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Boring embroidery features five beautiful, fragile yet raw improvisations for pianos and electronics performed by two of the UK's brightest talents. Picking up from where 2010's Turned moment, weighting release on Another Timbre left off, Boring Embroidery inhabits a slow, precise musical world that references Feldman and Tudor, yet remains resolutely improvised. Recorded in 2010 and 2011, this album possibly marks the end of the duo's piano collaborations but if so, it provides a perfectly matu…
Incredible work from the amazing Dorothy Ashby – a brilliant set of funky and spiritual tunes, set to full backings from Chicago soul arranger Richard Evans! This album is easily one of Ashby's greatest, and it's dedicated to the writings of Omar Khayyam – one of the forces guiding Dorothy's more spiritual sound at the end of the 60s, clearly opened up in a way that's not unlike the direction of Alice Coltrane's work, but a lot more focused and a lot more funky! Ashby not only plays her…
2013 release "From the time we started Latitudes, we’ve held a secret wish list of bands that we intended to lure into our studio. We’ve cut a major notch in our bedpost by finally scoring with Arbouretum, a band that meets universal approval at Latitudes HQ. Arbouretum offer up four cover versions of the brilliant Gordon Lightfoot, the oft-overlooked Canadian singer-songwriter who helped define the folk-rock sound of the Sixties and Seventies. The highlight of the session is unsurprisingly the …
The Kel Tamasheq people of the Sahara respect an ancient social order of noble families supported by lesser nobles, craftsmen and former slaves. Noble princes never would pick up a musical instrument -- that was for the craftsman, the griot, the professional bard, or the lesser nobles. But all that has changed during the droughts and rebellions of the past 50 years. The whole social order has been challenged. In the 1970s, electric guitars appeared in the desert. Everything began to c…
Coloured white vinyl in a run of 250 copies with inserts by each artist. A new pairing of minds and techniques on a steel-grey voyage across the treacherous Ifingr river. Kiyoharu Kuwayama, master of resonant spaces and junk objects holds the reins over three chapters of spiralling horror and madness. Sounds are coaxed out ashamed and blushing: the syphilitic cough, the cracked shin bone and the greasy sheen of night sweats wired up to a 9 volt battery. Wataru Kasahara plays the mysterious maske…
Jamal Moss aka Heiroglyphic Being presents The Electronic Belt, his second release for Alter, and perhaps his most dancefloor-oriented release. The EP is made up of three choice cuts from 2012's Man with the Red Drum transmission with each track bearing the signifiers of Jamal's rough and distinctive production; melodies twisting themselves into psychedelic wormholes, raw kicks and toms that hit hard and tight. Yellow vinyl edition in five different colored disco bags, mastered for vinyl by Step…
Mark Kozelek is back with a new Sun Kil Moon album featuring Sonic Youth's Steve Shelley, Jen Wood (who has worked with the Postal Service), Will Oldham, and Owen Ashworth (formerly known as Casiotone for the Painfully Alone, now of Advance Base).
VINYL VERSION! NOTE NEW PRICING! Alasdair Roberts is bidding farewell to his nom-de-musique, APPENDIX OUT. What once was Appendix Out is now & forever Alasdair Roberts. The broadest work in young Roberts' canon so far. Heavily steeped in the lineage of European folk, the words & music of "Farewell Sorrow" evoke a spirit of youth, an air of reckless abandon, a passion not meant to stay in this world.
On Onions is a photographic study of onions by Israeli-born artist Elad Lassry (born 1977). Characteristically highlighting the spectrum of hues and shapes for the vegetable, Lassry’s selected taxonomy includes sections on red, yellow and white onions, each of which possesses its own distinct taste and benefits. On Onions is Lassry’s first artist’s book, and the work will exist only in book form; it is at once wry, refreshing and disorienting in its biology workbook style, which makes fru…
A sequel to last year's eponymous debut as a duo, this new Drag City LP from Espers cellist Helena Espvall and Ghost's Masaki Batoh delves even deeper into traditional and ancient musics, making use of an armoury of instruments that extends beyond 'mildly obscure' (renaissance harp, sho, hurdy gurdy, etc) and enters into the realm of 'are you sure you haven't just made that up?' (auschpfeife, crumhorn, cornamuse, rig and darbuka). On hand to assist in this piece of instrumental archeology is anc…
his latest Transparency release brings an early July 1970 concert to our attention. "Live At The Red Garter" (later 'The Bottom Line' / New York City) doesn't offer the best sound quality, but it does give a glimpse of an exceptional version of the Arkestra: Sun Ra, Kwame Hadi, Akh Tal Ebah, Marshall Allen, Danny Davis, John Gilmore, Pat Patrick, Danny Ray Thompson, Eloe Emoe, Alan Silva, Alex Blake and a handful of unidentified percussionists...
