New Arrivals
Feel So Far Away: Anthology 1974-1998
As one quarter of one of the most influential bands of the twentieth century, Maureen "Moe" Tucker's work in the Velvet Underground created a template for all rock drummers that followed. Even today, Moe's primal, tribal rhythms can be heard in countless songs from artists around the globe. Her no-nonsense style'spare kit, no drum stool, almost no cymbals'conveyed an urgency and an honesty that was the foundation of the band's sound. In a patchouli-soaked world of 20 minute double-bass drum solo…
The Velvet Underground & Nico
2018 repress. Although Warhol, who was listed as producer on the album, allegedly gave the Velvets free reign over their sound, it was on his insistence that Nico
performed on this album. However, this does not detract from the fact
that when this album was made the Red Sea parted, and the Velvet
Underground crossed into the Promised Land. Deluxe gatefold jacket with
peeling banana and "Chelsea Girls" bonus track on B5
White Light/White Heat
2018 repress; 2008 release. While 1967's Velvet Underground & Nico was a part of Andy Warhol's global artistic vision, 1968's White Light/White Heat
was free of all Warholian influence, so in a way it could be thought of
as another debut album. Here the music was left to fester on its own,
with no artistic visionary interfering or trying to create a soundtrack
for his pop art, and the Velvets filled that void with an album that is
an aural subway car full of drunkards, junkies and whores ru…
Take A Picture
Take a Picture blends Margo's infectious and highly intelligent songcraft with her absolutely unique voice - equal parts girl group innocence and seductive torch. One of the most endearing and delicious soft rock records from its era, here's an impeccable Sundazed vinyl reissue of this '68 masterpiece, direct from the original masters."Margo Guryan is the most original songwriter that I've ever produced, and also something of an enigma. Underneath it all, she's a schooled composer, but she write…
Evening Of The Magician
180gm vinyl LP. Three albums by Randy Burns were originally released on the ESP-Disk label during the late sixties. The first of which called Of Love and War came out in 1966 and was somewhat your typical mid-sixties solo folk debut album, straight out of the Greenwich Village scene. It contained a few self-composed tunes but mostly 'borrowed' songs from fellow folksters. Accompanied only by his acoustic guitar and occasional 12-string backing, Randy laid down a set that inspired his own writing…
Virginity For All
The rarity and bizarre content of Jerry Solomon’s releases have music connoisseurs clamoring for them, though he funded, wrote, recorded, and self-distributed his uniquely fascinating music for no reason other than to simply put it out there. Equal parts strange, entertaining, and foreboding, Jerry’s music is always engaging, and one can’t help but feel these recordings offer a glimpse through a murky portal into the unadulterated creative experience. Approximately fifty years after their initia…
Se (in) de bos
Se (in) de bos is a slow-paced 60 minute piece performed by Vvolk and composed by Stijn Cools. While getting deeper in the sound of Vvolk, the perception of time fades. It is astonishing how improvised music can create such a timeless, and calming experience for the listener. This is the third album in the Book Of Air series, as part of the Granvat platform curated by the brothers Stijn and Bert Cools. As in the first Book Of Air album Fieldtone (SR 412LP, 2015) and the second, Vvolk (SR 413CD/L…
In A Garden of Eden
"Kim Cascone supplies another ‘90s ambient dream sequence to Astral Industries with a first vinyl edition of In A Garden Of Eden [1993] following last year’s Lunar Phase reissue. Originally realised at Cascone’s Silent studios in San Francisco for the Space Age Lounge, “a technomystical chill room in Goa, India”, his Heavenly Music Corporation debut is a typically balmy affair awash with tranquil synths and threaded with tropical field recordings to gently levitating effect.It sounds very much o…
Athanatos
"Dopplereffekt explore themes of mortality/immortality on Athanatos, their follow-up to last year’s excellent Cellular Automata album, also released by Berlin’s Leisure System. Furthering their previous LP’s conceptual fascination with genetics, Athanatos explores the conditions and chromosomal factors defining mortality in the funky, allegorical fashion that we all adore about Rudolf Klozeiger and To-Nhan’s music.With input from Carsten Nicolai (who also did the artwork) and his raster-noton co…
The Body as Archive
For the dance film essay - The Body as Archive Gregor Schwellenbach chose a simple yet radical approach: he created a kind of catalog of sounds, clearly structured, presented with sobriety and boldness. The sounds are not embedded in the familiar frame of rhythm-harmony-melody, rather, they are introduced smoothly, presented one after the other, sometimes going together, then standing alone. It is a sensual approach, at the same time executed strictly systematically. Or vice versa: Schwellenbach…
Remiscence
