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Tetuzi Akiyama - guitars. Johan Arrias - saxophone, electronics, no input mixingboard. Leo Svensson - cello, organ. Henrik Olsson - drums, electronics, piano. Artwork and screenprint by Peter Larsson. Mixed by Giuseppe Ielasi. Mastered by Daniel Karlsson. Produced by Johan Berthling. Album and songtitles are inspired by the lyrics of Moondog (Louis Thomas Hardin). Recorded in Stockholm 2006. Limited edition of 250 hand numbered copies. The cover is hand printed by its author on recycled covers c…
Much time has passed since the release of "Can't Illumination" in 2003, and Anna Zaradny and Burkhard Stangl meet yet again, now on each side of a vinyl record on the Bocian Records label. There were, however, many various encounters in various circumstances in between those two official events, and one of them is shown in the photos on the cover. This is hardly a chance meeting as the two compositions have more in common than it might seem at first sight. Take the misguiding beginnings, f…
Vessel: a sonic narrative. Through physical confinement and isolation a threshold is penetrated and a vast new world is suddenly accessible. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket.
The duo mainly sticks to their guns, mining the same post-Suicide art-trance vein they perfected on Dream, but here there's an added emphasis on the disembodied, oscillator pop mode that they often toy with. Mesmerizing organ melodies over plink-plonky vintage drum machines with weirdo soulful singing & outer space electronics, like an outsider-punk Silver Apples or something. Edition of 600
Formed by Richard Chartier at music research centre, York University (York, UK). These works utilize original loops and recordings from 1990-1993 as source material.
'Jean-Luc Guionnet (alto saxophone), Will Guthrie (drums) and Clayton Thomas (double bass). Taking the form of a minimalist power trio of saxophone, bass and drums. Recorded in 2009, IN focuses on the tour that nearly killed them - Jean-Luc couldn't eat, Will couldn't walk and Clayton couldn't call an elevator. Niort - recorded at the festival NPAI, caused METEO festival director Adrien Chiquet to complain that the best gig of the festival was 'fucking jazz!'. In Poznan they were attacked…
Project from Dominick Fernow of Prurient/Vatican Shadow and Kris Lapke of Alberich. "Released first as a limited 4 x cassette box set now condemned to vinyl. Among the trinity of electronic projects of Dominick Fernow's studies in anxiety and fear from the mythic natures of rainforest spiritual enslavement, the info wars of Vatican Shadow and the creator's observation of Christian Cosmos. Lightning drums pound the rhythms for lost souls as the fall from paradise abounds and the trumpets o…
Originally produced and issued by charles 'bobo' shaw himself, red, black & green, by the band "solidarity unit, inc." documents what happened at "the bag room" in st. louis, mo, the day jimi hendrix died. shaw & the ten piece group produce a raw, teeming clattering sound, captured in a gloriously blunt low-res recording as stark as the b&w cover art. lake & bowie were by this time already powerful soloists, & both declaim fervently and damn near relentlessly over shaw's swaggering themes. de…
Sabbath-esque riffs, putrid thrashing, animal howls, primitive blast beats, cheap keyboards, broken throat vocals, necro production, guitar solos, abyssic noise & a theatrical sensibility for the epic. LIMITED to 333 copies on multicolored vinyl. Exclusive artwork by acclaimed outsider artist G LANSARD. Features members of BURIAL HEX.
Originally schooled in the foundations of hard bop, cornetist Rob Mazurek, quickly surpassed the form's conventional limitations; his multihued electro-acoustic work over the past two decades has subsequently drawn inspiration from numerous genres besides jazz. Mazurek's unfettered creativity and stalwart leadership skills have thereby cemented his reputation as a key figure in the Chicago scene—primarily as organizer of the venerable Chicago Underground Collective and several other innovative e…
LP version, ultralimited: For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering …
Heavy solo release from deep as Marianas Trench Swedish drummer Sven-Ake Johansson. Johansson is primarily known in the US as the drummer on the two hugely influential Brotzmann recordings: For Adolphe Sax and Machine Gun. However, the Berlin-based percussionist/composer/filmmaker/performance artist/painter -- all of which he is remarkably adept at -- also has numerous FMP releases and a well documented relationship with Alexander Schlippenbach. Notable contributions to the canon of exper…
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
The performance on this LP was recorded live at Roulette in New York last year. I have appreciated Knuffke's playing and music before, and I will do it again here. His tone is always full and warm, and he's a master at taking tough bends easily. The music is jazz in its purest sense : improvisational joy and emotional expressivity in a compact form. There is nothing but pulse in the pieces they play, even if the rhythms are not always explicit or when there are no patterns, the three musici…
A flop-eared rodent frolics in a lush field. In from the horizon sweeps a black cloud, kicked up by an army of similar-looking rodents. That's the basic set-up of Varmints, a 24-minute film by Studio AKA animator Marc Craste, based on a book written by Helen Ward and illustrated by Craste. Jóhann Jóhannsson draws the title of his latest album from the book, and this is the music he composed for the film's soundtrack. There's quite a bit of extra material-- the album is a full 1…
Acephale keep it spooky with Ecstasy's tremulous debut album of ether folk-pop. The best bits are the least twee, including the HTDW-onhelium styles of 'Wild Want' and the shrill ultra lo-fi home recording 'Haunted Love'.(BOOMKAT)
Subtitled: 12 String Meditations For Jack Rose. "Limited to 1000 copies. Solo, untreated, 12-string compositions in tribute to one of the greats. An album of instrumentals in requiem."
Harmonizer, or as lovingly referred to as HARMO around these parts is the Vermont duo of Toby Aronson and Greg Davis, whose previous effort, their self-titled debut on Aronson's own stellar NNA Tapes label was the definitive 5th world statement, and solidified them as sensais in the koan of new drone worship shared by the likes of fellow melodic noisers Caboladies and OPN. In fact Greg Davis (Kranky, Carpark) is zone veteran shredder whose explorations into pastoral electronics have been w…