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In July 1983, the Hebrew Israelite vocalist, songwriter and multi-instrumentalist Margeeah Aharon recorded her debut album Looking For Love with the Kingdom Sounds community band at P.C. Studios in Tel Aviv, Israel. Fittingly - given the meaning of her Hebrew name, soothing, calm and tranquil - it’s a questing melange of devotional jazz, soul, funk and reggae. More than just that, Looking For Love is an album full of yearning and reflective songs of spirit, heart and inner solace. Thirty-six yea…
Søren Skov Orbit's debut album, "Adrift," is at once subtle and profound. The Danish saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines. Tenor and soprano saxophonist Søren Skov (Debre Damo Dining Orchestra) and keyboardist Peder Vind co-founded the trippy quintet Søren Skov Orbit in 2016 to explore “more jazzy ideas,” as the saxophonist puts it. Joined b…
2025 stock A cinderblock-sculpting freakout session from Don Dietrich (Borbetomagus/The New Monuments) and Ben Hall (The New Monuments). Highly-touted by Aaron Dilloway, deep sea creatures, and your local tire dealership.
2025 stock Running Back welcomes Andreas Grosser for the start of it's non-dancefloor series "Running Back Incantations". Think Tornado Wallace's "Lonely Planet" or Suzanne Kraft's "Missum" who both would have been good and early contenders for a series like that, and you are half way there. Andres Grosser though, was "there" and that way before. Probably best-known for his 1987 collaboration "Babel" with Klaus Schulze, Grosser is a bit of a dark horse in the universe whose big bang was krautro…
In attempting to write this dispatch on the second Voice Imitator album my instinct is to pitch them as somewhat of an antidote to the current ills of what could be described as the post-Noise Rock landscape. I’m trying not to tread too far down the path of negativity and slander, so let's just say that while on paper they share basic characteristics with popular groups in the pigfuck to frat rock pipeline, Voice Imitator possess a tact and vision scantly seen in Repetition Orientated Rock. On ‘…
*2025 stock* "Two adepts of the sonic arts return with a morality play in four sides. Gone are the appeals to the winged serpent, the tree of life, or other past luminaries; these days they can be seen in consort with only one: Ashmadai. It is said that Ashmadai is not to be feared. When you say to it: 'In truth thou art Ashmadai,' it will give you a wonderful ring. It will teach you geometry, arithmetic, astronomy and mechanics. When questioned, it answers truthfully. Released on two twelve inc…
*2025 stock* Tim Barnes’ latest full-length: DE∆D-LOOP (AMI 038R/W), is his first solo release since 2002’s All Acoustics. DE∆D-LOOP offers another arm in Barnes’ wide-ranging body of music and work, as well as supplying an additional thread connecting the House, pop and sound art conversations the album engages. In many ways DE∆D-LOOP is House music that takes a sideways approach to the language of dance music. As both a concept and a practice, Barnes aims to turn House on its side, reconsideri…
It has been almost seven years since the release of Alpestres, the impressive debut by Matthias Puech on Hands in the Dark. While that first experience took us on a mystical journey through fascinating fictional landscapes, 'Cabanes' lets its narrative unfold in a confined space: eight pieces each resembling small structures or makeshift shelters that, while enveloping and isolating the listener, remain open to their surroundings. These are not merely interiors; they are handcrafted spaces throu…
Zach writes his dreams, his grand inner music emanating directly from his soul and offering it to the world, guided by his intuition. Nine abstract, ambient, and celestial tracks, evolving with his sensitivity, conducted like an intimate orchestra, revealing his landscapes and skies. Sweetzak takes us on a journey within himself and questions our emotions in this first album with complex textures, like a glimpse into what moves him.
