New Arrivals
Rainwater Cassette Exchange
12" version. Certainly not a group to rest on their laurels (especially difficult when they have new songs burning a hole in their collective back pockets), Deerhunter delivers five new tracks on this extended play. This is not some stop-gap release between albums, or mere leftovers from their most recent Microcastle album, but an all new session. The band loves the EP format and thinks it does not get the respect it deserves. Hell, some bands arguably work best in the EP format, think Cocteau T…
The Crystal World
LP version. A marked change had come over the forest, as if dusk had begun to fall. Everywhere the glacé sheaths which enveloped the trees and vegetation had become duller and more opaque. The crystal floor underfoot was occluded and gray, turning the needles into spurs of basalt. The brilliant panoply of colored light had gone, and a dim amber glow moved across the trees, shadowing the sequined floor. At the same time it had become considerably colder.The Crystal World, the third studio album f…
Low Fiction
Great 2nd full-length collaboration between Lee Counts, Matt Franco (of Air Conditioning, Holy Family Parish), and Jason Crumer. Acoustic and processed power tools on scrap metal. This record is more spare and moody than their first, lush and industrial, elegiac sanders and spareness building up and blasting away from somber to near rapture.
Real Life Is No Cool
As supportive as Hans-Peter Lindstrøm's fans have been of his random acts of creative fitfulness, one wouldn't blame them for feeling a bit tested by his most recent string of output. Between his brilliant but impractical 2008 long-player Where You Go I Go Too and his 42-minute refit of "Little Drummer Boy", two of the Norwegian producer's recent major releases have accounted for nearly 100 minutes of music across a scant four tracks. In a scene where an elongated 12-minute re…
Emeralds
RESTOCKED!! Brand new full length from Cleveland's Emeralds recorded Aug-Sept 2008. Proper follow up to their debut LP 'Solar Bridge', 'EMERALDS' takes the thick drone sound of that LP and transforms it into an even more abstract and strange place. Visual music that lifts the listener up and transports them through tubes of sound occasionally to be swept into the opposite direction by an unexpected entrance into another world entirely. An intense journey that drops you off in a place just be…
Soldercup
This is the work of Rhodri Davies and Louisa Hendrikien Martin. Davies is extremely active in the experimental / improv / avant-garde scene, being a frequent collaborator, usually playing harp and electric harp. Elsewhere, Martin keeps herself busy in the fields of live sound and visual performance. The foundation of the album was a Harp improvisation which was then manipulated electronically, the artists then improvised along with the recording then edited and repeated the process. The r…
The vilnius explosion solo
baritone and slide saxophones, alto fluteophone. Limited edition High Quality 45 rpm. Limited Edition of 500 records. Recorded February 9th 2008 at Vilniaus Ma asis Teatras. Cover's paintings by Edward Jarvis.
Oceans Of Silver & Blood
Oceans of Silver and Blood are Joachim Nordwall : Roland S1000 Modular Synth and Mark Wastell : 32 Paiste Tam Tam. This recording was made at Goldsmiths College, London on December 10 2007 by Jonathan McHugh. Mixed and mastered by Jonathan McHugh. Cover design by Alisa Wolfson. Released in conjuction with their performance at Lampo, Chicago, 07 June 2008. Limited to 100 copies.
