imprints. Heavy blossom ferried away the long…
Norton recently took a rocket ride into the vaults of El Saturn Research and arrived back on Earth with a motherlode of unissued early R&B, doo wop, soul and general weirdness featuring Sun Ra and his Arkestra backing a variety of artists. This series consists of two albums of Doo Wop from Saturn and Beyond entitled Interplanetary Melodies and The Second Stop Is Jupiter plus a set of totally twisted sides called Rocket Ship Rock featuring Yochanan 'The Outer Space Vocalist' (with his demented Sa…
one breathless long track, where you'd hear a mesmerizing Virginia's solo in a Rolando Kirk style, playing soprano and tenor in unison. back to the roots Recorded in October 2009, ultra limited 99 copies only
Super limited edition of 300 hand-numbered copies. Hand screened jackets printed by Neil Burke at Monoroid. For years, both Z'EV and Jon Mueller have explored these possibilities, both within traditional forms, and singling out specific elements within those forms. For Z'EV, an entire book, called Rhythmmajik, was written about the properties of rhythm, while his history pairs him with a wealth of collaborators, from Carl Stone, Glenn Branca, and many others, as he pursued the quest for rhythmic…
"Norway's Bjorn Torske returns with his fourth studio album 'Kokning'. Opening on a playful note with a slow-building title track, Torske strums a lone acoustic guitar against a background of shimmering synths setting the scene for a highly engaging piece of work. Throughout the course of the album a wide palette of genres are taken in and adapted to the Skrangle-House style (an open ended take on house music stemming from the Oslo nightclub 'Skansen'), and dub looms large over much of the music…
Originally released on CD in 2008 on the Preservation label, & now available on vinyl for the 1st time. Using a selection of bowed string instruments & lavishing these sustained howls w/ the most delicate of fingerpicked guitar & gentle piano, he takes us through a most harrowing journey. These short songs are deft & deeply touching musings on loss & on the importance of time. Comparisons could be made to plenty of Richard's modern-classical or avant-folk contemporaries, but few imbue their musi…
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…
Limited to 200. Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic trac…
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
The Drag City / Galactic Zoo team delve deeply into the recesses of private press obscurity once again, further revealing the underbelly of American music's recorded history - this time the little known songwriter Ryan Trevor is in the spotlight, who released just one incredibly rare, homespun LP (this one, if you're wondering) which surfaced originally in 1977. Not much is known about Trevor, though the guys at Drag City bill him as a "loner genius", whose work is to be filed somewhere between …
Michael Rother (half of the influential Krautrock group Neu! and a founding member of Kraftwerk and Harmonia) recorded this first solo album with producer Conny Plank in 1976. Rother's signature guitar sound, the mechanical percussion (Jaki Liebezeit of Can) and the simple yet outerworldly anthemic melodies make Flammende Herzen an outstanding and visionary record."Finally reissued on vinyl, this is the 1976 solo debut from from Neu!/Harmonia guitarist Michael Rother. This would be the fir…
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…
Spilling over with trembling strings and thunderous crescendos, "Coward" foreshadows the electric energy that is to be found throughout Vic Chesnutt's newest record. With members of Godspeed You! Black Emperor, A Silver Mt. Zion, and Fugazi once again contributing, At the Cut is populated by giant melodies, quiet meditations, and intense studies on mortality and memory. But, for all its bombast, At the Cut is probably most notable for Chesnutt's unwavering honesty and cathartic powe…
His only album for Capitol Records (originally released in 1996) was another exceptional batch of songs. An edgy slice of country-folk showing his unique version of Americana that was usually several things at once: his craggy voice, raw honesty, an acoustic guitar (or a piano) and an outrageous imagination. Vic Chesnutt was a rare kind of artist and definitely one of the most relevant songwriters of the last 20 years.
Right on cue, the third annual report from Chicago's Disappears is submitted for your consideration. Following up on the acclaimed Guider album released just over a year ago, and with new drummer Steve Shelley now fully integrated into the group, these songs were again forged into proper shape during live shows before heading to the studio and the tape machine. Never ones to dither or be indecisive, it's a full-bore assault from the opening track to the last as Disappears attack these new…