*100 copies limited edition* The sixth issue in the U Jazz Me catalog is an album by the jazz super group Late Night Poems, which has already appeared on wax with the U Know Me Records logo in 2022. Imagine a jazz club straight out of New York in the 1990s. Imagine a jazz club in one of Poland's medium-sized working-class cities, which has been operating continuously for 45 years, driven and run by one tireless man. The greatest from the country and the world have played there. They stare at you…
*2025 stock* Strange connections -- Bilbao meets Japan via Berlin on a record that will put you in a constant state of WTF. ASMR rock? Post internet punk? A political manifesto in times of generalized madness? After his acclaimed 2017 destructo-punk single on Munster Records, Al Karpenter now delivers his mature, complex debut LP on the world's premier record label for adults, New York City's Ever / Never.
Al Karpenter is an elusive figure. On this record, he comes off like "Che" Guevara front…
*2025 stock* On their third album, Al Karpenter merges its singular vision with a host of collaborators. After finally becoming a band in 2022 with Marta Sainz and Enrique Zaccagnini from Santander joining Al Karpenter and Mattin, and in synchronicity with a recent CIA Debutante team-up, this group rises to the challenge of expanding its parameters. As Al Karpenter’s resident theoretician Mattin explains, “The last record was a result of the pandemic, introverted, isolated and with a blues energ…
*2025 stock* A collaboration between the Spanish Cabalists, Al Karpenter & French Rosicruanists, CIA Debutante, was not specifically foretold in the Fama Fraternitatis, but read between the lines, friend. That is where the truth lurks. The bilious Marxist splatter of the former, coursing alongside the dystopian surrealism of the latter, is a nefarious seance gambit born in the ether. Many voices are heard-fractious, cryptic, suffused, fading one into the other, the results often as hazy as the m…
Originally released in 1969, Courage marks the international debut of Milton Nascimento, one of Brazil’s most singular and influential voices. Recorded at the legendary Van Gelder Studio and produced by Creed Taylor for A&M/CTI, the album weaves together Brazilian popular music (MPB), bossa nova, and jazz, creating a lush and emotive soundscape.
Arranged by Eumir Deodato and featuring jazz great Herbie Hancock on piano, Courage is a showcase for Nascimento’s soaring, expressive vocals and poetic…
2025 stock Keith Jarrett and conductor-pianist Dennis Russell Davies have been friends and musicalcomrades for forty years. In the mid-70s the St Paul Chamber Orchestra, under Davies’ directionpresented Jarrett’s chamber music. In the 90s Jarrett recorded the Mozart piano concertos with Davies and the Stuttgarter Kammerorchester. Near the beginning of their association, Jarrett invited Davies to play a composition he had written for solo piano. To listen to Ritual is akin toexperiencing the core…
The repertoire features original compositions and Norwegian folk themes, balancing lyrical melodies with subtle harmonic exploration. Pieces such as “The Circle” and “Stream” highlight Gustavsen’s ability to let themes emerge organically, favoring patient development and deep listening over overt virtuosityWith Opening, Tord Gustavsen returns to the classic piano trio format that has defined his ECM legacy, unveiling a fresh perspective on his distinctive blend of Scandinavian folk hymns, gospel…
2025 stock On his second release for ECM New York-based saxophonist Oded Tzur introduces a heightened sense of urgency and a conceptually augmented approach to his distinctive voice, weaving one underlying musical idea through a series of elaborate and impassioned designs. The quartet’s lineup is unchanged from 2020’s Here Be Dragons and the group’s interplay has grown even more expressive in the meantime. Throughout Isabela the saxophonist and his collaborators – pianist Nitai Hershkovits, Petr…
2025 stock Wolfgang Muthspiel and his trio with Scott Colley on bass and Brian Blade on drums reaches a new creative peak on Dance of the Elders – the group’s follow-up up to the much lauded Angular Blues, which The Times called a “quietly impressive album”. Here Wolfgang’s successful stride continues, with his unique compositional signature on the one hand and the particularly vibrant interchanges with his trio colleagues on the other. The guitarist’s writing and approach to jazz is heavily fol…
2025 repress "Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity.By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It w…