Bloodlines
"brad rose is an artist who is notoriously hard to pigeonhole. he might spend his days running the esteemed digitalis imprint (sidelining the wonderful foxy digitalis webzine) but his nights are wiled away chiselling at the petrified corpse of experimental music. donating sounds to ajilvsga, altar eagle, sea zombies and ossining (among many others) he has somehow found time to fashion a new solo work for type and it could hardly be further removed from his last outing. 'bloodlines' is an album r…
Live in Vilnius
A fantastic musical performance took place on 27th March 2006 at Vilniaus Congress Hall. Three musical giants - Joe McPhee, Dominic Duval and Jay Rosen (also known as Trio X) made that evening unforgettable for their fans. Rich, colourful, intense, played almost on a telepathic level, this music is a true masterpiece of this amazing group.NoBusiness Records is proud and happy to announce that this performance has been released as a double limited edition LP. Joe McPhee : pocket trumpet, tenor sa…
Guitar drag
"Guitar drag by Christian Marclay is now being released on neon records. The record is actually the sound track for Marclay's video with the same title that was shown first at London's Hayward Gallery sound art exhibition "Sonic Boom" in 2000. The piece as well as Marclay has become an icon in sound art circles, and although the video can only be seen in exhibitions as an installation, it is widely known. The full 14 minutes sound track is released on a beautiful one-sided 12'' clear vinyl recor…
Group: Xex
Xex were an all-synthesizer band from South River, New Jersey who recorded their debut album group:xex in 1980. Formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers CollegePerformed entirely on then-state-of-the-art Arps, synths and electronic drums – no guitars anywhere – group: xex aims for the future, but comes across now like a time capsule from the deepest, darkest Reagan years. Each song burro…
Always Wrong
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
Night of Purple Moon
Sun Ra was a innovative jazz composer, pianist, synthesizer player, poet and philosophiser who was fascinated by cosmic philosophy. Ra’s fascination with all things ‘cosmic’ combined with his instrumental ability lead to the creation of off-kilter, avant-garde and highly experimental music. ‘The Night of the Purple Moon’ originally cut in 1970 showcases Sun Ra playing the Roksichord (a then state-of-the-art solid-state electronic keyboard manufac…
The Decoration Of The Duma Continues
The 1987 debut of one of the great forgotten bands of the post punk, dark-industrial era remastered at Dubplates & Mastering and reissued in a beautiful gatefold edition by Forced Nostalgia - 500 copies only* Pump were Andrew Cox and David Elliott, a pair of likeminded electronic music fiends who met at Brighton uni in '79. After staring a fanzine and a tape label the pair eventually began to record their own material (initially under the moniker MFH) and released several cassette albums …
Generator breaker
A new Astral Social Club album is always a highlight of the year and Generator Breaker is no exception. Neil Campbell is one of the veterans of the British DIY/Drone/Noise scene and with ASC he has slowly formulated his very own and unique musical universe, akin to the psychedelic visions of his contemporaries and sometimes collaborators Sunroof! and Vibracathedral Orchestra but with a more electronic, less rock-influenced approach, instead aiming towards a heavily layered techno-infused …
Songs for the Gentle Man
"Originally released in 1971 on Dandelion Records this was Bridget St. John's second and, arguably, best album. Produced and scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man was recorded at Sound Techniques in Chelsea (where everybody from Fairport Convention to Nick Drake had made albums) and is a far more sophisticated work than its predecessor. Organized around a small chamber orchestra, Songs For The Gentle Man is a set of cool, pastel songs that simultaneously h…
The Man-Machine
LP edition of Kraftwerk's 7th album, from 1978, and perhaps their most commercially successful album -- a non-offensive synth-pop classic. 'The album has 'classic' stamped all over it... in time it would acquire the same ageless quality as The Beatles' Sgt. Pepper or The Beach Boys' Pet Sounds...' -- Pascal Bussy, Kraftwerk: Man Machine And Music"
More Moondog
2nd LP, originally released in 1956. Continues the NYC street performer's exploration of minimalist composition & field recording, mixing percussion & sparse melodies w/ piano solos, street sounds, & monologues. Surprisingly accessible despite it's avant-garde nature, bridging the gap between the familiar & the bizarre. Another all out masterwork from one of 20th century America's most unique minds.
At the cut
Spilling over with trembling strings and thunderous crescendos, "Coward" foreshadows the electric energy that is to be found throughout Vic Chesnutt's newest record. With members of Godspeed You! Black Emperor, A Silver Mt. Zion, and Fugazi once again contributing, At the Cut is populated by giant melodies, quiet meditations, and intense studies on mortality and memory. But, for all its bombast, At the Cut is probably most notable for Chesnutt's unwavering honesty and cathartic powe…