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Taint is known to be one of the most powerful and pervert act in the power electronics scene. A kind of juiced up, Taint squared a brutal stew of screaming high-end feedback, crushing distorted scrape and corrosive furious vocals that are overlaid with sheets of white noise.’’Justmeat’’, that was released on Slaughter Production (SPT 40) in 1995, showed Taint at his best. Fucking brutal!
The record has been pressed on 140 gr black vinyl with black label and black inner sleeve and comes …
Universe Thin As Skin is the debut solo album from Portland, Maine’s Tom Kovacevic, a multi-instrumentalist who has been a vital part of the Portland musical landscape through his work with the bands Olas, Fire on Fire, Cerberus Shoal, and tarpigh. For his solo debut, Kovacevic focuses on the Arabic music he has been studying for twenty years. The album features songs performed on the oud, the nay flute, and both djembe and tchung drums. Kovacevic had played guitar for many years when he d…
Cleared is the duo of Steven Hess and Michael Vallera, both veterans of the Chicago experimental underground. With their new album Drown, Cleared integrate elements of minimalism and sound design with the textures and spirit of early dream pop. Recorded and produced in Chicago, Drown weaves seamlessly between works of classic ambience and narcotic experimental rock. The band find themselves at the crux of both the light and dark components of their past material. The result is a truly lus…
Fully remastered by Matt Colton at Alchemy. One of the most destitute and absorbing albums in Leyland Kirby’s canon is finally given a much needed vinyl pressing, following on from its initial CD release 6 years ago. ‘Bleaklow’ is harrowing from the start, the opening "Something To Do With Death” reverberating dread via layers of unstable, radiant drones punctuated with pained, hi-pitched howls that cut through the mix with violent intent. ’Solemn Dedication’ adds percussion to the mix and sits …
Doom behemoths Sunn O))) and Ulver meet for a deeply spiritual blood-letting on the eagerly anticipated 'Terrestrials'. What started out as an improvised all-night session between the bands following Sunn O)))'s 200th gig - playing to 2000 people at the Øya festival in Oslo, Norway, August 10th, 2008 - has grown into a tantric, cinematic dedication to the night some half decade in the making. The original tracks they created that night have been over-dubbed in the interim resulting in three exte…
Based in Montreal, Kyle Bobby Dunn has been producing elegant and refined works of ambient minimalism for the better part of a decade. His two lengthy and critically lauded collections for the Low Point label, “A Young Person’s Guide…” and “Bring Me the Head of…,” established him as a force to be reckoned with in the current epoch of drone/ambient music. Indeed, he is a rare artist whose compositions offer listeners wonder, sadness and pathos in equal measure, and are executed with a prec…
Beautiful modern composition from LA's prolific Sean McCann and En/Root Strata's San Fran-based Maxwell August Croy. Their first collaboration, 'I' feels timlessly enigmatic, drawing on a wealth of aesthetic and compositional tropes from their respective oeuvres to synthesise something wholly new and uniquely engaging, weaving the exotic timbres of Croy's koto and McCann's keening string arrangements in a sound that defies easy categorization. Beaming forth with the flurry of strings and breezin…
Bardo Pond were more than happy to do it themselves in their earliest days as a band. They recorded and self- released a handful of cassette-only albums to serve as merch table offerings as well as booking demos. Each of these cassettes offered a real-time snapshot of where Bardo Pond started sonically, each containing a primordial ooze of swampy, sludgey psych blues, demonstrating the essential DNA that has become Bardo Pond’s multi-decade calling card. Over the years a few of these cassettes h…
May 2014 release.“I used to think that music was my escape from reality, now I think it’s an escape into reality.” – Mike Weis, 2014. Mike Weis is probably best known for sitting behind a plethora of drums and gongs in long- running Chicago three-piece Zelienople, but his music is just as potent unaccompanied. Weis might be an obsessive collaborator (his work with Scott Tuma, Mind Over Mirrors and Kwaidan is also essential), but on his own, he is able to allow his unique percussive skills to bu…
The Mandrake Memorial, formed by Craig Anderton (guitar, sitar, electronics), Michael Kac (keyboards), John Kevin Lally (drums) and Randy Monaco (bass, lead vocals) in 1967, were one of renowned Philadelphia-based rock bands along with THE NAZZ during the late 1960s. They got started performances mainly in The Trauma, produced by Manny Rubin as a new club located in the middle of Samson Street, where they eventually could attract notice of Poppy Records, an affiliated label of MGM. In the…
