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Gatefold double LP version. Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along a…
Vocalist Damo Suzuki’s departure from CAN in 1973 had forced the band to re-evaluate their sound. Now with Michael Karoli and Irmin Schmidt sharing vocal duties, the band had also begun drawing on influences from disco and glam. While still remaining staunchly outside the mainstream, they undoubtedly became more accessible to a wider audience, and soon had a huge fan base in the UK. In fact, just a few months after playing the live show found on this double LP (recorded in Lyon in January …
Edition of 500. Composed by Marcus Schmickler. Recorded and Mastered at Piethopraxis, Köln. January-August 2010. Cut at Dubplates & Mastering, Berlin, October 14th 2010. Artwork by Tim Berresheim. Marcus Schmickler's new release following his acclaimed 'Altars of Science' is a must have for those interested in the rising field of contemporary Computer Music. It reconfirms Schmickler's interest in the liaison of sound, phenomenology and cognitive sciences. Schmickler therefore utilizes a n…
Having nicely set up the release of this album with their Ret Marut Handshake EP a few months back, Alva Noto and Blixa Bargeld (of Einsturzende Neubauten fame) deliver a set that exceeds all expectations. One of the most strikingly obvious comparisons to arise from that first batch of material was the Alan Vega/Pan Sonic collaboration, yet Mimikry goes much further than combining the established aesthetics of its constituent parts and creates something that actually feels very new. Car…
"I want to be a rocker. everybody else has walked away from rock. I wantto walk towards it." - Henry Flynt Taste the magic! Nova’Billy is another edible audible from Henry Flynt's dusty lower Manhattan bunker and it stands as one of the fullest, most beauteous document of Flynt's tenure with a full working rock band to date. For less than one calendar year between 1974 and 1975, Henry Flynt's hard driving, heavy jamming agit country rock band, Nova'Billy embraced bareknuckled deep fried groove a…
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
Gorgeous double gatefold issue of two crucial albums by "the greatest living flutist of South India", T.R. Malingham or Mali to millions of South Indians, presented in respectfully opulent stye by Japan's EM reissue imprint. This is meditative, spiritual, and exotic music of the highest order, combining his two most revered recordings from 1969 and 1970 over two very special discs. Mali is said to be able to commune with birds via his playing and that's quite understabable. His virtuoso u…
The much-in-demand vinyl version of the second (or third, depending on how you calculate) Stars of the Lid album, their first for Kranky, now finally reissued on vinyl. The original 4 track cassette recordings were remastered and new lacquers were cut, and the original artwork has been updated* When it comes to genre-defining releases, even releases that define a band's career, few sum up ambient music, and the work of Stars of the Lid in general like 'The Ballasted Orchestra'. Released in 1…
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
All things must come to pass, if you love something set it free, it’s better to burn out than fade away, blah blah blah. No platitude can mask the permanent bummer of a favorite band breaking up in their prime, and such is the case with Iowa City’s most untamed civic treasure, feral-psych foursome Raccoo-oo-oon, who decided to dissolve this year after nearly half a decade of radical and galvanizing activity (tapes, tours, t-shirts, etc). Fortunately they’re generous sorts, so their parting gift …
While Grail’s studio records are expertly crafted affairs, full of expert production and cinematic flair, but the Black Tar Prophecies series has been the set of songs which has brought Grails to the forefront of the instrumental scene. Lo-fi and bared back, it gives the band a place to experiment outside of the norm. Volume 4 of the Black Tar Prophecies series utterly drips in dark atmosphere; opener I Want A New Drug starts with a tape recording which slowly descends into warbling, becom…
Gatefold 2LP version. "Pairing prickly electronics with live drum patterns, Eno dumps great globs of blotchy machine -- malfunction into the mix. Holland's poetry is interlaced courtesy of [a] monotone voice...the combined effect makes the whole undertaking sound like a wild William Gibson fantasy come to life." --Pitchfork "Brian Eno first came across the work of Rick Holland in the late '90s during the Map-Making project; a series of collaborative works between students of the Royal College, t…
Very Special double vinyl edition of Thomas Koner's 'La Barca' album - featuring a whole extra side/over 20 minutes of exclusive material never before available on any format, cut at Berlin's Dubplates and Mastering and pressed up in an edition of just 500 copies for the world. If you're a follower of Drone/Dark Ambient, and have admired the work of anyone from Deathprod to Rhythm & Sound to BJ Nilsen to Chris Watson to Angelo Badalamenti - this will blow your mind* There are few artists …
LP has tracks not on the CD and not available via download. The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record w…
Long awaited reissue of the debut release from Mehdi Amezianes Twinsistermoon project, originally released as a gorgeous handmade self released CDR in 2007, to many of Natural Snow Buildings and each of their solo project, this is the pick of all their releases, which is rather ironic being that its one of the smallest release runs in the discography of all the Natural Snow Buildings and related projects, it is infact the most limited release of all the Twinsistermoon releases. But due to the ma…
LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…
A mammoth, fifty-person enterprise featuring the cream of the early-seventies jazz-rock brigade, Centipede's 1971 album 'Septober Energy' proved to be an exercise in both gargantuan excess and instrumental brilliance. Naturally, opinions on the release are divided. The line-up is far too numerous to list here, though it did include the likes of Soft Machine alumni Marc Charig(cornet), Elton Dean (sax), Roy Babbington(bass), Robert Wyatt (drums), Nick Evans(trombone), John Marshall(drums,…
Debut vinyl by this post-Anschluss project. Basement experimental sound & collage recordings from Amherst, first released in about '93 or so. Tapes, keyboards, synthesizers, harp, piano, percussion, etc.
The third LP in the series produced by Kommisar Hjuler and Mama Baer has just Mama Baer on one side and on the other side we find the highly respectable Runzelstirn & Gurgelstock. This originally Swiss project has moved to Japan ages ago, and there (and most likely anywhere else) he performs his pieces, aktions as they are called in the best performance tradition. Here a piece from April 2009 in Osaka and its quite a surprising one, if you know their previous work. Much of that older work consis…
This is the work of Rhodri Davies and Louisa Hendrikien Martin. Davies is extremely active in the experimental / improv / avant-garde scene, being a frequent collaborator, usually playing harp and electric harp. Elsewhere, Martin keeps herself busy in the fields of live sound and visual performance. The foundation of the album was a Harp improvisation which was then manipulated electronically, the artists then improvised along with the recording then edited and repeated the process. The r…