New Arrivals
Plekzationz
CD version. This recording contains seven remixes by UK-based artist and electronic musician Mark Fell of the first three 12" singles released on the record label Sensate Focus in 2012. These were called 10, 5 and 3.3.... The first of these, 10, was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The seven remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook Pro ru…
Harmony In Ultraviolet
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
Kappe
To paraphrase online reports: Svarte Greiner's Erik Skodvin comes riding from the dark, epic wastes of Scandinavialand, quaffing wyrmblood out of a hellmug and pronouncing mad soliloquies of doom. This kind of marketing creates strange dissonances with the music on Kappe. Sure, it's gloomy and foreboding. But it's also strident and glacially paced; it sounds more like a depressed La Monte Young than an heir of metal ancestry. At the same time, it strongly evokes the modulating bass o…
Spiritual Jazz 2: Europe
As the '60s progressed, cultural and political revolutions occurred both in the U.S. and in Europe. Jazz was both a victim and a savior, with radical developments in the music occurring on both continents. In the U.S., artists took control of their own musical destiny as small labels broke away from the mainstream, expressing new and creative visions of freedom and peace against a backdrop of civil unrest, repression and war. In '60s Europe, the jazz community forged ahead with a different…
1973
1973. Alfred Harth, tenor and sopransaxophon, lur. Nicole van den Plas, piano. Sven-ke Johansson, drums.
Shrine Of The Post
Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewhat and make a record seem a lot worse than it is, and if you see a band that are just frankly very awesome indeed and lovely folk to boot, then it can give you a different focus when you hear them on cd. Thankfully Humbolt crew Starving Weirdos fal…
Extra space, extra time
'Six tracks. Recorded at the studio of Extrapool in Nijmegen for a series of 'Brombron' project in October 2009. Mixed and produced by Kazuyuki Kishino at Prima Natura Studio.' label info
Simple Psychedelic Pleasures
I love the Tadpoles, a quintessential American psych band, so chances are I was going to be all over David Max’s solo platter when I heard about it. And I am. I don’t want to go on and on with endless comparisons with his work with the Tadpoles because much of that is obvious. Let me just say that maybe its sort of another tentacle from the body of the Tadpoles; sprung from it, indebted to it, but operating with a mind of its own. And name-checking all of David’s influences, though tempting and …
Sights
Back in stock. Take two collaborators, one a German sound artist noted for his painstaking micro-engineered computer compositions, the other a New Zealand noise terrorist with a reputation for making albums over his morning tea breaks. Put them in a basement studio in Karlsruhe for three days in February 2003, feed them on coffee and apple juice and let them out to walk in the woods once a day. What do you get? Sights, a dramatic collision of two very different but complementary approaches to th…
Just To Feel Anything
Just to Feel Anything, the new album by Emeralds, surpasses all expectations, just as its predecessor, Does It Look Like I'm Here, did in 2010. This expertly recorded new album sees the band deliver plenty of their distinctive aesthetic for old fans to enjoy while offering a new range of fresh, exciting ideas for newcomers.
'Before Your Eyes' begins the record with a steady build-up, which bleeds into humid layers of synthesizer pads and warm guitar. The track sets the tone perfectly for 'Adreno…
Collected Dust
Marcus Fischer is a musician and multimedia artist currently based in Portland, Oregon. Field recordings, chance, and DIY instruments, coupled with acoustic instrumentation and visual art, define what has become his minimal signature. His uncanny ability to sculpt delicate beauty from the simplest of sound elements results in compositions that are both intimate and expansive.From January 2009 through January 2010, Marcus kept a blog called Dust Breeding to document the results of his goal to com…
Niederländische Sprichwörter
Luigi Archetti und Michael Heisch spent over two years experimenting in the studio. The result is the album the "Netherlandish Proverbs" – a musical approach to the painting by Pieter Bruegel the Elder (1525 – 1569). Conceived by a process of random selection, the album presents the listener with freshly perceptible, kaleidoscopic-like audio experiences."The Netherlandish Proverbs" is one of Pieter Bruegel the Elder's best known paintings. It contains over 100 sayings and idioms illustrating hum…
Four Aims
The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record with their signature-- one of the most original in rock/free/…
Tourbillon D'Obscurité
Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings.
To second the machines he likes to move various glasses,
or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical ac…
It's You
Sydney, Australia's Holy Balm trio jack out a heat-warped LP of avant-dance songs for Not Not Fun. 'It's You' feels like dance music that's been made in a hot country. It's got a faded, sun-bleached quality and drunk-in-the-afternoon sloppiness that's entirely endearing to our tastes. Their synth melodies are always prone to slipping saltily off-key and the beats are basically functional - lumpy kicks and squirmy, acidic synth pop bass - ridden with alluring nonchalance by Anna John in a hybrid …
Experimentum Mundi
CD reissue of the ultra rare Multhipla related (on its sublabel Fonia) LP from 1981 - the works of Giorgio Battistelli (b. 1953) are often linked to the theater, and even his instrumental works are highly dramatic, with various instruments and elements considered as 'characters' in a drama. For the past 20 years, 'Experimentum Mundi' has been one of the most-performed works of 'musique concrete,' i.e. music made with everyday objects instead of conventional instruments. In this work, 16 everyday…
Grand Electronic Suite
Recorded at the Roundhouse 1972, during the ICES Festival."For this show we rehearsed a week in a small village in the south of Holland. The repertoire of the first part was a kind of "frozen improvisation". We made some written plans about the form and structures and then rehearsed it for the whole week. So during these rehearsals things moved from improvisation into fixed form, just by remembering what we have played, and polishing it. This is a working concept that …
Reflectors
The Preservation label presents the second album from New York's Nickolas Mohanna. Also working as a visual artist, Nickolas draws unique forms from the wealth of sounds found in New York's complex sprawl and imbues them with feeling and subtlety. The sounds on Reflectors buzz with rich detail and rhythmic interplay for a work alive with beauty and mystery in its atmospheric reach. Previously living in San Francisco for a number of years, Nickolas studied with noted electronic composer Bob…
The Visitor
The Visitor is a seriously all-O'Rourke affair: all the sounds you hear are Jim and Jim alone, recontextualizing everything he's done over the years & throwing out the bullshit. The one thing you won't hear is his voice. Some of The Visitor is tracked so deep, it took two hundred tracks to hold it all. It doesn't sound like it though - to Jim's credit, the mix sounds very minimal, very straightforward. There's moments of low comedy next to high drama & juicy melancholy with a seeming lack of reg…
(hail satan)
Carlos GALVEZ Taroncher (bassclarinet)-Magda MAYAS (piano)-Koen NUTTERS (acoustic bass)-Morten J. OLSEN (percussion). Recorded on 28 August 2006, Berlin.