Nexx up on Beneath's excellent Mistry label: Hull-based producer, Webstarr with the technoid hydraulics of 'Aegrus' b/w a new Chevel remix. Last spotted in Beneath's RA. 407 mix, the title tune strikes a mid-ground between tribalised, bass-heavy rufige and insectoid minimal techno - all bashy kicks and depth charge subs crawling with itchy crack bugs. The dancefloor lizards will come out to play for this. B-side, Italian producer, Chevel (Enclav/Stroboscopic Artefacts) trims back the drums, leav…
Lee Gamble jacks directly into a latent stream of electronic wonder with his dream-like 'Koch' opus for PAN. Running to 76 minutes over 16 tracks, it's Gamble's most substantial and arguably definitive work, following the beautifully effective 'Diversions 1994-1996' and 'Dutch Tvashar Plumes' releases for PAN in 2012. Where those records deconstructed the elusive, enigmatic timbre of '90s electronic dance music - jungle, techno, ambient - 'Koch' (pron. 'Cotch' - UK slang for relax) is a sort of …
Bristol-based Seb Gainsborough Vessel returns to Tri-Angle with a revelation of a 2nd album. Completing the metamorphosis initiated on his stopgap EP for Liberation Technologies, the Vessel moves completely away from the dancefloor, eschewing techno for organic post-punk electronics more in line with acts like Throbbing Gristle and Cabaret Voltaire than his label mates. Like a bottle to the back of the head, crashing cymbals open ‘Febrile’, a not-so polite warning that this may not be a s…
Dedicated to promote young and evolving artists and to present musical diamonds in the rough, Raster-Noton is curating the unun series, which name derives from the atomic numbers of the chemical elements 111-119. ‘Vortices’ is Ueno Masaaki's first release on Raster-Noton, and the seventh release of this series. Ueno Masaaki takes his musical cue from natural phenomenon and laws of nature by trying to reconstruct, not simulating them. The results are mainly rhythmical patterns that set off a chai…
To provide an overview of the various musical styles in which bureau b specializes, the label will launch a new compilation entitled kollektion. Each release in this series will be curated by a musician perfectly suited to the task. The first kick-off release will be: Kollektion 01: Sky Records. Compiled by tim gane. The erstwhile stereolab mastermind delves through the archives of the legendary german krautrock label. The record company was founded in the year 1975 and went on to become one of …
LP edition, split into two volumes sold separately. To provide an overview of the various musical styles in which Bureau B specializes, the label launches a new compilation series entitled Kollektion. Each release in this series will be curated by a musician perfectly suited to the task. The first kick-off release will be: Kollektion 01: Sky Records, compiled by Tim Gane. The erstwhile Stereolab mastermind delves through the archives of the legendary German Krautrock label. About Sky Records…
Jochen Irmler and Jaki Liebzeit met in the town of scheer last july to prepare for an upcoming concert at the slaughterhouse in sigmaringen as well as for a subsequent appearance in the kammerspiele in munich. however, they quickly decided to stop rehearsing and instead record flut - an album that regroups six improvisations between organ and percussion. flut adds another chapter to irmler's collaborations, which aim to explore, whenever possible, the hidden potential that lies dormant in the cl…
'Superimpositions' is the hyper-coloured conceptual follow-up to multi-disciplinary Milanese artist, Lorenzo Senni's landmark LP, 'Quantum Jelly' (Editions Mego, 2012). It further consolidates, accelerates and evolves his idea of "Pointillistic Trance" - an ascetic, extreme approach to the aesthetic essence of '90s-style trance/hard-trance - with a broader range of song structures, minimalist moiré patterns, and tantric dancefloor arrangements, all executed to visceral impact and challenging, ex…
Recital here presents the premiere LP by vocalist Ian William Craig (b. 1980, Edmonton). Ian, a trained opera singer, delivers an elegant balance between theatrical and ambient sentiments. A Turn of Breath combines the essence of a choral LP from Angel Records or Deutsche Grammophon with the spontaneity of experimental home-recording. This collection holds twelve works for voice and 1/4″ tape, recorded from 2011-2013. Voice appears as the Sun’s light through a vast storm; still obscured by tape…
Cool dubbed out percussive afro tribalism with a free jazz spirit like Roland Kirk meeting Fela Kuti. Include vibraphone, saxophone, drum and you get da spiritual fonkjazz! Very cool authentic reissue to save you a few hundred bucks over the stoopid rare original.