New Arrivals
Canto de Olho
German saxophonist Luise Volkmann and Brazilian guitarist / vocalist Kiko Dinucci return with intimate, devotional new album Canto de Olho.
MGQ Live Im King Georg, Köln
*2026 stock. 200 copies limited edition* As the title of the album suggests, the new album by spiritual jazz legend Muriel Grossmann, MGQ live im King Georg, Köln, is a live recording of a concert at King Georg Jazz Club in Cologne. Recorded on November 11, 2022, the symbolic start of the Cologne carnival season, the album will be released three years later, at the end of the carnival season on Ash Wednesday, March 5. 2025. If by chance a concert in Cologne takes place on the November 11, it's o…
Sub Re
Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub…
In∞fi∞ni∞to
The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in service of an idea of infinity passing thr…
1001 Est Cremazie
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Who's Gonna Buy?
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
Guitar, Solo
On Guitar, Solo, Michael Scott Dawson distills his tender ambient language to its essence: frayed guitar melodies, soft tape ghosts and pastoral field recordings breathing in unison on a Japan‑toured sister album to Music For Listening.
Closed for the Festival
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
Flood Coil
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
Displaces
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
Los Mandatos del Aire
On Los Mandatos del Aire, Peruvian flautist Camilo Ángeles deconstructs his instrument into a bridge between worlds, channeling Amazonian cosmology and ayahuasca visions through extended techniques, microtonalities, analog processing and reverb‑chamber acoustics in dialogue with Musuk Nolte's photography.
Driving Through Belgium
*300 copies limited edition* There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything. That feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squi…
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Strategic electronics & static crash test748 cables arranged pseudo-randomly for a spectacular effectPost-scientific research electroacoustic minimalism
Bardo Thödol
In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states.
Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s i…
Ancient Moment Part 2
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience.
The project album Ancient Moment mar…
Recollections VII-VIII
Recollections VII-VIII marks the fourth in a planned series of 7” releases, each built from Glonti’s expanding archive of Soviet-era recordings. The artwork by Dmytro Nikolaienko (Day Night) once again reflects the utilitarian aesthetic of Soviet-era record design.
In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market. The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of…
The Lost Tapes
Big Tip! *Limited edition of 200 copies* Geometrik Records is delighted to once again play a part in the exclusive recovery of Marcelo Expósito's previously unpublished work, which had been lost since its original creation in the 1980s. Marcelo Expósito is one of Spain's most internationally renowned contemporary artists, whose work is regularly exhibited across Europe and Latin America. But he began his career at a very young age during the era of sound experimentation that flourished in the wa…
Country Tropics
Released in 2021, Country Tropics was the first offering from Old Saw. At the time, no one was really certain who was behind the lush and textured arrangements of a soon to be beloved ensemble of New England based musicians. 5 years and 4 albums later, the group announced that their fall 2025 double album, The Wringing Cloth, would be their last. An outpouring of affection and adoration for what the group had accomplished followed, with many noting just how unique a space Old Saw occupied with…
Sans Visage
Félicia Atkinson first saw Les yeux sans visage (Eyes Without a Face), the 1960 horror film by Georges Franju, when she was a teenager, around the turn of the century. At the time she was frequenting arthouse movie theaters, immersing herself in cinema, and she was encouraged to go by her father. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision…
Alpha Wave Music
First time reissue of dreamy new age electronic ambient music recorded by the musician/magician Shiho in Japan between the years 1989-1990. This can be seen as a follow up to her legendary album "The Body is a Message of the Universe". The hauntingly beautiful and captivating "Alpha Wave Music” features exotic, floating and shimmering, synthesizer textures with shifting tone colors bringing the listener to a very special magic place. Here Shiho experiment with binaural and alpha wave 1/f fluctua…