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First official vinyl reissue of the now classic 1971 album. Produced by Transamericas in collaboration with the band from original master tapes, in a fully analog process at recording studios in María Pinto (Chile), London and Haarlem (Holland). Los Jaivas (“El Volantín”) is the first LP by Chilean rock band Los Jaivas, one of South America's biggest names in the fusion of folk roots and psychedelia during the 1970s. Los Jaivas were born in the city of Viña del Mar, with their five members deter…
In July 1983, the Hebrew Israelite vocalist, songwriter and multi-instrumentalist Margeeah Aharon recorded her debut album Looking For Love with the Kingdom Sounds community band at P.C. Studios in Tel Aviv, Israel. Fittingly - given the meaning of her Hebrew name, soothing, calm and tranquil - it’s a questing melange of devotional jazz, soul, funk and reggae. More than just that, Looking For Love is an album full of yearning and reflective songs of spirit, heart and inner solace. Thirty-six yea…
Søren Skov Orbit's debut album, "Adrift," is at once subtle and profound. The Danish saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines. Tenor and soprano saxophonist Søren Skov (Debre Damo Dining Orchestra) and keyboardist Peder Vind co-founded the trippy quintet Søren Skov Orbit in 2016 to explore “more jazzy ideas,” as the saxophonist puts it. Joined b…
2025 stock A cinderblock-sculpting freakout session from Don Dietrich (Borbetomagus/The New Monuments) and Ben Hall (The New Monuments). Highly-touted by Aaron Dilloway, deep sea creatures, and your local tire dealership.
2025 stock Running Back welcomes Andreas Grosser for the start of it's non-dancefloor series "Running Back Incantations". Think Tornado Wallace's "Lonely Planet" or Suzanne Kraft's "Missum" who both would have been good and early contenders for a series like that, and you are half way there. Andres Grosser though, was "there" and that way before. Probably best-known for his 1987 collaboration "Babel" with Klaus Schulze, Grosser is a bit of a dark horse in the universe whose big bang was krautro…
So the bad news is, in a fit of pique, I asked Chat GPT (nicely) to compose a one-sheet for the new Shit and Shine double album, ‘Mannheim HBF’. The even worse news (yes, even worse than resorting to such tactics) is that the resulting biography is halfway passable and on some levels, superior to the sort of thing being published by what’s left of our weekly coupon-shoppers. But for fuck’s sake my friends, Craig Clouse did not get to where he is today today by settling for halfway passable an…
In attempting to write this dispatch on the second Voice Imitator album my instinct is to pitch them as somewhat of an antidote to the current ills of what could be described as the post-Noise Rock landscape. I’m trying not to tread too far down the path of negativity and slander, so let's just say that while on paper they share basic characteristics with popular groups in the pigfuck to frat rock pipeline, Voice Imitator possess a tact and vision scantly seen in Repetition Orientated Rock. On ‘…
*2025 stock* "Two adepts of the sonic arts return with a morality play in four sides. Gone are the appeals to the winged serpent, the tree of life, or other past luminaries; these days they can be seen in consort with only one: Ashmadai. It is said that Ashmadai is not to be feared. When you say to it: 'In truth thou art Ashmadai,' it will give you a wonderful ring. It will teach you geometry, arithmetic, astronomy and mechanics. When questioned, it answers truthfully. Released on two twelve inc…
*2025 stock* Tim Barnes’ latest full-length: DE∆D-LOOP (AMI 038R/W), is his first solo release since 2002’s All Acoustics. DE∆D-LOOP offers another arm in Barnes’ wide-ranging body of music and work, as well as supplying an additional thread connecting the House, pop and sound art conversations the album engages. In many ways DE∆D-LOOP is House music that takes a sideways approach to the language of dance music. As both a concept and a practice, Barnes aims to turn House on its side, reconsideri…
It has been almost seven years since the release of Alpestres, the impressive debut by Matthias Puech on Hands in the Dark. While that first experience took us on a mystical journey through fascinating fictional landscapes, 'Cabanes' lets its narrative unfold in a confined space: eight pieces each resembling small structures or makeshift shelters that, while enveloping and isolating the listener, remain open to their surroundings. These are not merely interiors; they are handcrafted spaces throu…
Zach writes his dreams, his grand inner music emanating directly from his soul and offering it to the world, guided by his intuition. Nine abstract, ambient, and celestial tracks, evolving with his sensitivity, conducted like an intimate orchestra, revealing his landscapes and skies. Sweetzak takes us on a journey within himself and questions our emotions in this first album with complex textures, like a glimpse into what moves him.
These recordings are indeed a minor sensation! It's hard to imagine that, apart from the well-known recordings in the GDR, something "different and deeper" existed in the late 1960s alongside appealing soul and jazz bands. Modern and progressive fuzzy and funky jazz rock. Really? But yes, "So einfach war das wohl / it was probably that simple" back then. The highly talented pianist Ulrich Gumpert played and composed in one of the country's most renowned ensembles, the Klaus Lenz Orchestra, since…
*100 copies limited edition* The sixth issue in the U Jazz Me catalog is an album by the jazz super group Late Night Poems, which has already appeared on wax with the U Know Me Records logo in 2022. Imagine a jazz club straight out of New York in the 1990s. Imagine a jazz club in one of Poland's medium-sized working-class cities, which has been operating continuously for 45 years, driven and run by one tireless man. The greatest from the country and the world have played there. They stare at you…
*2025 stock* Strange connections -- Bilbao meets Japan via Berlin on a record that will put you in a constant state of WTF. ASMR rock? Post internet punk? A political manifesto in times of generalized madness? After his acclaimed 2017 destructo-punk single on Munster Records, Al Karpenter now delivers his mature, complex debut LP on the world's premier record label for adults, New York City's Ever / Never.
Al Karpenter is an elusive figure. On this record, he comes off like "Che" Guevara front…
*2025 stock* On their third album, Al Karpenter merges its singular vision with a host of collaborators. After finally becoming a band in 2022 with Marta Sainz and Enrique Zaccagnini from Santander joining Al Karpenter and Mattin, and in synchronicity with a recent CIA Debutante team-up, this group rises to the challenge of expanding its parameters. As Al Karpenter’s resident theoretician Mattin explains, “The last record was a result of the pandemic, introverted, isolated and with a blues energ…
*2025 stock* A collaboration between the Spanish Cabalists, Al Karpenter & French Rosicruanists, CIA Debutante, was not specifically foretold in the Fama Fraternitatis, but read between the lines, friend. That is where the truth lurks. The bilious Marxist splatter of the former, coursing alongside the dystopian surrealism of the latter, is a nefarious seance gambit born in the ether. Many voices are heard-fractious, cryptic, suffused, fading one into the other, the results often as hazy as the m…
Originally released in 1969, Courage marks the international debut of Milton Nascimento, one of Brazil’s most singular and influential voices. Recorded at the legendary Van Gelder Studio and produced by Creed Taylor for A&M/CTI, the album weaves together Brazilian popular music (MPB), bossa nova, and jazz, creating a lush and emotive soundscape.
Arranged by Eumir Deodato and featuring jazz great Herbie Hancock on piano, Courage is a showcase for Nascimento’s soaring, expressive vocals and poetic…
Different Rooms is a collection of songs and musical motifs we composed, edited, and collaged in the weeks between late 2024 and early 2025. Most of the recorded material was performed during that editing process, except for live performances taken from improvisations we recorded with Jeff Parker and Josh Johnson some time in 2023. In our typical process, much of our material is collaged and combines moments of live improvisation, field recordings, and in-studio experimentation. This record, how…
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…