New Arrivals
Off Duty
As if the music of lysergic, lo-fi drugdub one man band Sun Araw wasn't flipped out and damaged enough, on this latest joint, those already tweaked and twisted sounds get even more far out, the vibe WAY druggier and spacier, a 26 minute blast of crumbling wah-guitar laced psychdub comedown in the form of three skull caving soul freeing innerspace excursions."Last Chants" begins with a dense swirling cloud of white noise and damaged effects, shot through with barely there melodies, and loose detu…
Body EP
You either loved or hated Autre Ne Veut's electrifying 2010 album for Olde English Spelling Bee, and we loved it - as we made abundantly clear at the time. Since its release, ANV has been reasonably quiet, most recently seen turning up on Mordant Music's Variables II 12"; but he's been putting his time to good use it seems, crafting this killer four-track EP for Hippos In Tanks. 'Sweetheart' finds our man warbling and whining in that unmistakable multi-tracked falsetto of his, against a r…
Cosmic Tones For Mental Therapy
This disc brings together the Sun Ra recordings "Cosmic Tones For Mental Therapy" and "Art Forms Of Dimensions Tomorrow" (recorded in 1963 and '61-'62 respectively). Cosmic Tones functions as a kind of blueprint for the sort of large-scale jazz weirdness that would inform much of Sun-Ra's subsequent works, featuring the woozy reeds of 'And Otherness' and the afro-jazz experiments of 'Thither And Yon'. On 'Adventure Equation' a space echo treatment on the recording which is reprised for the sax f…
Belles Betes
“Belles Betes” features 4 new tracks fuzzed-out heaviness. The track ‘Green & Cold’ is currently streamable from Nadja’s MySpace page, and it sounds awesome - dark and brooding yet subtly melodic. Like most Nadja releases, “Belles Betes” is annoyingly limited. It’s being released as an LP and will be limited to 500 copies. Click the Beta-lactam link below for samples from each track and additional album info.
Alphabet 1968
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.
And
Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.
Soldercup
This is the work of Rhodri Davies and Louisa Hendrikien Martin. Davies is extremely active in the experimental / improv / avant-garde scene, being a frequent collaborator, usually playing harp and electric harp. Elsewhere, Martin keeps herself busy in the fields of live sound and visual performance. The foundation of the album was a Harp improvisation which was then manipulated electronically, the artists then improvised along with the recording then edited and repeated the process. The r…
Connected
Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production. 'Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital…
Tweek
"since the last senking album "pong" (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massel's sound cosmos. on "tweek" senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it se…
Total Anal
Metz, France is teeming with great bands: Chevau, Feeling Of Love, Normals, & A.H. Kraken are just the tip of the iceberg. The ANALS sound is similar to the aforementioned bands in their abrasive, weird punk base, but this duo is more obliviously influenced by German industrial electropunk group D.A.F. (via Brainbombs) than their peers. Past singles have sold out immediately, and this is your first chance to hear this unique duo's entire recorded output. Incl. both songs from the Sweet Rot singl…
After Before
Fantastic document of higher-minded drone ritual from a trio that features Taketo Shimada. Shimada is a shadowy figure in fringe minimalism. He worked as Henry Flynt’s assistant, put together the Yoshi Wada week at the Emily Harvey Foundation, was involved with Herbert Huncke, Alison Knowles and a bunch of other Fluxus artists. Messages is an extended investigation into the eternal music concepts of Wada, LaMonte Young, Charlemagne Palestine, Pandit Pran Nath et al, with Shimada on bass a…
There Is A Part Of Me That You Will Never Know
Already out of print, this is the first-ever collaboration between these two legends, Wolf Eyes and Sickness. This is not haphazard but a symbiotic collaboration bridging distant roads. This full length LP is a dark casket of scorched earth sounds, the remains of the cracks at the after shock of discovery. Reminding us of the peaks in either artists' catalog, There Is A Part Of Me That You Will Never Know processes the deepest sounds of these four masters in a haze of lone atmosphere and true no…
Roll the dice
Massively anticipated release of this mysterious Fever Ray related project for fans of John Carpenter, Emeralds, Cluster, Afx - on a strictly limited vinyl pressing* Roll The Dice is a very special collaboration between two Swedish studio boffins, Peder Mannerfelt and Malcolm Pardon. The keener eyed among you will recognise Mannerfelt from his involvement with the stunning Fever Ray project, while Pardon is known for his work as a behind-the-scenes producer of music for film and TV. They'…
Spirits
After a few years spent living in Sweden and touring with Cecil Taylor's Jazz Unit, Ayler moved to NYC to begin imposing his revolutionary style of jazz on the world through a number of groundbreaking records. Spirits, recorded at Atlantic Studios in New York City on 24 February 1964, was his first effort. Recorded a few months prior to his landmark album for ESP-Disk, Spiritual Unity (but only released in Europe on Denmark's Debut Records), for the occasion Ayler recruited Norman Howard …
III
I don't care how many goddamn cute hobo bands there are out there right now. Not two runny shits. There's something Hank IV knows that few other current "of interest" bands realize, and it's a painfully simple thing: guitars were meant to sound like this, not that (pick something). That's as plainly as it can be put. This is twin-guitar punk rock in a class of its own, driving more than dueling and hot-sauce-free. I'd say "power with taste" but then I'd have to kill myself. I will say that…
LP
Providence, RI's (recently relocated from Nashville, TN) Container returns with another slab of alternate universe bent techno. Schofield's take on that over-used genre is not only unique but utterly compelling, forming a modern and exciting new sound. While the classic Container sound is still in tact, this album offers a look into a previously closed door in the Container sound world. LP, like its predecessor LP, is recorded in mono and it cuts right down the middle of your skull, and do…
At the cut
Spilling over with trembling strings and thunderous crescendos, "Coward" foreshadows the electric energy that is to be found throughout Vic Chesnutt's newest record. With members of Godspeed You! Black Emperor, A Silver Mt. Zion, and Fugazi once again contributing, At the Cut is populated by giant melodies, quiet meditations, and intense studies on mortality and memory. But, for all its bombast, At the Cut is probably most notable for Chesnutt's unwavering honesty and cathartic powe…
Frkwys Vol. 07
2015 Repress. The full-length player of FRKWYS Vol. 7 features pieces improvised in various forms by David Borden, James Ferraro, Samuel Godin, Laurel Halo, and Daniel Lopatin. When Lopatin (Oneohtrix Point Never, Ford & Lopatin) and RVNG Intl. began discussing this FRKWYS collaboration, Borden's work in Mother Mallard's Portable Masterpiece Co. and his seminal Music For Amplified Keyboard Instruments album were mutually / ecstatically acknowledged. While rooted in academia, Borden's minimalis…
The Immeasurable Gift
The Immeasurable Gift is a testament to cathartic possibilities and the role of creation/release as a means of understanding. Recorded throughout the past three years in a variety of locations and personal moments; encapsulated by a common, unrelenting concern. Beautifully delicate, elegiac melodies concealed within curtains of dense electronic ambiance reveal themselves like the light at the end of the tunnel; a signifier of the temporary vessel form. Balancing recklessness with care and…
(Fake) The Facts
After the runaway success of the Akita/Gustafsson/O'Rourke LP One Bird Two Bird (DEMEGO 016LP), Swedish sax legend Mats Gustafsson returns to Editions Mego with another storming collaboration. Now a resident of Vienna, he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result. A dense fog of sound comes from all directions, but whereas the general impetus is a full-on attack, the trio finds enough restraint to create a deepe…