Studio Mule present a re-recording of Motohiko Hamase's Remiscence, originally issued in 1986. Remiscence scores a decent prize at online vinyl-selling platforms and it is worth every penny! It's a perfect "refuge from nasty reality", as the glorious British 20jazzfunkgreats blog once said. And it comes from a man that knows his trade: bass playing. An artisan on his instrument, Hamase also wrote many theoretical books in his more than four decades-long career. In the 1970's Hamase was no strang…
The New Folk Sound Of Terry Callier
Deluxe edition of two180g LP's stored within a glossy gatefold sleeve. Terry Callier conveys the promise and power in The New Folk Sound of Terry Callier. This capturing a young man in his element, his voice and soul, jazz and folk-infused songs timeless. This new version includes five previously unreleased alternate takes(“900 Miles,” “Promenade In Green,” “It’s About Time” and “Be My Woman”) along with two tracks making their vinyl debut (“Jack O’Diamonds” and “Golden Apples of the Sun”), as…
Inside Out
Of all the musicians who attempted to marry modern jazz/rock ideas with
traditional British folk in the late '60s/early '70s, John Martyn was
the most challenging and aggressive. He had others giving him a run for
his money, sure -- Richard Thompson attacked the guitar with Sufi focus
and clarity; Bert Jansch often employed a sharp, metallic edge in his
work; and John Renbourn was capable of guitar maelstroms -- but when it
came down to it, no one was as out-there as Martyn, as experiment…
Bless The Weather
Though his earlier albums had merit, John Martyn truly came into his own with 1971’s Bless the Weather. The bittersweet grace of “Go Easy,” “Back Down the River,” and “Head and Heart” showcase Martyn’s agile folk-blues guitar touch as well as his delicate vocal shadings and sparse lyric style. A brooding Celtic atmosphere hangs over these tracks, reflected in the mellow fatalism of the title tune and the regretful yet accepting outlook of “Let the Good Things Come.” Whatever the feelings express…
Unaccompanied Acoustic Guitar Improvisations Vol. 10 (Art Editio
**Art edition of 100 copies, hand-painted and -drawn by Loren Connors** Before the spectral, romantic electric guitar miniatures for which he is celebrated today, Loren Connors recorded a string of nine solo acoustic guitar improvisations under the name of Loren Mazzacane between 1979 and 1980. The records feature Loren's contorted impressions of Delta and country blues, persistently kneaded into sidelong guitar excursions entangled with wordless, mournful vocal utterances, hummed and moaned in …
Voices of the Air
Voices of the Air offers a fresh songwriting approach from a musician who’s experimentation has been a core aspect of his artistic development. After formally studying piano in his youth, Jon Porras discovered grassroots experimental music and conceptual art during frequent visits to New York in the early 2000s. As half of the duo Barn Owl, Porras composed intricate dual guitar improvisations that would shift and shimmer through multiple mutations within any singular piece. At the same time, his…
Messiah of Evil
**One-off edition of 200 copies. Heavyweight 7" EP** Unreleased before music from the cult 1973 horror film 'Messiah of Evil'. One of the earliest fully electronic feature-film scores, Phillan Bishop's Moog-y mood music for Messiah of Evil is an avant garde suite of modulated shrieks, drones and pulses which whirl a discordant vortex around the bizarre on-screen images. With only three early-70's budget horror movies to his credit, this represents the first release of music by the mysterious Ph…
Ultra
**Edition of 200 hand numbered black vinyl copies** Sci-fi soundtrack styles from Swedish synth-fondler Johan Öhman Sollin, landing square between the styles of early 0PN, Hype Williams, and James Ferraro. Marking his debut for iDEAL after more than a decade of trading as Johan Rohbau, Time Deleters, Knife and Ape, Minimen, and Sphinxes for a handful of secretive labels, J.Ö.S. draws from classic pulpy ‘80s cyber-goth and video nasty horror soundtracks for a personalised and totally immersive su…
In Love With The Extreme
Joachim Nordwall and Henrik Rylander pound out a powerful new Saturn And The Sun album on the former’s iDEAL Recordings, following up an album for The Tapeworm and the death of their band, The Skull Defekts, with a monotonous, harsh missive from the cold North. Recorded at the legendary Gothenburg Sound Experiment in 2017, ‘In Love With The Extreme’ finds the duo explorating core influences, consolidating everything from ‘60s minimalism to early techno and tribal musics into a densely textured,…
The 4th Demention
** Edition of 300. Includes an insert with archival photos and a letter from Virgin Records on the cover** Plexi Gladz’s sole available recording — 1981’s Mind Control 7" — spawned a cult hit (Verveling [Boredom]) and over 35 years of intrigue. Who are these people? Rumours circulated that Jo Bogaert (of Technotronic fame) was involved; and artist Harald Thys. But not Siobhan Fahey. In a classic case of Chinese Whispers, Jo Bogaert turned out to be Brussels-based Paul Bogaert who together with J…