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Re-release with bonus tracks recorded in 1982. On 1981's Superficial Music masterpiece, French electronic composer Bernard Szajner presents selections from his previous "Visions of Dune" sessions played backwards and at half speed, enhanced through the use of digital and analog devices, as well as "Oswicim," a three-part reflection on the Holocaust that draws on his own family's experience. Szajner's touch is delicate and evocative, making for a powerful, if understated, listening experie…
“Ivan Wyschnegradsky (1893-1979). "The Day of Existence". Confession of life before life. For orchestra and narrator. Text and music by Ivan Wyschnegradsky. With Mario Haniotis (speaker), Nouvel Orchestre Philharmonique de Radio-France under the direction of Alexandre Myrat. "Ivan Wyschnegradsky had to wait sixty years to hear the first performance of his masterwork, La Journée de l'Existence, which he had conceived and composed beginning in 1916 in Saint Petersburg. And we have had to wait anot…
Debut disc from the new collaborative project between Nathan Bowles (Black Twig Pickers/Spiral Joy Band) and Lisa Cameron (Venison Whirled). A real odd one this, lots of rattling and scraping of percussive objects creating 3 tracks of abstract improvised surreal sonic explorations. The sound is matched by what I can only describe as the weirdest sleeves I have every had the joy of releasing (and we've had some weird ones), but this one is far out, the guy at my local print shop looked baffled wh…
USW56, USW57, USW59, USW61, USW113, these five hand-made electronics hanged from a ceiling have an ultrasonic wave transmitter, a reciever and an amplifier. Each frequency of the ultrasonic wave is about 40khz but slightly different. And when each instrument swings, each frequency changes a little caused by the Doppler effect. On thier instruments we can hear beat signals between transmitted and received ultrasonic waves changed in frequency. (Manabu Suzuki) Where does art work appear? How do pe…
After a fourteen year absence, Michael Gira resurrects his legendary apocalyptic no-wave band for a fabulous new album on his own Young God imprint. Assembling a cast of musicians that includes familiar Swans and Angels Of Light conspirators, Gira also welcomes a few new members to the fold with guest stars including Devendra Banhart, Mercury Rev's Grasshopper, Bill Rieflin (of Ministry, REM and Robyn Hitchcock's band), Shearwater multi-instrumentalist Thor Harris and even Gira's three-and-a-hal…
Kato Hideki (electric bass with prime number tuning, bass synthesizer). Tetuzi Akiyama (prepared electric guitar, electronics). Toshimaru Nakamura (mixer, headphones, electric guitar). Recorded live by Kato Hideki at SuperDeluxe in Tokyo on November 25, 2008. Concert organized by Noda Shigenori Callithump). Live sound engineering by Noribumi Uchida (SuperDeluxe). Mixed and mastered by Kato Hideki at Shadow World Studio in Brooklyn, NY in 2009. 'Time is an essential subject in music. Conventional…
Peripheral Records is proud to announce it's thirteenth release with, 'Maurizio Bianchi's - Aeternum Aevum' CD. Two long beautifully understated tracks, that show a more pastoral side to the great Italian master of Industrial. Slow whirling pieces of Ambience dedicated to the late Konrad Schnitzler. The CD is limited to 250 copies within a DigiPak. The sleeve is adnorned inside and out with Abstract paintings by Hayat Saidi.
This is one of the most essential minimal synth wave projects, originally issued in 1980. After that, Stephan Eicher would form the band Grauzone. As a child, particularly with his little brother Martin, Stephan used a multi-track ("made in Eicher" by connecting several cassette machines together) to record little audio theater pieces. He would later organize Dada happenings and concerts, together with a small group of friends who called themselves the Noise Boys. In addition to Stephan on …
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
The booklet contains an essay by Lucia Farinati. - This recording was made under the famous couch of Dr. Sigmund Freud at 20 Maresfield Gardens, Hampstead, London. Sigmund Freud (1856-1939), founder of the Psychoanalysis, lived here 1938- 1939. The house is now the Freud Museum. From the museum's website: 'Freud's couch, upon which his patients would comfortably recline during psychoanalytic sessions, was normally covered by an Oriental rug throw. Underneath the throw, it is a plain and simpl…
Best known as one-half of acclaimed techno minimalists Pan Sonic, Mika Vainio also has an impressive résumé as a solo artist that stretches back to the early '90s and his association with influential Finnish imprint Sähkö. Recording primarily under the aliases Ø and Philus, and sometimes his birth name (depending on the project), Vainio's aesthetic mission has been consistently and rigorously defined by an investigation into the materiality of sound. Indeed, just about everything in his catalog …
Michael Chapman, one of the finest acoustic guitar innovators borne of the late '70s UK folk scene, was in Philadelphia early 2010, paying tribute to his good friend, the late Jack Rose, a mighty six-string alchemist in his own right, and a youngster wholly inspired by Chapman's critical recordings. While sharing in the good light of friendship backstage, we asked Michael if he'd ever recorded an LP of purely improvised guitar music. It seemed feasible, as the current state of acou…
Created between September 2008 and February 2010 in the artist's studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos.'strings.lines' came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collec…
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…
The cracked, pinched, squeaked, and scraped sounds of the twin trumpets of Mazen Kerbaj and Birgit Ulher and the damped, scrubbed, and rasping sounds of Sharif Sehnaoui seem surprisingly familiar these days. Now that so many players have incorporated these techniques into their vocabularies, it allows one to focus on how they‘re used interactively rather than simply as sounds in and of themselves. Kerbaj and Sehnaoui have gained some visibility as core members of a group of free improvisers base…
A special project fully produced by William Parker for his own Centering Records imprint and dedicated to his Aunt Carrie Lee & Uncle Joe (who is pictured on the album cover) – they celebrate their 65th wedding anniversary on August 6th, 2010. William really wanted to get this done in time for this auspicious date and he did. Seven of the songs on this CD were written in December 2009 especially for this recording session which took place on January 22, 2010; Ennio's Tag and Oasis were p…
This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …
Liquid Architecture 13: Antarctic Convergence has been conceived by the curators as a way of investigating the philosophical, social and environmental ramifications of the growing human presence in Antarctica through the activities of a diverse set of artists who have produced works from first hand encounters of the continent. Specially curated by Lawrence English and Philip Samartzis, this program draws on a range of Australian and international artists who have undertaken fieldwork in v…
Farmers By Nature – drummer Gerald Cleaver, bassist William Parker, and pianist Craig Taborn – a fully-improvising unit, a complete musical collective. Each of these men are highly regarded & admired composers and bandleaders in their own right; their coming together to create new music is always an auspicious and deeply fruitful occasion. Superbly attuned listeners and masterful players of their respective instruments, they are without question one of the finest improvising units / musical grou…