I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…
Gastr Del Sol emerged from the remains of Bastro in 1992 with the brooding, mostly drumless album, ‘The Serpentine Similar’. This represented an unlikely evolution from the fury of Bastro, but evolution was only getting started - and ‘unlikely’ was one of the ongoing principles in Gastr Del Sol’s approach. Before the sessions for the second album, Bundy Brown left the group and David Grubbs asked Jim O’Rourke to come play. 1994’s ‘Crookt, Crackt Or Fly’ tangled the clean lines of the original ba…
This is an album based on the beauty of the electric guitar sound. The pure sound of the electric guitar (mainly “clean” or sometimes get a little bit “dirty” with the fuzz pedal) evokes memories, images, emotions. The harmonics, simple chords, arpeggios, single sustained notes of Sergio Sorrentino’s guitar formed the starting point of the creation of each track. Sergio recorded ideas, sketches and improvisations, which were then further processed by Machinefabriek. Mainly using the sounds of Se…
A cherry-picked compendium of EDM prototypes circa 1956-1971 by Pierre Henry, Jean-Claude Vannier, Igor Wakhevitch, Henk Badings and more "The roots of Electronic Dance Music" (EDM) by definition. An unlikely combination of early recordings by international electronic and avant-garde composers as well as infrequent collaborators retrospectively unified by their commitment to the musical enhancement of 20th Century ballet and the evolution of modern dance. Presenting key exponents of the musique …
'Dutch Tvashar Plumes' seems to map the changes in Lee's approach to music making over the last 4/5 years. From his initial exposure and subsequent immersion into Jungle as a teenager, he soon began experimenting with structure and sound design which led him to a more 'academic' approach with 'Computer Music'. There were many self-imposed rules he adhered to during this time. These last few years he decided to break with that and make an intuitive venture forward. This record is the first real d…
A project by the german artist Franziska Koch, edited by Fink Edition, Zurich. "The cleaning of the piano in the house Franziska Koch - Once a year - recurring as of spring cleaning . On this is both spontaneously and passionately played in their living environment for young and old . In the resulting recording is heard, like the piano cleaned, is rubbed and wiped. Knocking noises and random poking against the instruments body give the piece its own rhythm, so as to connect by wiping over the …
Matsuli Music is proud is announce the re-issue of African Songbird, the masterpiece from South Africa's greatest jazz singer, Sathima Bea Benjamin. Originally released in 1976, African Songbird was a debut long overdue. The splendid vinyl reissue of African Songbird opens with a cavernous, spacious, enormous sound, Bea Benjamin’s voice is introduced by Dollar Brand’s plangent, lingering electric keyboards before the ensemble joins in like rolling thunder. The vibrant plucked bass (provided b…
In December 2011, I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's actually the same setup that I still use nowadays, consisting of an old Phillips analogue tone generator and a selection of effects pedals. The Stroomtoon album still feels like an accomplishment. It's layered, subtle and considered, but I wanted to see …
Close your eyes. You may think Satan is singing. Open them: you’ll see a small masked woman, with dreadlocks down the her ankles, and without vocal effects. Close your eyes again: you’ll think of a heavy metal double kick drum set. Open them again: a gigantic, wrestling masked man is torturino a floor tom, a snare and a cymbal, standing up, no kick. Two people, half gear, enough to bring Hell.This is OvO. What they do is not easy to file. Not noise, not metal, not doom, not punk, not rock and ro…