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Pioneering, magisterial compilation, which turned many of us here onto Mustafa Ozkent, Fikret Kizilok, Erkin Koray, Temiz and co, a decade ago. Still dazzling, fresh, essential.
Paul Wallfisch has played in bands like Firewater and Little Annie, while Dana Schechter has logged time with American Music Club, Angels of Light and her own Insect Ark, among others. They’ve been friends since meeting in New York in the 1990s. Years later they forged a stronger connection as bandmates in Botanica and palying with Swans. Over the years Paul Wallfisch has been a prolific composer for film and TV, including Dummy, with Adrien Brody and Milla Jovovich (which the musician also appe…
In times when arbitrariness, absolutist madness and the pressure to reject each other are boiled up into some kind of new normality, it sometimes feels as if you are doomed to drown in your sea of sorrows. Until you manage to resist the maelstrom, once again. To focus on the good and the beautiful, and to nurture it stout-heartedly. Nobody said, it’s gonna be easy. On his fifth album, Bruch seems to draw an analogy between the sea and life with his choice of title. The sea itself has never been …
One of the most important 'lost' music recordings out there, this is the original version of the classicl album - recorded in April 1966 - that Andy Warhol eventually presented to Columbia Records, who chose to reject the demos. The track order is different from the release, and the band didn't record "Sunday Morning" and "There She Goes" until later, so those songs aren't included here. Some tracks sound the same as the released tracks, and others are markedly different, and even a little rawer…
*Back in print!* By the time this album was released, Antonio Carlos Jobim was already an international superstar. Having recently won a Grammy (1965) for "The Girl From Ipanema", by 1967 all the big name stars from up north were breaking down his door to work with the new "Gershwin of Brazil." In fact, Jobim had just finished working on an album with Frank Sinatra when he went into the studio to record this album. Recorded in 1967, Wave is actually one of the lesser known masterpieces of Brazil…
When a limited edition 45 single landed on the desk of Jazz Room Head Honcho Paul Murphy he contacted the guys straight away. "Do you want a 45 piece of wax released on Jazz Room Records?" Bells were ringing! The A Side is a Latin Afrosound version of the Sun Ra Classic "Watusa". Featuring members of the Los Angleles based Afro Latin Beat Collective "Jungle Fire". You might have noticed this getting quite a few spins on the Gilles Peterson show on BBC 6 Music. The B Side is a funky version of th…
Octavian Nemescu's music doesn't perform - it initiates. This Metaphon collection reveals Romania's spectral mystic at his most profoundly timeless, where bees' wings and synthesizer drones become pathways to the inaudible."
A long-awaited reissue of one of the most compelling scores in 1970s French cinema. Originally released in 1973, L'héritier reveals Michel Colombier at his most cinematic and experimental—blending downtempo funk, psych-prog atmospheres, and early electronic abstraction into a rich, dramatic soundworld. Now officially reissued for the first time by Transversales Disques, this deluxe 2025 edition restores the original recordings and expands the experience with five previously unreleased tracks fro…
A captivating compilation of eight tracks by Drissi El-Abbassi, Rai Sidi Bel Abbes – Volume 2 explores the fusion of traditional Raï music with modern electronic elements, highlighting El-Abbassi's soft vocal style and innovative approach to the genre's evolution
Two masters of free improvisation—Evan Parker and Jean-Marc Foussat—meet live in Insolence. Soprano sax and electronics intertwine in deep, lyrical tension. A vital transgenerational document.
A delirious plunge into absurdist tape collages and haunted electronics, this long-buried artifact resurfaces with eerie timeliness—a disorienting mix of degraded loops, dark humor, and fractured noise. A grotesque masterpiece of West Coast sonic dadaism.
Unearthed mid-’90s tape/noise experimentations by Stuart Dennison (Ramleh, Skullflower). Recorded in solitude with loops, delay, and whispers, Autonomous Rex is a raw dispatch from the uncompromising fringes of UK underground sound.
CD3 transform familiar sounds into primordial folk art with Rules For Living. The duo's melted reconfiguration of popular styles creates mysteriously ahistorical music - ancient yet pertinent, stripped to skeletal essence.
Zulu Guitar's Pioneering Tricksters, but for this compilation of rescued songs masterfully restored from rare 78 rpm shellacs, few could imagine the diversely beautiful roots of Zulu Guitar Music emerging during the period 1950 – 1965. Story-tellers and master musicians appropriate outlaw personae, re-purpose country and western, Hawaiian and other styles, to stretch and challenge our notion of “the Zulu guitar”. Twenty-five songs (18 on vinyl) plunge us into the depths of the migrant experience…
On October 2 1958, after over 60 years of colonial rule, Guineans voted overwhelmingly for their independence, and Guinea was declared a Republic with Sékou Touré as President. Guinea was the first of West Africa’s Francophone colonies to gain independence. To free Guinea from its colonial legacy, president Touré sought to restore dignity to his nation and give cause for Guineans to take pride in their culture, history and newfound freedom. To achieve this, he instructed his government to implem…
Scottish singer-songwriter and multi-instrumentalist James Yorkston, English guitarist David A. Jaycock, and Swedish saxophonist Lina Langendorf unite in a collaborative album that seamlessly weaves together elements of folk, jazz, and atmospheric soundscapes. This project, born from longstanding friendships and mutual musical admiration, offers a richly textured journey—both intimate and expansive. The album's genesis lies in Yorkston's enduring partnership with Jaycock, dating back to their co…
After the groundbreaking Comme à la Radio, energized by the free jazz tumult of the Art Ensemble of Chicago, Brigitte Fontaine and Areski Belkacem produced six albums together or separately between 1972 and 1977. While French pop of the time was marked by lush orchestrations, Fontaine and Belkacem’s songs were often recorded live, typically accompanied only by guitar and percussion, or performed a cappella. This minimalist approach focused attention on the subversive poetry of the lyrics and the…
The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.