New Arrivals
The Soundhouse
When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…
Tapes
Hamburg’s Growing Bin go back to the roots of Trance, as in hypnotic electronic rhythms for dancing, with this Baldelli-favoured suite produced in Germany 1983-86. “If you’ve kept a keen ear to the underground, you may have noticed a trance revival creeping into the dance floors and darkrooms of late; a post ironic return to the 64 bar breakdowns and peak time key changes of your serotonin drenched youth. So what’s this then? Has Growing Bin gone from groundbreaker to copycat? Dig a little deepe…
La Terrificante Notte Del Demonio
**ltd 100 on Red vinyl** Demonic sounds, but surprisingly sweet as well – done with this easy-flowing style that's really wonderful – and much more similar to the seductive sound library work of Alessandro Alessandroni, than to some of the starker, darker horror of the time! There's definitely some spooky passages, but they're almost always warmed up in really nice ways – both with keyboards, and with these wordless vocals from the lovely Giulia De Mutiis, who drifts through the record like some…
Le paradis blanc
**193 unreleased before recordings** Le Paradis Blanc was recorded in 1983, it is also the music of the movie titled Le Paradis Blanc and directed by Etant Donnés the same year. The film and music were part of a three days installation and performance of Etant Donnés in the ELAC (Espace Lyonnais d’Art Contemporain) at the Fifth Symposium of Art Performance in Lyon in 1983 : one day for the construction of the installation, one day with a performance and one day for the destruction. The film…
Void
Music by Lasse Marhaug, Recorded spring 2012 at the Best Studio in Oslo, Artwork : David Leleu, Layout : 38 Fillette
Automare
From the city that brought you LSD comes a new album by Marco Papiro, a Swiss-Italian musician and graphic designer who has gained some notoriety with his album covers for the likes of Panda Bear and Sun Araw. "Automare" is Papiro's seventh solo album, recorded on 4-track cassette, on hard-disk, in public and in private, entirely self-produced and now released on Nikolaienko's Muscut label. The five hauntingly evocative tracks offer a variety of atmospheres from surreal to arcane, from ce…
Body Consonance
Body Consonance is the follow up to Precipice, Byron Westbrook’s critically acclaimed debut LP from 2015 (Root Strata).Taking a turn towards greater immediacy, this new album is far from “ambient” with ecstatic abstract rhythm as its anchor. An artist who also operates in visual contexts, Westbrook utilizes binaural qualities of the stereo listening format to sculpt three-dimensional sounds in perpetual motion, producing works that are both pointillistic and psychedelic. Body Consonance is …
Spirit Design
Only a year after his debut solo album with Hands in the Dark, Brian Case is back this August with Spirit Design. The record consists of ten new experimental tracks of concrete dub and electronic wizardry. This sophomore solo record is drastically different from the Chicagoan’s first opus, Tense Nature. Case has added vocals and more beats to his compositions, putting together an album that promises and lends itself to a loud, moving live experience. Although in ways it is more experimenta…
512 Hours
2014 Release. * Limited edition of 100 copies worldwide. Hand signed and numbered by Marina Abramovic * 512 Hours is the first major performance by Marina Abramović since her monumental piece The Artist is Present, at the Museum of Modern Art, New York in 2010, in which visitors were invited to sit in silence opposite the artist and gaze into her eyes for an unspecified amount of time. Abramović performed this work every day for three months. In a unique work created for the Serpentine, Abra…
Walthamstow Moon ('61 Revisited)
On November 17th 1961, John Coltrane played at the Granada Theatre in Walthamstow. On November 23rd, 55 years later, free jazz legend Evan Parker made this six track recording in the same space with John Russell and John Edwards. This recording has personal resonances for Evan: he attended Coltrane's performance 55 years ago at the Granada. Evan Parker: "John Russell, John Edwards and I are going to record in that same cinema. It has had the usual chequered life of classic old cinemas of the…
Kulthan
Extended hypnotic explorations from Brooklyn’s experimentalist Robert Aiki Aubrey Lowe (Lichens, OM). Two long-side pieces of futuristic afro-dub, slowly evolving arrangements of voice and modular synthesizer soundscapes. Ethereal and melancholic on the first side with Magnamite, exhibiting 'the relationship of machine and human, showcasing the coupling of the two instruments'. Drifting and wildly pulsating on Heart of Sogguth that 'transforms this relationship into a unified human machin…
Kondens
This is a selection of previously unreleased tracks created at home by Enrico Serotti (fmember of Confusional Quartet and Stupid Set), without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.
Homemade Music Vol. II (1983-1999)
This is a selection of previously unreleased tracks created at home by Enrico Serotti (fmember of Confusional Quartet and Stupid Set), without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.
Alien Wildlife Estate
Drone Grand Maester Spencer Clark teams up with Finnish toy-wizard Jan Anderzen (Tomutonntuu / Kemialliset Ystavat) to create psychedelic magic. You just need the guy from The Skaters and one really out-there Finnish dude to make sure you get the best kind of weird there is. Animal calls pierce the layer hypnotic synths, drowned by tiny bells engorged by fuzzy delay and reverb pedals to evolve into alien laments from a different dimension. With its bubbling baselines, boiling percussion an…
Pinhead in Fantasia
Esoteric synths and classical harmonies from The Skaters mastermind. Pinheads in Fantasia is probably Spencer Clark's most out-there endeavor. At some point his records became more than just trippy music with crazy artwork and his use of symbols and poetry started to take a more central part in the releases. He even stopped calling them albums, preferring the term soundvisions instead. Fourth World Magazine Vol. II is the culmination of these tendencies, sounding like the creation myth for …
Suoni di Frontiera
It's finally here: a foundational album of electronic music which has not been available on vinyl since its original release almost 40 years ago. This newly remastered version is pressed up on heavyweight vinyl, made in an edition of 500 copies. Ahead of his time, armed with a VCS3, Synthesizer and guitars, Claudio Rocchi began treating all instruments with tape delays and echo effects, while absorbing the influence of the electronic music idioms of the time and exploring the potential of new te…
Ezz-thetics
Doxy present a reissue of George Russell Sextet's Ezz-thetics, originally released in 1961. The sextet features George Russell, Dave Baker, Don Ellis, Eric Dolphy, Steve Swallow, and Joe Hunt. Includes bonus track. Edition of 300 (numbered). "With a group of musicians assembled for the occasion, pianist/composer/theorist George Russell goes into Riverside's studios in 1960 to record Ezz-thetics. Nowadays frequently found on 'greatest jazz albums' lists, this fantastic record is difficult to cat…
Processed Snippets: Congo Traditional 1952 & 1957
Mike Kitcher's Processed Snippets falls firmly into the category of new exotica, a music created from a very specific location that becomes placeless through abstraction. Kitcher reworks moments recorded from the SWP Records re-mastered release of Congo Traditional 1952 & 1957 (SWP 046LP, 2014), a collection of recordings by Hugh Tracey. Tracey, a pioneering documenter of traditional music across the continent of Africa was notable for the extent of his travels and the breadth of his work, as we…
Ou
2015 release. Along the arc of Lucrecia Dalt's music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering? What is known, for starters, is that she made Ou immersed in a cinema of her own, curatorial creation. Ou's filmic quality is a direct consequence of…
Swallow
2013 release. Scott Cazan's music is driven by a fascination in the fullness of sound as well as an interest in network and information theory. Like the writings of those who inspire him, such as Deleuze, Baudrillard, and Alexander Galloway, his work, for all its directness, has a dark and seductive aura. Swallow is an album that lingers at the borders between memory, ambience, and feedback.