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Lawrence English's epic masterpiece - finally available on vinyl for the first time. Strictly limited edition - Initial copies come on white vinyl* One of the most memorable and absorbing albums released by the wonderful Touch label in recent years, "Kiri No Oto" was first released by them on CD in 2008 and has spent much of the intervening time lodged in our minds as one of the finer drone/field recording albums to have been made this century. Kiri No Oto (a Japanese phrase meaning 'sound…
Limited edition of 250, with full color 23 by 33 poster designed and painted by G.Loli. Mutamassik (= tenacity in Arabic) is the musical avatar of Giulia Loli, who merges Egyptian percussions with hardcore breaks. The result, sometimes dubbed Sa'aidi hardcore & Baladi breakbeats is a mutant, syncopated form of instrumental hip-hop. The history of Giulia Loli herself is marked by fluid borders, being born in Italy of an Egyptian mother, moving to the United States in her childhood, staying in Egy…
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
*Exquisite black and silver silk screen printed cover. Limited edition** Oh man, this match-up must be a dream come true for at least a handful of freaks, somewhere, us included! The tenth release on Jozef Van Wissem's Incunabulum imprint sees the label curator jamming with LAFMS legends, Smegma at the Pink House in Portland, 2010, infusing his 13-course swan neck baroque lute into their uncontainable free improvisations in eight parts. They appear to be entirely respectful of each others space,…
Tokyo-based guitarist/singer Hisato Higuchi presents his fourth full-length and first LP release. Henzai is Higuchi at his most bare. Each song appears like a spectral poem -- sewn together with hushed electricity and whispers. This recording is wholly intimate, recorded in seclusion, and washes over the listener like a hazy, day-break dream. Higuchi splits these 12 torch-songs between slow-motion improvisations and the composed, yet each is sung with a mix of beautiful wordless/Japanese languag…
The mythical LAFMS collective Smegma really needs no introduction, where would we all be without them? How many bands were so ahead of their time (1973!), and have been for so long, like Smegma have? Well, here they are with a brand new LP of their famous mix of free jazz, industrial noise, improvisation, straight-up weird music so typical of these masters / US freaks. On the opening track, they are riding on the amazing drums of historical member Dennis Duck (of Dream Syndicate) to pay h…
f you're wondering whether record labels still matter, consider the case of Wolf Eyes. Their last two widely distributed albums, 2004's Burned Mind and 2006's Human Animal, came out on Sub Pop and got lots of media attention, even landing the band on the cover of The Wire. Three years later, Wolf Eyes return with Always Wrong, a follow-up of sorts after reams of smaller-run releases. It came out on Hospital in May, and I can't find a single review beyond a few blog entries and tweets. Even The W…
'In the beginning there was Roland's founder Ikutaro Kakehashi and an arsenal of computer controlled analog jock boxes designed specifically to outmode the trad rock (read: human) rhythm section... the circuitry was so tightly wound however, so rooted in synthesis that it failed to meet its promise. It wasn't until the mid-80s that the TB-TR system took novel form as acid house; a simple but novel attitude shift that saw an embrace of extra-terrestrial machine funk aesthetics converging with the…
YMCA is guitarist Alan Licht's first solo release since 2003's A New York Minute double CD (on XI), and his first solo vinyl outing since 1994's long out-of-print Sink The Aging Process (on Siltbreeze). Largely recorded at a 2004 concert at a Cambridge Massachusetts YMCA by Keith Fullerton Whitman, YMCA documents Licht's solo guitar set of the time -- a three-part structured improvisation that moves from mournful, layered sustained tones that sound more like a reed organ than a guitar, to a gent…
Peter Kolovos is a free sound artist from Los Angeles, CA. Over the last decade he has developed an intensely personal sound vocabulary based on raw texture, volume, and duration. The result has been physical, abstract work that constantly shifts and evolves in real time. The mechanisms of impulse, memory, intent, restraint laid bear. Mastering: Rashad Becker. Full Color Heavy Tip-On Cover-180 Gram Vinyl. Edition of 500 copies.
British avant pop artist Alexander Tucker releases his much anticipated new album, Third Mouth, on Thrill Jockey in 2012. This album builds on the strengths revealed by his landmark debut for the label, Dorwytch released in April 2011, culminating in his finest work to date. Using songs written over a 12 month period he achieves his own inimitable blend of psych rock and ambient pop using a variety of studio crafted effects, rudimentary beats, guitar and bass, as well as synth and cello drone…
Original 1981 release! Slava Ranko(aka Don Philippi) released only one album, Arctic Hysteria (1981), that quotes John Cage, Brian Eno, minimalism, Indian music Don Philippi (October 2 1930-January 26 1993) was a noted translator of Japanese and Ainu and a musician.Born in Los Angeles, Philippi studied at the University of Southern California before going to Japan in 1957 on a Fulbright scholarship to study at the Kokugakuin University. In Japan he became an expert in classical Japanese an…
The 2nd of two keenly awaited vinyl EPs supporting the ambitious 32 hour, 16GB microSD card release of Terre Thaemlitz's 'Soulnessless' - this time featuring a killer reworking from Terre's DJ Sprinkles Alias, plus a sublime 18 minute Piano excerpt of the original. With 'Meditation on Wage Labor and the Death of the Album (Sprinkles' Unpaid Overtime)' on the A-side Terre returns to the deeply arresting New York/New Jersey minimalist House approach which made his 2009 LP - 'Midtown 120 Blue…
Blood n guts folk from the Anglo-American duo. The Wire says “The twining harmonies…recall the heyday of English pastoral folk song”. Plan B says "Dumb Supper is one of those rare modern folk albums that will find a home both in the longstanding 'traditional' music community and among those attracted to the form's more experimental and lo-fi possibilities". Most of the tracks are re-discovered and adapted by the Tylers, their searing harmonies and sparse, vital instrumentation breathing n…
Classic album from 1977, the sixth Kraftwerk album, originally issued by Kling Klang. This is the English-language, U.S.-cover art version. One of the inspired electronically-based pop records of all time. Performed by the quartet of Hütter, Schneider, Flür & Karl Bartos, this is the quintessential Kraftwerk sound recording experience. Tracklist: Side One: A1. Europe Endless; A2. The Hall Of Mirrors; A3. Showroom Dummies. Side Two: B1. Trans-Europe Express; B2. Metal On Metal; B3. Franz …
A while ago one of the members of the youngest antwerp based free jazz band SHELDON SIEGEL (all 16 year olds..) visited me, I had just met them and he wanted to come by to get some records. We spoke about free jazz for a while, then he said the magical words "My dad use to play free jazz in the 70's as well".. I was like "ow, and if that was in antwerp, was it with WIM?", he said "Yes yes, he's on one of their tapes with Fred Van Hove, Ivo Van Der Borght etc". My heartbeat went a little faster, …
Australian Charles Curse's music is one of the weirdest things I've come across all year. On Rain In Skull, fragments of disjointed folk melodies move across a plain of wheezing chords, tape hiss, children's voices, ambient washes, amp hum, electronic glitch and bits of buzz in general. The contrast between downcast guitar playing and the physical claustrophobia-inducing weight of sound is equally perplexing and intriguing. It's all presented in a decidedly lo-fi environment but the sound constr…
"Our third volume of Sun Ra spoken word opens with a rare space story that I discovered on an unmarked five inch reel of tape. When I played the recording, I discovered an incredible story recited by an unknown artist, with Sun Ra going beyond the call of duty on keyboard. Included are two complete lengthy performances from this 1967 session.... The group recitation, 'The Outer Darkness,' is a reworking of the poem 'I Seek A Better World' originally recited by Ray Stubbs on the first volume.... …
There's something almost religious about this Charlatan (Brad Rose) LP, its narrative arc swinging from light to dark and back again. From the opening chords of "Lime Beauty," we're awash in polarized-lens glinting twilight, fluorescent skies over the water. "Trace Blue Outlines" is trance-like and reflective, with long, arpeggiated figures chasing each other skyward in a fugue. Darkness creeps in around the edges of "Vodka Rocks," with almost post-rock moodiness bringing the side to a cl…
an edition of 250 copies on 180 gram virgin black vinyl. A live LP of incendiary concréte guitar shards. Two live sets from SuperDeluxe Tokyo. Imagine Derek Bailey slamming his guitar into the circuitry of David Tudor and the subsequent brawl. Polite applause please. This is the sound of Caravaggio. Marco works outwards from his home in Melbourne, Australia. Primarily a visual artist he produces artwork through the employment of an open methodology, avoiding practice riddiled with formal …